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Notes/Welsh Second Language/Contemporary Welsh culture and media
Notes · Welsh Second LanguageUK · A-Levels

Contemporary Welsh culture and media

This topic is A2 Unit 4 Section A — ‘Living through the medium of Welsh’ — with one exception: the first of its themes, the Welsh language in society, is taught in welsh-language-in-society, because it is also the whole of Unit 5 Section A. What remains is substantial and genuinely assessed. The specification says the examiner may ask candidates to discuss visits from guest speakers, Welsh-language broadcasting on the worldwide web, the Welsh language on social media, Welsh-language theatre productions, Welsh-language films, and Welsh-language journalism including magazines, Y Cymro, Golwg, Lingo and the papurau bro — ‘having dealt with them regularly during the course’. Section A is part of a group discussion of about thirty minutes shared with Section B, inside a unit worth 25% of the A level and weighted AO1 20 to AO2 5. It is the one part of either oral examination whose material is not a set text but your own accumulated experience of Welsh-language culture.

5 sections·~30 min reading time·4 competencies·Level Foundation 1 · Standard 3 · Advanced 1

T·0999 / 14
Exam profile
AO1 · Speak the language correctly and confidently, demonstrating a range of linguistic resources, and adopt a context-appropriate linguistic registerAO1 · Interact, summarise and come to balanced conclusionsAO2 · Respond coherently to literary, visual and factual subjects, orally and in writing, by selecting and interpreting relevant materialAO2 · Collate, compare and evaluate information presented in various media, cross reference other materials, summarise and come to balanced conclusions
Operators:discussdescribecompareevaluatejustifyrespondrecommendconclude

basic level

At AS this material is not directly examined, but it is not idle either. The habits it requires — watching, reading and listening to Welsh-language media and capturing what you find — are the same habits that supply the Unit 2 Package with its research and the Unit 1 oral with its fluency. Starting the log in the AS year is what makes the A2 Section A easy.

higher level

Unit 4 Section A is examined in a group of three inside a thirty-minute discussion shared with the play, so your share of it is short — perhaps five or six minutes. What that rewards is not breadth but readiness: two or three examples you can name, describe and have an opinion about, held so securely that a follow-up question strengthens rather than exposes you. The specification’s phrase ‘having dealt with them regularly during the course’ is a description of two years, not of a revision fortnight.

Depth

Reading depth: In depth

Text

Text size: Standard

Contents · 5 sections▾
  1. Contemporary Welsh culture and media
    • 01What Section A is, and the seven themes it names○
    • 02Broadcasting, the web and the Welsh language online◐
    • 03Welsh-language theatre and film◐
    • 04Welsh-language journalism, and the visitors who came to your class◐
    • 05Living through the medium of Welsh: having a view about your own position●
§ 01

What Section A is, and the seven themes it names#

●○○FoundationLPSpecification §2.2 Unit 4, Order of the examination, A — Living through the medium of WelshLPSpecification §2.2 Unit 4 Section A — the themes the examiner may ask candidates to discussLPSpecification §2.2 Unit 4 — Sections A and B approximately 30 minutes per group

Welsh-language media, as the specification names it

Unit 4 Section A — the media mapTable with 3 columns and 8 rows, Data: Form · Example named · Register; Broadcasting · Welsh on the web · Spoken, varied; Social media · Welsh online · Informal, written; Theatre · Welsh productions · Staged, dramatic; Film · Welsh-language film · Visual, scripted; Newspaper · Y Cymro · National news; Magazine · Golwg, Lingo · Comment, feature; Community press · Papurau bro · Local, plain; Guest speaker · A class visit · Spoken, first-hand, highlighted cell: Community pressFORMEXAMPLE NAMEDREGISTERBroadcastingWelsh on the webSpoken, variedSocial mediaWelsh onlineInformal, writtenTheatreWelsh productionsStaged, dramaticFilmWelsh-language filmVisual, scriptedNewspaperY CymroNational newsMagazineGolwg, LingoComment, featureCommunity pressPapurau broLocal, plainGuest speakerA class visitSpoken, first-hand
Fig. 1The specification names Y Cymro, Golwg, Lingo and the papurau bro directly; the other forms it names by category. The emphasised cell is the community press, the form learners most often overlook and the one most likely to be about their own area.

Key points

Section A opens the A2 oral examination and it is unlike anything else in the specification, because its subject is not a text. The heading is ‘Living through the medium of Welsh’, and the examiner may ask candidates to discuss some of the following themes ‘having dealt with them regularly during the course’: the Welsh language in society; visits from guest speakers; Welsh-language broadcasting on the worldwide web; the Welsh language on social media; Welsh-language theatre productions; Welsh-language films; and Welsh-language journalism including magazines, Y Cymro, Golwg, Lingo and the papurau bro.
Read the parenthesis carefully, because it is doing real work: ‘having dealt with them regularly during the course’. The specification assumes that these are things you have engaged with over two years, not revised in a fortnight, and the difference is audible. A candidate who has watched Welsh-language television every week has opinions, preferences, irritations and specific examples; a candidate who has read a list of Welsh media titles has none of those, and the examiner’s follow-up question — pam? beth yn benodol? (why? what specifically?) — will find them out in about fifteen seconds.
Sections A and B together run for approximately thirty minutes for a group of three, so Section A is perhaps a third of that: ten minutes shared between three candidates. Your own share is therefore three or four minutes, which is both reassuring and demanding. Reassuring, because you do not need to be an expert on Welsh-language culture. Demanding, because in three minutes there is no room to build up to a point: every contribution has to be specific from its first sentence, and vagueness cannot be redeemed later.
Because Unit 4 is weighted AO1 20 to AO2 5, this is above all a test of spoken Welsh. That is worth remembering when the theme feels intimidating. You are not being examined on your knowledge of Welsh broadcasting; you are being examined on whether you can hold a conversation in Welsh about it, listening to the other two, developing what they say, and reaching a conclusion. One well-described example plus an opinion plus a question to another candidate is a better contribution than a list of six programme names.
Worked example

A Unit 4 Section A theme prepared with named examples

Prepare the theme of Welsh-language broadcasting so that it survives two follow-up questions. Show what the preparation must contain.

  1. 01Name something specific

    Not ‘Welsh television’ but a named service and a named kind of programme you actually watch: Dw i’n gwylio’r newyddion ar S4C bron bob nos, a dw i’n gwrando ar Radio Cymru yn y car. (I watch the news on S4C nearly every night, and I listen to Radio Cymru in the car.) Two named sources and a stated habit — which is what ‘having dealt with them regularly during the course’ sounds like.

  2. 02Have a preference and a reason

    Mae’n well gen i’r radio, achos mae’n haws gwrando wrth wneud rhywbeth arall, a dw i’n clywed mwy o wahanol acenion. (I prefer the radio, because it is easier to listen while doing something else, and I hear more different accents.) A preference is an opinion, and an opinion with two reasons survives the first follow-up.

  3. 03Prepare for follow-up one: pam?

    Expect Pam mae hynny’n bwysig? (Why does that matter?) Answer with something about YOU rather than about broadcasting in general: Achos dw i’n dysgu Cymraeg, ac mae clywed pobl o wahanol rannau o Gymru wedi fy helpu i ddeall pobl y tu allan i’r dosbarth. (Because I am learning Welsh, and hearing people from different parts of Wales has helped me understand people outside the classroom.)

  4. 04Prepare for follow-up two: beth yn benodol?

    Expect Rho enghraifft. (Give an example.) Have one ready and keep it short: a particular item, a particular interview, a particular week. If you cannot produce one, the whole answer collapses — which is why the log described in the listening topic is worth keeping. One dated, described example is enough.

  5. 05Turn it outwards

    Finish by bringing somebody in: Ydych chi’n gwylio S4C hefyd, neu ydych chi’n defnyddio’r we yn fwy? (Do you watch S4C too, or do you use the internet more?) Section A is a group discussion and a question at the end of a contribution both satisfies AO1’s interaction clause and buys you thinking time before your next turn.

Result: A named service, a stated habit, a preference with two reasons, one specific example held in reserve, and a question to another candidate. That is three or four minutes of preparation for one theme, and it survives the two follow-up questions the specification promises.

Exam focus

  • Section A’s subject is not a text — it is your own engagement with Welsh-language life and culture (AO1).
  • Seven named themes, one of which (the Welsh language in society) is also the whole of Unit 5 Section A.
  • About ten minutes for a group of three, so three or four minutes each; be specific from the first sentence.
  • Unit 4 is AO1 20 to AO2 5 — the discussion is principally a test of spoken Welsh, not of cultural knowledge.

Typical mistakes

  • Preparing a list of Welsh media titles instead of two or three examples you can actually discuss.
  • Treating Section A as a knowledge test and trying to demonstrate breadth in three minutes.
  • Being general in the opening sentence, when there is no time to become specific afterwards.
  • Overlooking the theme of guest speakers, which is the one the class itself will have supplied.

Active revision

Write the seven themes on a card in Welsh and mark honestly, for each, whether you could talk for two minutes with a specific example. Any theme with a cross is a gap and each gap can be closed in a fortnight — watch something, read something, or ask your teacher about the guest speaker you have forgotten. Seven themes, seven examples, is the whole preparation for this section.

Active recall

Recall the key points — then reveal.

Sources: WJEC GCE AS/A Level Welsh (Second Language) specification — Unit 4 Section A (WJEC CBAC)

§ 02

Broadcasting, the web and the Welsh language online#

●●○StandardLPSpecification §2.2 Unit 4 Section A — Welsh language broadcasting on the worldwide webLPSpecification §2.2 Unit 4 Section A — the Welsh language on social mediaLPSpecification §2.2 Unit 5 Section A — technology and the Welsh language

Key points

The specification’s wording is precise and slightly unusual: not ‘Welsh-language broadcasting’ but ‘Welsh-language broadcasting on the worldwide web’. That phrasing points at something real. Welsh-language television and radio now reach their audience as much through catch-up players, podcasts and clips as through a schedule, and that changes who can watch, when, and from where — including learners, who can pause, replay and use subtitles. It is a genuinely good subject for a discussion because it has two sides: greater access on the one hand, and on the other the loss of the shared moment when a whole community watched the same thing at the same time.
S4C, the Welsh-language television channel, is worth knowing about for two reasons. It is the main provider of Welsh-language broadcasting, and its establishment is one of the named landmarks in Unit 5 Section A — the specification lists ‘the battle for S4C and Gwynfor Evans’s campaign’. That means the same institution appears in the A2 oral as contemporary culture and in the A2 written paper as history, which is a connection worth making explicitly in either. BBC Radio Cymru is the corresponding Welsh-language radio service, and it is particularly useful to a learner because speech radio gives you continuous unrehearsed Welsh in a range of accents.
The Welsh language on social media is a separate theme and it deserves its own thinking rather than being folded into broadcasting. Social media is the one place where ordinary Welsh speakers write Welsh publicly every day, in an informal register that appears almost nowhere else in print. That is linguistically interesting — it is where English loanwords, code-switching and new coinages appear first — and it is socially interesting, because a language with a visible online life looks different to a young person from one that exists only in school and chapel.
Have a view, and be ready for it to be challenged. The optimistic case is that the internet has removed distance: a Welsh speaker in London or Patagonia has the same access as one in Caernarfon, and a learner can immerse themselves without moving. The pessimistic case is that online life is overwhelmingly conducted in English and that the same technology which makes Welsh available also makes English unavoidable. Both are arguable, both are supported by things you can observe, and a candidate who can state one and honestly acknowledge the other is doing precisely what the balanced-conclusions clause of AO1 asks for.
Worked example

Holding a two-sided view about Welsh online

The examiner asks: Ydy’r we yn dda neu’n ddrwg i’r Gymraeg? (Is the internet good or bad for Welsh?) Build an answer that takes a position without pretending the other side does not exist.

  1. 01Refuse the false choice, but still commit

    Do not answer ‘both’. Answer with a position and a qualification: Yn gyffredinol, dw i’n meddwl ei bod hi’n well — ond nid am y rheswm mae pobl yn ei roi fel arfer. (On the whole I think it is better — but not for the reason people usually give.) That commits and promises something specific, which is a strong opening in a discussion.

  2. 02Give the reason nobody expects

    Nid y cynnwys ydy’r peth pwysicaf, ond y ffaith bod modd clywed Cymraeg bob dydd heb fyw mewn ardal Gymraeg. I ddysgwr, mae hynny’n newid popeth. (It is not the content that matters most, but the fact that you can hear Welsh every day without living in a Welsh-speaking area. For a learner, that changes everything.) Speaking from your own position as a learner is honest and it is unanswerable.

  3. 03Concede the strongest counter-argument

    Ar y llaw arall, mae’n rhaid dewis y Gymraeg ar-lein bob tro, ac mae’r Saesneg yno beth bynnag. Dydy hynny ddim yn wir am y radio yn y car. (On the other hand, you have to choose Welsh online every time, and English is there anyway. That is not true of the radio in the car.) Note that the concession is specific and comes with its own example, which is what makes it a concession rather than a formula.

  4. 04Resolve without retreating

    Felly dw i’n dal i feddwl ei bod hi’n well, ond mai’r peth pwysig ydy gwneud y dewis yn haws — nid gwneud mwy o gynnwys. (So I still think it is better, but that the important thing is to make the choice easier — not to make more content.) A resolution that changes the terms of the question is stronger than one that splits the difference.

  5. 05Hand it on

    Ydych chi’n gwneud yr ymdrech honno? Faint o’r amser ydych chi’n dewis y Gymraeg ar-lein? (Do you make that effort? How much of the time do you choose Welsh online?) The question is genuine, it is difficult, and it hands the other two candidates something worth answering — which is what a good contribution to a group discussion does.

Result: Commit, give an unexpected and personal reason, concede a specific counter-argument, resolve by changing the terms, then hand on a real question. The answer is about ninety seconds and it demonstrates position, balance, interaction and conclusion together.

Exam focus

  • The specification says broadcasting ON THE WEB — access, catch-up and podcasts, not only a schedule (AO1).
  • S4C appears in Unit 4 as contemporary culture and in Unit 5 as history; connect the two explicitly.
  • Social media is a separate theme: the one place ordinary Welsh is written publicly in an informal register.
  • Both the optimistic and the pessimistic case about Welsh online are arguable — hold one, acknowledge the other.

Typical mistakes

  • Discussing television as though it were still only a schedule, when the specification names the web.
  • Folding social media into broadcasting and so losing a whole named theme.
  • Offering only the optimistic case, which reads as unconsidered rather than as positive.
  • Naming services you do not actually use, which the first follow-up question exposes.

Active revision

For one week, keep a note of every time you encounter Welsh on a screen — a programme, a clip, a post, a caption, an app in Welsh. At the end of the week, count them and sort them into broadcast and social. Then write four Welsh sentences: what you found, which surprised you, what it suggests about Welsh online, and what you think should change. That is the theme prepared from your own evidence.

Active recall

Recall the key points — then reveal.

Sources: WJEC GCE AS/A Level Welsh (Second Language) specification — Unit 4 Section A themes (WJEC CBAC)

§ 03

Welsh-language theatre and film#

●●○StandardLPSpecification §2.2 Unit 4 Section A — Welsh language theatre productions; Welsh language filmsLPSpecification §2, Skills — discuss and respond to contemporary multimedia culture such as theatre, broadcasting, film and journalismLPSpecification §2.1 Unit 1 — the prescribed film, and §2.2 Unit 4 Section B — the prescribed play

Key points

Two of the seven themes are theatre productions and films, and there is an obvious economy available here that most candidates miss. You are already studying a prescribed film for Unit 1 and a prescribed play for Unit 4 Section B. Both are Welsh-language works, both are things you can describe and have an opinion about, and both are entirely legitimate examples for Section A. The difference is the question being asked: in Section B you discuss the play as a text, and in Section A you discuss it as part of Welsh-language cultural life — who it is for, who sees it, and what it suggests about the state of Welsh-language theatre.
That said, an answer built only on the set works is thin, because the examiner can reasonably ask what else you have seen. Wales has a Welsh-language theatre culture that includes touring companies, community and amateur productions, school and college drama, and the competitive drama of the eisteddfodau. A single production you have actually watched — even a school one — beats a list of companies you have read about, because you can describe it and say what you thought. Go and see something in the two years of the course, and write three lines about it afterwards.
Welsh-language film is a smaller field than television and that is itself an interesting subject for discussion. Films in Welsh are made in small numbers and often with difficulty, which raises real questions a group can argue about: whether a language with half a million speakers can sustain a film industry, whether subtitles help a film reach a wider audience or dilute it, whether a Welsh-language film should be about Welsh subjects. The specification asks you to discuss and respond to contemporary multimedia culture, and ‘respond’ means having a view about questions like those.
Prepare theatre and film as one theme with two examples rather than as two themes, since your time in Section A is short. One production and one film, each with the same four things attached: what it was, when and where you saw it, one specific thing you remember, and what you thought of it. Eight facts in all. The fourth item is the one that matters — an examiner can always ask beth oeddet ti’n ei feddwl ohoni? (what did you think of it?), and a candidate who has only ever summarised has nothing to say.
Worked example

Using the prescribed play as cultural evidence rather than as a text

The examiner asks about Welsh-language theatre. You have studied the prescribed play closely and seen one school production. Build an answer that uses both without slipping into a Section B analysis.

  1. 01Signal which question you are answering

    Open by naming the frame: Dw i am sôn am ddrama Gymraeg fel rhywbeth i’w wylio yn hytrach nag fel testun i’w astudio. (I want to talk about Welsh drama as something to watch rather than as a text to study.) One sentence, and it keeps you out of the Section B trap for the rest of the answer.

  2. 02Use the set play as cultural evidence

    Dyn ni’n astudio drama Gymraeg eleni, ac un peth sy’n fy nharo i ydy pwy sydd i fod i’w gwylio hi. Mae’n ddrama am bobl ifanc, ac eto mewn ysgol mae’r rhan fwyaf ohonon ni’n ei darllen hi yn hytrach na’i gweld hi. (We are studying a Welsh play this year, and one thing that strikes me is who is supposed to watch it. It is a play about young people, and yet in a school most of us read it rather than see it.) That is a cultural observation about a text you know, which is exactly the move.

  3. 03Bring in what you have actually seen

    Gwelais i gynhyrchiad yn yr ysgol y llynedd, ac roedd yn wahanol iawn i’w darllen hi. Roedd y gynulleidfa’n chwerthin mewn llefydd doeddwn i ddim wedi disgwyl. (I saw a production at school last year, and it was very different from reading it. The audience laughed in places I had not expected.) One specific, first-hand detail, and it makes a real point about performance against text.

  4. 04Turn it into a question about the culture

    Felly dw i’n gofyn: ydy drama Gymraeg yn cyrraedd pobl ifanc, neu ydy hi’n cyrraedd myfyrwyr yn unig? (So I ask: does Welsh drama reach young people, or does it only reach students?) An arguable question about Welsh-language culture, raised from your own experience — which is what Section A is for.

  5. 05Have the follow-up ready

    Expect Beth ddylai newid? (What should change?) Answer concretely rather than piously: Mwy o gynyrchiadau teithiol mewn neuaddau lleol, efallai — nid mwy o ddramâu ar y maes llafur. (More touring productions in local halls, perhaps — not more plays on the syllabus.) A specific recommendation is worth more than a general wish, and it closes the contribution decisively.

Result: Frame the question, use the set play as cultural evidence rather than as a text, add one first-hand production with a specific detail, raise an arguable question, and have a concrete recommendation ready. No Section B analysis anywhere in it.

Exam focus

  • The prescribed film and play are legitimate Section A examples — but discuss them as CULTURE, not as texts (AO1, AO2).
  • One production you have actually seen beats a list of companies you have read about.
  • Welsh-language film raises arguable questions about scale, subtitles and subject matter.
  • Attach four things to each example: what, when and where, one specific detail, and what you thought.

Typical mistakes

  • Answering a Section A question about theatre with a Section B analysis of the prescribed play.
  • Naming companies and titles without having seen any of them.
  • Summarising a production instead of responding to it.
  • Treating theatre and film as two separate preparations when your share of Section A is three or four minutes.

Active revision

Between now and the examination, see one Welsh-language production of any kind — professional, community, school, eisteddfod — and watch one Welsh-language film that is not the prescribed one. Write the four items for each: what, when and where, one specific detail, and your opinion. Eight facts, and this whole theme is prepared with material that is genuinely yours.

Active recall

Recall the key points — then reveal.

Sources: WJEC GCE AS/A Level Welsh (Second Language) specification — Unit 4 Section A and the Skills statement (WJEC CBAC)

§ 04

Welsh-language journalism, and the visitors who came to your class#

●●○StandardLPSpecification §2.2 Unit 4 Section A — Welsh language journalism including magazines, Y Cymro, Golwg, Lingo, papurau broLPSpecification §2.2 Unit 4 Section A — visits from guest speakersLPSpecification §2.2 Unit 5 Section A — visit the Menter Iaith and research the work of these organisations

Key points

This is the one theme where the specification names actual titles, so they are worth knowing. Y Cymro is a Welsh-language newspaper; Golwg is a Welsh-language current affairs magazine; Lingo is named alongside them; and the PAPURAU BRO are the local Welsh-language community newspapers, produced largely by volunteers, that cover a single valley, town or district. That last category is the one learners overlook and the one most likely to be about their own area — which makes it the easiest place to find a genuinely local example that nobody else in the group will have.
Read journalism for two purposes at once, as the reading topic sets out: for material you can use, and for constructions you can steal. But for Section A specifically, read it for OPINIONS. What is Welsh-language journalism for? Is a paper that covers one valley in Welsh doing something a national paper cannot? Does a Welsh-language current affairs magazine have to explain Wales to itself, or does it assume the reader already knows? Those are the kinds of question an examiner can ask, and they are much easier to answer if you have read four issues of something than if you have read a description of it.
Guest speakers are a named theme and they are frequently forgotten, because a visit that happened in November feels like a lesson rather than like examinable material. It is not. The specification lists ‘visits from guest speakers’ among the things the examiner may ask you to discuss, which means that whoever came to talk to your class — a Menter Iaith officer, a journalist, an author, somebody from a local business that works through Welsh — is a resource you already have and can describe first-hand. Write down who came, when, what they said, and one thing you asked or wished you had asked.
The value of a guest speaker in a discussion is that it is unmistakably yours. Three candidates who have all watched the same television service will say similar things about it; three candidates who describe what a visitor told them, and what they thought of it, will not. And it demonstrates the AO1 clause about raising questions, because the natural shape of the answer is: this is what they said, this is what I asked, and this is what I still do not agree with — which is a listening, a question and an opinion in one contribution.
Worked example

Comparing a national magazine with a papur bro

You have read one issue of a national Welsh-language current affairs magazine and one issue of your local papur bro. Build a two-minute contribution comparing them.

  1. 01Name both and state the basis of comparison

    Dw i wedi darllen y ddau, a dw i am eu cymharu nhw ar sail un peth: ar gyfer pwy maen nhw’n cael eu hysgrifennu. (I have read both, and I want to compare them on the basis of one thing: who they are written for.) Naming the basis is the same discipline the film topic teaches for comparing characters, and it works identically here.

  2. 02Describe the national magazine

    Mae’r cylchgrawn cenedlaethol yn ysgrifennu i Gymru gyfan, felly mae’n rhaid iddo esbonio pethau lleol. Roedd erthygl am ardal dw i ddim yn ei hadnabod, ac roedd yn dweud lle roedd hi. (The national magazine writes for the whole of Wales, so it has to explain local things. There was an article about an area I do not know, and it said where it was.) One observed detail supporting the claim.

  3. 03Describe the papur bro

    Dydy’r papur bro ddim yn esbonio dim. Mae’n cymryd yn ganiataol eich bod chi’n adnabod pawb. Mae hynny’n gwneud i chi deimlo eich bod chi’n perthyn — neu eich bod chi ddim. (The papur bro explains nothing. It takes for granted that you know everybody. That makes you feel that you belong — or that you do not.) The second half is the opinion, and it is honest rather than sentimental.

  4. 04Draw the comparison to a point

    Felly mae’r ddau’n gwneud pethau gwahanol. Mae un yn ceisio dal Cymru at ei gilydd, ac mae’r llall yn cadw un lle yn fyw. (So the two do different things. One tries to hold Wales together, and the other keeps one place alive.) A comparison that ends in a distinction rather than in a preference is usually the stronger one.

  5. 05Anticipate the follow-up

    Expect Pa un sy’n bwysicach? (Which is more important?) Do not refuse the question: Y papur bro, dw i’n meddwl — achos mae mwy o bobl yn ei ysgrifennu na’i ddarllen, ac mae hynny’n golygu bod pobl yn ysgrifennu Cymraeg bob mis. (The papur bro, I think — because more people write it than read it, and that means people are writing Welsh every month.) A surprising answer with a real reason is what an examiner remembers.

Result: Basis named, both publications described with one observed detail each, a comparison that ends in a distinction, and a committed answer to the obvious follow-up. All of it from two issues of two publications, read once.

Exam focus

  • The specification names Y Cymro, Golwg, Lingo and the papurau bro — know what each kind of publication is (AO2).
  • The papurau bro are local, volunteer-produced, and most likely to give you an example about your own area.
  • Guest speakers are a NAMED theme; a visit to your class is examinable material, not a lesson.
  • A guest-speaker answer naturally contains a report, a question and an opinion — three AO1 demands at once.

Typical mistakes

  • Knowing the four titles as names without knowing what kind of publication each one is.
  • Ignoring the papurau bro, which are the most local and most distinctive of the four.
  • Forgetting a guest speaker entirely because the visit felt like a lesson rather than like material.
  • Reporting what a speaker said without ever saying what you thought of it.

Active revision

Find a copy of your area’s papur bro — most are available through libraries, schools, community centres or online — and read one issue. Write four Welsh sentences: what it covers, who seems to write it, what surprised you, and whether you think it matters. Then do the same for one issue of a national Welsh-language magazine and compare the two. Eight sentences, and the whole journalism theme is prepared from primary material.

Active recall

Recall the key points — then reveal.

Sources: WJEC GCE AS/A Level Welsh (Second Language) specification — Unit 4 Section A, journalism and guest speakers (WJEC CBAC)

§ 05

Living through the medium of Welsh: having a view about your own position#

●●●AdvancedLPSpecification §2.2 Unit 4 Section A — Living through the medium of WelshLPSpecification §1.1 Aims — play an appropriate role in a bilingual society at the beginning of the twenty-first centuryLPSpecification §3.1 AO1 — interact, summarise and come to balanced conclusions

Key points

The heading of Section A is not ‘Welsh-language media’. It is ‘Living through the medium of Welsh’, and the difference is the whole point of the section. The seven themes are examples of what living through Welsh can consist of, but the underlying question is about you: what part does Welsh play in your life, what part could it play, and what would have to change for that to happen? The specification’s own aims say the course should encourage learners to play an appropriate role in a bilingual society at the beginning of the twenty-first century — which is a statement about participation, not about knowledge.
That makes this the one section where being a LEARNER is an advantage rather than a limitation. A first-language speaker discussing Welsh-language culture is describing the water they swim in. A learner is describing a decision they make repeatedly — to watch this rather than that, to answer in Welsh rather than in English, to go to something where they will not understand everything. Those decisions are interesting, they are yours, and they are exactly what an examiner asking about living through the medium of Welsh wants to hear about. Do not pretend to a fluency or a familiarity you do not have; describe the position you are actually in.
Be honest about the difficulties too, because honesty is more persuasive than enthusiasm and because a balanced conclusion requires both sides. It is genuinely harder to keep a conversation in Welsh when everyone in it also speaks English. It is genuinely tiring to watch something in a language you are still learning. It is genuinely awkward to be the person who slows a group down. Saying so in Welsh, calmly, with an example, is a strong contribution — and it opens the door to the more interesting question of what makes it easier, which every other candidate in the room will also have views about.
Prepare three positions you can hold and defend. What has most helped your Welsh outside the classroom, and why? What would you say to somebody your age who is thinking of giving Welsh up after GCSE? And what single change would make Welsh easier to live through where you live — not nationally, but in your town? Those three are the questions this section keeps returning to, and having a considered answer to each, with an example attached, is more useful than knowing another six media titles.
Worked example

Answering ‘what would you say to somebody giving Welsh up?’

The examiner asks: Beth fyddet ti’n ei ddweud wrth rywun sy’n meddwl rhoi’r gorau i’r Gymraeg? (What would you say to somebody thinking of giving up Welsh?) Build an answer that is honest rather than promotional.

  1. 01Do not begin by disagreeing with them

    Yn gyntaf, byddwn i’n gofyn pam. Mae rhesymau da gan y rhan fwyaf o bobl. (First, I would ask why. Most people have good reasons.) An answer that starts by taking the other person seriously is more persuasive than one that starts by correcting them — and it demonstrates the listening clause even in a hypothetical.

  2. 02Name the real difficulty honestly

    Mae’n anodd. Dw i’n gwybod hynny — mae pawb dw i’n eu hadnabod yn siarad Saesneg hefyd, felly mae’n rhaid dewis y Gymraeg bob tro, a does neb yn eich gorfodi chi. (It is hard. I know that — everybody I know speaks English too, so you have to choose Welsh every time, and nobody makes you.) Naming the difficulty accurately is what makes the next move credible.

  3. 03Give the reason that actually persuaded you

    Ond y peth wnaeth newid fy meddwl i oedd sylweddoli bod y Gymraeg yn agor drysau i bethau, nid dim ond i eiriau — pobl, llefydd, swyddi. (But the thing that changed my mind was realising that Welsh opens doors to things, not only to words — people, places, jobs.) Personal and specific beats general and inspirational.

  4. 04Offer something small rather than something large

    Faswn i ddim yn dweud ‘dal ati am ddwy flynedd arall’. Byddwn i’n dweud ‘gwna un peth yn Gymraeg bob wythnos’ — un rhaglen, un sgwrs, un neges. (I would not say ‘keep going for another two years’. I would say ‘do one thing in Welsh every week’ — one programme, one conversation, one message.) A small concrete suggestion is more use than encouragement, and it is more memorable.

  5. 05Accept that they might still stop

    Ac os ydyn nhw’n rhoi’r gorau iddi beth bynnag, dydy hynny ddim yn drychineb. Mae’n haws dechrau eto nag mae pobl yn ei feddwl. (And if they give it up anyway, that is not a disaster. It is easier to start again than people think.) Refusing to catastrophise is honest, it is kind, and it is the kind of balanced conclusion the specification’s third AO1 clause names.

Result: Ask why, name the difficulty accurately, give the personal reason, offer something small and concrete, and accept the other outcome. The answer never becomes promotional, which is exactly why it is persuasive — and it demonstrates listening, development and a balanced conclusion in about ninety seconds.

Exam focus

  • The section is about living through Welsh, not about knowing facts about Welsh-language media (AO1).
  • Being a learner is an advantage here: your engagement is a decision, and decisions are worth discussing.
  • Honesty about the difficulties is more persuasive than enthusiasm, and it is what ‘balanced’ requires.
  • Prepare three defended positions: what helped, what you would say to a leaver, what should change locally.

Typical mistakes

  • Answering as though the section were a test of knowledge about Welsh-language institutions.
  • Performing an enthusiasm you do not feel, which is audible and which no follow-up question survives.
  • Describing only difficulties, with no account of what has worked.
  • Answering the ‘what should change’ question nationally, when a local, specific answer is far stronger.

Active revision

Write the three positions out in Welsh, one paragraph each, and attach a specific example to every one. Then have somebody ask you the hardest follow-up they can think of for each — pam? sut? beth am rywun sydd ddim yn cytuno? Answer without notes. Three positions, three examples, three follow-ups survived, and this section is prepared to a standard that no amount of media-title memorising could reach.

Active recall

Recall the key points — then reveal.

Sources: WJEC GCE AS/A Level Welsh (Second Language) specification — Unit 4 Section A and the Aims (WJEC CBAC)

Contents

Section -- / 05

    • 01What Section A is, and the seven themes it names○
    • 02Broadcasting, the web and the Welsh language online◐
    • 03Welsh-language theatre and film◐
    • 04Welsh-language journalism, and the visitors who came to your class◐
    • 05Living through the medium of Welsh: having a view about your own position●

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From notes into training

Contemporary Welsh culture and media

Reinforce this topic with matching tasks from the question bank.

~30
min
4
Competencies
Practise

References & sources

Sources

WJEC CBAC

  • WJEC GCE AS/A Level Welsh (Second Language) specification — Unit 4 Section A

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