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Notes/Gujarati/મુખ્ય વિષય ૨, પેટા-વિષય ૨: લોકપ્રિય સંસ્કૃતિમાં બદલાવ — festivals, celebrations and film music
Notes · GujaratiUK · A-Levels

મુખ્ય વિષય ૨, પેટા-વિષય ૨: લોકપ્રિય સંસ્કૃતિમાં બદલાવ — festivals, celebrations and film music

This topic is the second sub-theme of Theme 2 of Pearson Edexcel 9GU0: લોકપ્રિય સંસ્કૃતિમાં બદલાવ, change in popular culture, whose aspect line reads તહેવારો, ઉજવણીઓ તેમજ ગુજરાતી ફિલ્મ સંગીત — festivals, celebrations, as well as Gujarati film music. It fills the artistic-culture-2 slot and it is the sub-theme the specification means when it says Theme 2 covers artistic culture through festivals and traditions. Theme 2's research subject, ભારતીય સમાજ પર મહાત્મા ગાંધીજીનો પ્રભાવ — the influence of Mahatma Gandhi on Indian society — is treated here in full as well, because it belongs to this theme and because the specification classifies it as political and intellectual culture. Theme 2 is the one theme whose scope admits other areas of India where Gujarati is spoken as well as the Gujarat state.

5 sections·~35 min reading time·4 competencies·Level Foundation 1 · Standard 2 · Advanced 2

T·0444 / 12
Exam profile
AO4 · Show knowledge and understanding of Gujarati festivals, celebrations and film music, and of Gandhi's influence, and respond critically and analytically to change in popular cultureAO2 · Understand written Gujarati about cultural occasions and about ideas, and respond to it in writingAO1 · Understand spoken Gujarati describing a festival, a performance or an argument, and summarise it in writingAO3 · Write about culture and ideas in accurate Gujarati, using calendrical, ceremonial and abstract vocabulary correctly
Operators:વર્ણન કરોસમજાવોસરખામણી કરોવિશ્લેષણ કરોમૂલ્યાંકન કરોઉદાહરણ આપોતારણ કાઢોચર્ચા કરો

basic level

In the first year, learn the Gujarati calendar — the twelve months of the Vikram Samvat year in the order Gujarat uses, and where the main occasions sit in them — and then learn to describe ONE festival completely in Gujarati: what is done, by whom, what is eaten, what is worn, what is sung. A complete description of one occasion is worth far more than a thin gesture at ten.

higher level

The sub-theme's own title is બદલાવ, change, so the full A-Level expects an argument about what has changed and why, not an inventory of customs. Take one occasion and trace what has happened to it — where it is performed, who pays for it, who is admitted, what is broadcast — and support each step from a named Gujarati source. Then do the same for Gandhi: an argument about influence is only as good as its account of the mechanism.

Depth

Reading depth: In depth

Text

Text size: Standard

Contents · 5 sections▾
  1. મુખ્ય વિષય ૨, પેટા-વિષય ૨: લોકપ્રિય સંસ્કૃતિમાં બદલાવ — festivals, celebrations and film music
    • 01તહેવારો: the Gujarati year and the occasions hung on it○
    • 02ઉજવણીઓ: celebrations, the life cycle and what has changed◐
    • 03ગુજરાતી ફિલ્મ સંગીત◐
    • 04The word બદલાવ: writing about change rather than listing customs●
    • 05સંશોધન માટેનો વિષય: ભારતીય સમાજ પર મહાત્મા ગાંધીજીનો પ્રભાવ●
§ 01

તહેવારો: the Gujarati year and the occasions hung on it#

●○○FoundationLPPearson Edexcel 9GU0 — Theme 2, sub-theme લોકપ્રિય સંસ્કૃતિમાં બદલાવ — aspect: festivals

The Gujarati year and its occasions

Months of the Gujarati yearTable with 3 columns and 12 rows, Data: Month · Roughly · One principal occasion; કારતક · Oct-Nov · બેસતું વર્ષ, the Gujarati new year, and લાભપાંચમ; માગશર · Nov-Dec · Winter weddings and the quiet season after the year-end; પોષ · Dec-Jan · The cold month; few large public festivals fall in it; મહા · Jan-Feb · ઉત્તરાયણ or મકરસંક્રાંતિ, the kite festival, solar and fixed; ફાગણ · Feb-Mar · હોળી and ધુળેટી, the bonfire and the day of colours; ચૈત્ર · Mar-Apr · ચૈત્રી નવરાત્રિ, the spring nine nights, quieter than the autumn one; વૈશાખ · Apr-May · The wedding season and the hottest weeks of the year; જેઠ · May-Jun · The wait for the monsoon; agricultural preparation; અષાઢ · Jun-Jul · અષાઢી બીજ, the Ahmedabad રથયાત્રા and the Kutchi new year; શ્રાવણ · Jul-Aug · જન્માષ્ટમી, observed at scale at Dwarka; ભાદરવો · Aug-Sep · ગણેશ ચતુર્થી and the ભાદરવી પૂનમ fair at Ambaji; આસો · Sep-Oct · નવરાત્રિ with ગરબા and રાસ, then દશેરા and દિવાળી, highlighted cell: મહાMONTHROUGHLYONE PRINCIPAL OCCASIONકારતકOct-Novબેસતું વર્ષ, the Gujaratinew year, and લાભપાંચમમાગશરNov-DecWinter weddings and thequiet season after the year-endપોષDec-JanThe cold month; few largepublic festivals fall in itમહાJan-Febઉત્તરાયણ or મકરસંક્રાંતિ,the kite festival, solar andfixedફાગણFeb-Marહોળી and ધુળેટી, the bonfireand the day of coloursચૈત્રMar-Aprચૈત્રી નવરાત્રિ, the springnine nights, quieter thanthe autumn oneવૈશાખApr-MayThe wedding season and thehottest weeks of the yearજેઠMay-JunThe wait for the monsoon;agricultural preparationઅષાઢJun-Julઅષાઢી બીજ, the Ahmedabadરથયાત્રા and the Kutchi newyearશ્રાવણJul-Augજન્માષ્ટમી, observed atscale at DwarkaભાદરવોAug-Sepગણેશ ચતુર્થી and the ભાદરવીપૂનમ fair at AmbajiઆસોSep-Octનવરાત્રિ with ગરબા and રાસ,then દશેરા and દિવાળી
Fig. 1The twelve months of the Vikram Samvat year in the order Gujarat uses, beginning at Kartak the day after Diwali. The right-hand column gives one principal occasion per month; it is not exhaustive, and the Islamic and Parsi calendars run alongside this one on their own reckonings. The row in heavier ink is the one month whose main festival is solar and therefore does not move.

Key points

Almost nothing in this sub-theme can be dated by the Gregorian calendar alone, so the calendar is not decoration but the prerequisite. The traditional Gujarati year is a Vikram Samvat year, and Gujarat begins it at a different point from most of northern India: the Gujarati new year, બેસતું વર્ષ, falls on the first day of Kartak, the day after Diwali, in the autumn. The twelve months in the Gujarati order are કારતક, માગશર, પોષ, મહા, ફાગણ, ચૈત્ર, વૈશાખ, જેઠ, અષાઢ, શ્રાવણ, ભાદરવો and આસો. Each month divides into a bright fortnight, સુદ, and a dark fortnight, વદ, so a date is given as a month, a fortnight and a lunar day: આસો વદ અમાસ is the new-moon day of Aso, which is Diwali.
Because the reckoning is lunisolar, occasions fixed to it move against the Gregorian calendar from year to year — and one important Gujarati festival does not. ઉત્તરાયણ, also called મકરસંક્રાંતિ, marks the sun's northward turn and falls on 14 January in most years because it is solar, not lunar. It is the kite festival, પતંગોત્સવ, and Ahmedabad has hosted an international kite festival organised by the state since 1989. Alongside the lunar Hindu and Jain occasions run the purely lunar Islamic ones — ઈદ and મુહર્રમ — which move about eleven days earlier each Gregorian year, and the Parsi calendar of the Zoroastrian communities long established in Surat, Navsari and Udvada, whose new year is નવરોઝ or પતેતી. Gujarat's festive year therefore runs on at least three different reckonings at once, and noticing that is already an analytical point rather than a descriptive one.
The occasions themselves repay knowing precisely rather than vaguely. નવરાત્રિ, nine nights in Aso, is the occasion most identified with Gujarat and the setting for ગરબા, the circular dance sung around a perforated earthen lamp-pot, the ગરબો, and for રાસ or દાંડિયા રાસ, danced with sticks. દિવાળી in Aso vad, followed by બેસતું વર્ષ and by ભાઈબીજ and લાભપાંચમ, is the merchant year-end as well as a religious festival, and the ચોપડા પૂજન, the worship of the account books, is a Gujarati observance that ties the two together neatly. હોળી and ધુળેટી fall in Fagan; જન્માષ્ટમી in Shravan is observed with particular scale at Dwarka; and the Jagannath રથયાત્રા in Ahmedabad falls on Ashadhi Bij, the second day of Ashadh, which is also observed as the Kutchi new year.
Fairs, મેળા, are the other half of the festive year and they are where the sub-theme's word બદલાવ becomes visible. The તરણેતરનો મેળો in Surendranagar district and the ભાદરવી પૂનમનો મેળો at Ambaji are large annual gatherings with their own documented histories, and both now sit inside a state tourism calendar as well as a religious one — which raises exactly the question this sub-theme is asking. When a fair is promoted, filmed, ticketed and given a car park, what changes and what does not? An answer that can describe the occasion accurately AND identify one such change, with a source, is doing what the AO4 grid calls critical analysis of culture and society.
Worked example

Paper 1 Section A: translating a festival paragraph into English without flattening it

Translate into English: આસો સુદ એકમથી નોમ સુધી નવરાત્રિ ઊજવાય છે. પહેલાં ગરબા મુખ્યત્વે શેરીના ચોકમાં થતા, પણ હવે મોટાં આયોજનો મેદાનમાં થાય છે અને તેની ટિકિટ પણ હોય છે. જૂનાં ગીતો હજી ગવાય છે, છતાં તેમની સાથે નવું સંગીત પણ ભળ્યું છે.

  1. 01Sentence one: a date range and a passive

    આસો સુદ એકમથી નોમ સુધી — from the first of the bright fortnight of Aso to the ninth; note the paired postpositions -થી, from, and સુધી, up to, and that એકમ and નોમ are lunar day names rather than ordinary numerals. નવરાત્રિ ઊજવાય છે — Navratri is celebrated; ઊજવાવું is the passive of ઊજવવું, to celebrate, and English should keep the passive because the Gujarati gives no agent. So: Navratri is celebrated from the first to the ninth day of the bright fortnight of Aso.

  2. 02Sentence two: a habitual past against a habitual present

    પહેલાં ગરબા મુખ્યત્વે શેરીના ચોકમાં થતા — formerly garbas took place chiefly in the neighbourhood square; થતા is the imperfective participle with an understood હતા, giving a habitual past. પણ હવે મોટાં આયોજનો મેદાનમાં થાય છે — but now large events take place on grounds; આયોજન is an organised event, neuter, so મોટાં agrees in the neuter plural. અને તેની ટિકિટ પણ હોય છે — and there is a ticket for it too. The contrast between પહેલાં plus habitual past and હવે plus present is the whole architecture of the sentence, and English must keep it.

  3. 03Sentence three: two passives and a concessive

    જૂનાં ગીતો હજી ગવાય છે — the old songs are still sung; ગવાવું is the passive of ગાવું. છતાં તેમની સાથે નવું સંગીત પણ ભળ્યું છે — yet new music has mingled with them too; ભળવું is to mix or blend, intransitive, so no ergative appears and the participle ભળ્યું agrees with the neuter સંગીત. છતાં is the concessive, and હજી, still, is again the load-bearing word: the paragraph is about continuity within change.

  4. 04Reread for the argument, then for the chunks

    Two readings. First check the argument survives: formerly street, now grounds, still the old songs but new music too. If your English does not say all three, the translation has failed even if every word is right. Then check the chunks for the points-based scheme: from the first to the ninth; bright fortnight; of Aso; is celebrated; formerly; chiefly; in the neighbourhood square; but now; large events; on grounds; a ticket too; the old songs; still; are sung; yet; new music; has mingled.

Result: Navratri is celebrated from the first to the ninth day of the bright fortnight of Aso. Formerly garbas took place chiefly in the neighbourhood square, but now large events are held on grounds and there is a ticket for them too. The old songs are still sung, yet new music has mingled with them. Three passives, one habitual past, one concessive: exactly the sub-theme's own subject, change, expressed as grammar.

Exam focus

  • Learn the twelve months in the Gujarati order and the સુદ and વદ fortnights. A source will use them without explanation.
  • Know which occasions are solar and which lunar. Uttarayan on 14 January is solar; Diwali and Navratri move; Eid moves in the other direction.
  • One occasion described completely beats six named. The grid rewards pertinent information, not coverage.
  • The sub-theme title is બદલાવ. Every festival paragraph should end by saying what has changed about the occasion and how you know.

Typical mistakes

  • Giving festival dates only in Gregorian terms, which makes lunar occasions look fixed when they are not.
  • Starting the Gujarati year in spring. Gujarat's Vikram Samvat year begins at Kartak, after Diwali, not at Chaitra.
  • Treating Navratri as the whole of Gujarati festive culture. It is the most visible occasion, not the only one, and the Muslim, Jain and Parsi calendars of Gujarat are part of this sub-theme too.
  • Confusing ગરબા with રાસ. Garba is the circular sung dance; raas is danced with sticks. A source will assume you know.

Active revision

ગુજરાતી વર્ષના બાર મહિના ક્રમમાં લખો. પછી ત્રણ મહિના પસંદ કરીને દરેક સાથે એક તહેવાર જોડો અને ગુજરાતીમાં બે વાક્યમાં જણાવો કે એ તહેવારમાં શું થાય છે. અંતે એક વાક્યમાં લખો કે ચંદ્ર અને સૂર્ય આધારિત ગણતરીના ફરકની તહેવારોની તારીખો પર શી અસર પડે છે.

Active recall

Recall the key points — then reveal.

Sources: Pearson Edexcel Level 3 Advanced GCE in Gujarati (9GU0) specification (Pearson Edexcel)

§ 02

ઉજવણીઓ: celebrations, the life cycle and what has changed#

●●○StandardLPPearson Edexcel 9GU0 — Theme 2, sub-theme લોકપ્રિય સંસ્કૃતિમાં બદલાવ — aspect: celebrations

Key points

The aspect line separates તહેવારો from ઉજવણીઓ, and the distinction is worth honouring rather than collapsing. તહેવાર is a festival fixed in the calendar and shared by a community; ઉજવણી, from ઊજવવું, to celebrate, is a celebration, which may be calendrical but is more often occasioned — a wedding, a birth, a naming, a first day at school, an anniversary, a retirement, a house-warming. In other words, the second aspect is largely the life cycle, and treating it as a synonym for the first wastes a third of the sub-theme.
The Gujarati life-cycle vocabulary is a compact and high-value set. લગ્ન a wedding, with its component occasions — સગાઈ the engagement, મંડપ the wedding pavilion, ફેરા the circuits of the sacred fire, કન્યાવિદાય the departure of the bride; સીમંત the ceremony during pregnancy; નામકરણ the naming; જનોઈ the sacred-thread ceremony in some communities; વાસ્તુ the house-warming; and the observances of mourning, બેસણું and શ્રાદ્ધ. Alongside these run the community-specific forms of Gujarat's Muslim, Jain, Parsi and Christian populations, and a sub-theme about popular culture in Gujarat that mentions only Hindu observance has described a part as though it were the whole.
What has changed is the sub-theme's actual question and the most productive answers name a mechanism. Four are visible and each generates a claim you can test. Scale and cost: wedding expenditure and the professionalisation of catering, decoration and photography, which turns a family event into a market. Distance: a celebration organised across cities and countries, with relatives arriving for two days rather than a fortnight, so that the event compresses. Documentation: a celebration is now filmed and circulated, which changes how it is performed as well as how it is remembered. And regulation and reform: community associations and reform movements that have argued for simpler weddings and against dowry are a documented part of Gujarati social history, and naming one is better evidence than a general observation about extravagance.
The register for writing about ceremony needs care, because the vocabulary is culturally specific and the temptation is either to explain nothing or to explain everything. The rule that works in an examination answer is to name the thing in Gujarati and gloss it in a subordinate clause only where the argument depends on it: કન્યાવિદાય, એટલે કે કન્યાનું પિયર છોડવું, આજે પણ સૌથી ભાવુક ક્ષણ ગણાય છે — the kanyavidaay, that is to say the bride's leaving of her parental home, is still considered the most emotional moment. એટલે કે, that is to say, is the gloss-marker to have ready. It shows an examiner that you know the word is specialised, which is itself evidence of range.
Worked example

Paper 2 Section A: a celebration paragraph into Gujarati

Translate into Gujarati: Twenty years ago a wedding lasted several days and the whole street was invited. Today many families hold a shorter ceremony in a hall, because the relatives come from different cities and cannot stay long. Even so, the songs that are sung have not changed much.

  1. 01Sentence one: a time expression and a habitual past

    Twenty years ago becomes વીસ વર્ષ પહેલાં — the numeral, the noun in the singular as Gujarati prefers after a numeral, and પહેલાં, before or ago, which follows. a wedding lasted several days becomes લગ્ન કેટલાય દિવસ ચાલતાં — ચાલવું, to run or last, in the imperfective for habitual past, agreeing with the neuter plural લગ્ન. and the whole street was invited becomes અને આખી શેરીને નિમંત્રણ અપાતું — literally an invitation used to be given to the whole street, with the dative -ને and the passive imperfect અપાતું.

  2. 02Sentence two: a main clause and a causal clause in the right order

    Gujarati normally puts the reason after the result with કારણ કે, exactly as English does with because, so the order can be kept. Today many families hold a shorter ceremony in a hall becomes આજે ઘણાં કુટુંબો હોલમાં ટૂંકો સમારંભ યોજે છે — યોજવું, to hold or organise, is the right verb for an event; સમારંભ is a ceremony or function, masculine, hence ટૂંકો. because the relatives come from different cities and cannot stay long becomes કારણ કે સગાંવહાલાં જુદાં જુદાં શહેરોમાંથી આવે છે અને લાંબું રોકાઈ શકતાં નથી — with the stacked ablative -માંથી and the capability auxiliary શકવું negated.

  3. 03Sentence three: a concessive opener and a relative clause

    Even so becomes તેમ છતાં, placed first. the songs that are sung becomes જે ગીતો ગવાય છે તે — Gujarati builds a relative clause with the correlative pair જે… તે…, and the relative comes first: literally which songs are sung, those. have not changed much becomes ખાસ બદલાયાં નથી, with ખાસ, particularly or much, and the neuter plural agreement on બદલાયાં. Full: તેમ છતાં જે ગીતો ગવાય છે તે ખાસ બદલાયાં નથી.

  4. 04The check that catches the most marks here

    This paragraph has no perfective transitive at all, so there is no ergative to check — which is itself worth noticing, because candidates trained to hunt for -એ sometimes insert one where the verb is intransitive or passive. What there is instead is agreement in four places: ચાલતાં and બદલાયાં with neuter plurals, ટૂંકો with a masculine singular, and અપાતું with the neuter. Check those four, and check that the જે… તે… pair is complete.

Result: વીસ વર્ષ પહેલાં લગ્ન કેટલાય દિવસ ચાલતાં અને આખી શેરીને નિમંત્રણ અપાતું। આજે ઘણાં કુટુંબો હોલમાં ટૂંકો સમારંભ યોજે છે, કારણ કે સગાંવહાલાં જુદાં જુદાં શહેરોમાંથી આવે છે અને લાંબું રોકાઈ શકતાં નથી। તેમ છતાં જે ગીતો ગવાય છે તે ખાસ બદલાયાં નથી। The teaching points are the habitual past in -તું, the correlative relative જે… તે…, and the discipline of not inserting an ergative where none belongs.

Exam focus

  • તહેવાર and ઉજવણી are different aspects. Life-cycle celebration is the second one and it is frequently missed entirely.
  • Name at least one non-Hindu observance. Gujarat's Muslim, Jain, Parsi and Christian communities are part of this sub-theme's population.
  • Name a mechanism of change — cost, distance, documentation, reform — rather than describing weddings as having become grander.
  • એટલે કે is the gloss-marker. Use it once or twice to show control of specialised vocabulary; using it constantly slows the prose.

Typical mistakes

  • Writing about weddings only. The aspect covers births, namings, house-warmings, anniversaries and mourning as well.
  • Presenting extravagance as a modern invention. Reform movements against costly weddings are themselves long-standing in Gujarat, and knowing that turns a cliche into an argument.
  • Explaining every Gujarati term at length. It reads as padding, and in an essay of 300 to 350 words it displaces the analysis.
  • Using ઊજવવું for a mourning observance. It means to celebrate; a mourning gathering is પાળવું or simply described, not celebrated.

Active revision

એક ગુજરાતી ઉજવણી પસંદ કરો જે તહેવાર નથી — લગ્ન, નામકરણ, વાસ્તુ કે એવી કોઈ. ગુજરાતીમાં લખો કે તેમાં શું થાય છે, અને પછી એક ચોક્કસ ફેરફાર જણાવો જે છેલ્લાં ત્રીસ વર્ષમાં આવ્યો છે — સાથે એ પણ લખો કે તમે એ ફેરફાર વિશે ક્યાંથી જાણ્યું. લગભગ ૧૫૦ શબ્દો.

Active recall

Recall the key points — then reveal.

Sources: Pearson Edexcel Level 3 Advanced GCE in Gujarati (9GU0) specification (Pearson Edexcel)

§ 03

ગુજરાતી ફિલ્મ સંગીત#

●●○StandardLPPearson Edexcel 9GU0 — Theme 2, sub-theme લોકપ્રિય સંસ્કૃતિમાં બદલાવ — aspect: Gujarati film music

Key points

Gujarati cinema is old enough to have a history worth knowing, and knowing three dates gives an answer a spine. Narsinh Mehta, released in 1932, is generally identified as the first Gujarati talkie, and its subject is telling: Narsinh Mehta was a fifteenth-century Gujarati devotional poet, so the industry began by setting existing devotional poetry to film. Bhavni Bhavai, directed by Ketan Mehta and released in 1980, is the best-known Gujarati film of the parallel-cinema period and takes the બહુરૂપી folk-theatre form ભવાઈ as its structure. Kevi Rite Jaish, directed by Abhishek Jain and released in 2012, is widely credited with beginning a revival of urban Gujarati cinema. All three are on the specification's own prescribed film list, which is a coincidence you should notice and use with care — see the caution below.
The music matters more in Gujarati cinema than a British student might expect, because the film song sits on top of an unusually strong pre-existing song culture. The forms feeding into it are ગરબો and ગરબી, the songs of Navratri; રાસ; ભજન, devotional song, of which Narsinh Mehta's વૈષ્ણવ જન તો તેને કહીએ is the most famous example; લોકગીત, folk song, including the Saurashtra and Kutch repertoires; and સુગમ સંગીત, light classical song. A Gujarati film song is very often one of these forms in a new setting, which is why the aspect belongs in a sub-theme about change rather than about invention.
Named figures with documented work give you the pertinent information the AO4 grid asks for. Avinash Vyas, who lived from 1912 to 1984, composed prolifically for Gujarati cinema and is associated with a large body of garba and film song. Hemu Gadhavi, 1929 to 1965, was a folk singer and All India Radio artist who did much to bring the Saurashtra folk repertoire to a broadcast audience. Diwaliben Bhil, 1943 to 2016, was a folk singer awarded the Padma Shri in 1990. Choose two, learn what they actually did and when, and be able to write it in Gujarati: સંગીત આપવું to compose the music, ગાયું to sing, લોકગીતોને નવો શ્રોતાવર્ગ આપવો to give folk songs a new audience.
The analytical question the aspect wants is what has changed, and there are several honest answers to choose between. The channel: a song that once reached people through a radio broadcast or a cassette now reaches them through a streaming platform and a short video, which changes its length and its ending. The setting: an urban Gujarati cinema aimed at multiplex audiences uses different registers and more English borrowing than a village-set film of the 1970s. The relationship to the devotional repertoire: whether the modern industry still draws on bhajan and garba, or has separated from them, is a real question about which people disagree. And the survival of the older forms outside cinema entirely — Navratri garba is not a film genre and has its own commercial life. Say which change you are arguing about.
Worked example

Paper 1 Section B: an open-response question answered in Gujarati without copying

A Section B text discusses how a garba once sung by a small circle in a courtyard is now performed by a band with amplification at a ticketed event. The question is: લેખકના મતે આ ફેરફારથી શું ખોવાયું છે અને શું મળ્યું છે? તમારા શબ્દોમાં જવાબ આપો. Write the answer.

  1. 01Notice that the question has two halves and both carry marks

    શું ખોવાયું છે અને શું મળ્યું છે — what has been lost and what has been gained. An answer that only lists losses answers half the question, and this is the commonest way to lose marks on a two-part open response. Before writing, put a mark in the margin against one loss and one gain in the text.

  2. 02Find the author's evaluation of each, not your own

    તમારા શબ્દોમાં allows you to reword; લેખકના મતે does not allow you to substitute your own judgement. So the loss and the gain must both be the author's. Look for the evaluative signals: ગુમાવ્યું છે, ઓછું થયું છે, હવે રહ્યું નથી on the loss side; મળ્યું છે, વધ્યું છે, નવી તક on the gain side.

  3. 03Reword rather than lift, using synonyms you already own

    If the text says શેરીના ચોકની આત્મીયતા ઓછી થઈ છે, do not copy it. Write નિકટતા ઘટી છે or નાના વર્તુળનું અંગત વાતાવરણ ઓછું થયું છે. The examiner is checking that you can restate, which is a comprehension test disguised as a writing test. Keeping a short list of synonym pairs — આત્મીયતા and નિકટતા, વધવું and વૃદ્ધિ પામવી, ઓછું થવું and ઘટવું — makes this fast.

  4. 04Write it as one balanced sentence, or two short ones

    લેખકના મતે નાના વર્તુળનું અંગત વાતાવરણ ઘટ્યું છે, પણ સામે પક્ષે ગરબાને ઘણો મોટો શ્રોતાવર્ગ અને કલાકારોને આવક મળી છે. In the author's view the intimate atmosphere of the small circle has diminished, but on the other side garba has gained a much larger audience and the performers an income. સામે પક્ષે, on the other side, does the balancing work that the two-part question requires.

Result: Two-part questions need two-part answers, with both halves attributed to the author and both reworded. The transferable habit is the marginal mark: identify the loss and the gain in the text before you begin to write, so the balance is built in rather than remembered.

Exam focus

  • Three dates carry this aspect: 1932 for Narsinh Mehta, 1980 for Bhavni Bhavai, 2012 for Kevi Rite Jaish. Dates are checkable evidence.
  • Name the song forms — ગરબો, રાસ, ભજન, લોકગીત, સુગમ સંગીત — and show how film music draws on them. That is the change argument in miniature.
  • A caution on the prescribed films: if you take Theme 2's research subject you may not use a Paper 2 work in your research. Studying a prescribed film for Paper 2 does not stop you writing about film music thematically, but keep the two preparations separate and see the individual-research-project topic.
  • Two named musicians described accurately beat six names listed. Learn dates and a sentence of what each did.

Typical mistakes

  • Writing about Hindi cinema. Gujarati film music is the aspect; Bollywood is a different industry in a different language, and a Gujarati singer's Hindi work is not this aspect.
  • Treating garba as a film genre. It exists independently of cinema and has for centuries; the interesting claim is about the traffic between them.
  • Naming musicians with no dates and no description. It reads as a list, which the grid calls generalised.
  • Assuming Gujarati cinema died and was reborn. The claim is common but strong; if you make it, attribute it, and note that the industry's output never stopped entirely.

Active revision

ગુજરાતી ફિલ્મ સંગીત અને પરંપરાગત ગુજરાતી ગીતપ્રકારો — ગરબો, ભજન, લોકગીત — વચ્ચેનો સંબંધ ગુજરાતીમાં સમજાવો. ઓછામાં ઓછા એક સંગીતકાર કે ગાયકનું નામ, તેમનો સમયગાળો અને તેમનું કામ લખો. અંતે એક ફેરફાર જણાવો અને એ ફેરફારનું કારણ આપો. લગભગ ૧૫૦ શબ્દો.

Active recall

Recall the key points — then reveal.

Sources: Pearson Edexcel Level 3 Advanced GCE in Gujarati (9GU0) specification (Pearson Edexcel)

§ 04

The word બદલાવ: writing about change rather than listing customs#

●●●AdvancedLPPearson Edexcel 9GU0 — Theme 2, sub-theme લોકપ્રિય સંસ્કૃતિમાં બદલાવ — all aspectsLPPearson Edexcel 9GU0 — Paper 3 Section B

Key points

The sub-theme is not called popular culture; it is called લોકપ્રિય સંસ્કૃતિમાં બદલાવ, change in popular culture. That word governs the whole marking of every answer you write here, and it is the single most common thing candidates lose sight of, because describing a festival is enjoyable and analysing a change is hard. A practical test: read back any paragraph you have written for this sub-theme and ask whether it contains a verb of change with a time reference attached. If it does not, the paragraph is description, and the AO4 grid places description in its lower bands however accurate it is.
Gujarati has a rich set of change verbs and they are not interchangeable. બદલાવું, to change, intransitive, and બદલવું, to change something, transitive — the pair is worth drilling because the ergative appears with one and not the other. ફેરફાર થવો, for an alteration to occur. વધવું and ઘટવું, to increase and to decrease. લુપ્ત થવું, to disappear or become extinct, which is strong and should be reserved for something you can show. ટકી રહેવું, to survive or persist, which is the verb candidates most often need and least often know. પુનર્જીવિત થવું, to be revived. And ભળવું, to merge or blend, which is often the truest description of what happens to a cultural form.
Change needs a time reference to be a claim rather than a mood, and Gujarati marks time with precision. પહેલાં, formerly; અગાઉ, previously; છેલ્લાં ત્રીસ વર્ષમાં, in the last thirty years; ધીમે ધીમે, gradually; આજકાલ, nowadays; હવે, now; ત્યારથી, since then; એ સમયે, at that time. Pair one of these with one change verb and you have the skeleton of every analytical sentence in the sub-theme: છેલ્લાં ત્રીસ વર્ષમાં ગરબાનું આયોજન ધીમે ધીમે વ્યાવસાયિક બન્યું છે, in the last thirty years the organisation of garba has gradually become commercial.
Finally, the mechanism. A change claim with a time reference is good; a change claim with a time reference and a stated mechanism is what earns the top band. The mechanisms available in this sub-theme are few enough to hold in your head: money, when something acquires a market; technology, when the channel of transmission changes; migration, when the people who performed something move; the state, when an occasion is promoted or regulated; and generation, when the people who knew a form stop being the people who practise it. Naming which mechanism you mean, and saying how you know, is the difference between a candidate who has watched a festival and one who has researched it.
Worked example

Paper 3 Section B parts (a) and (b): two summaries that set up the evaluation

The listening source is an older musician saying that garba has lost its devotional character; the written source is a younger organiser arguing that it has found a new audience and a new economy. Write the two summaries so that part (c) becomes easy.

  1. 01Understand what parts (a) and (b) are for

    Section B is a single 30-mark question in parts: you summarise the different points of view in each source, and then you evaluate them and draw conclusions. The summaries are not a warm-up. They are the material part (c) will use, so write them on a shared axis — that is, make them answer the same question — or part (c) will have nothing to weigh.

  2. 02Summary (a): the spoken source, as a claim with a ground

    વક્તાના મતે ગરબાનું ધાર્મિક સ્વરૂપ ઘટ્યું છે, કારણ કે હવે તે માતાજીની આરાધનાને બદલે મનોરંજનનું આયોજન બની ગયું છે. In the speaker's view the devotional form of garba has diminished, because it has now become an entertainment event rather than worship. Note ને બદલે, instead of, which is the postposition that makes a replacement claim, and બની જવું, to become, with the compound auxiliary signalling completion.

  3. 03Summary (b): the written source, deliberately on the same axis

    લેખકના મતે સ્વરૂપ બદલાયું છે એ ખરું, પણ એ ઘટાડો નથી: નવા શ્રોતાવર્ગ અને કલાકારોની આવકને કારણે ગરબા વધુ લોકો સુધી પહોંચ્યા છે. In the writer's view it is true that the form has changed, but this is not a decline: because of a new audience and performers' incomes, garba has reached more people. The two summaries now disagree about the same thing — whether change equals loss — which is exactly what part (c) needs.

  4. 04See what the shared axis has done for part (c)

    Because both summaries answer whether change equals loss, part (c) can open by naming the real disagreement rather than restating both sources: બંને એ વાત પર સહમત છે કે ગરબાનું સ્વરૂપ બદલાયું છે; મતભેદ એ છે કે એ ફેરફારને ખોટ ગણવી કે નહીં. Both agree that the form of garba has changed; the disagreement is whether that change should be counted as a loss. An examiner reading for clear evaluation has it in the first sentence.

Result: Two summaries written on a shared axis, each a claim with a ground and an attribution phrase. The technique to keep: write summary (b) with summary (a) in front of you, and make them answer the same question, because part (c) is marked on evaluation and you cannot evaluate two sources that are not talking about the same thing.

Exam focus

  • Every paragraph in this sub-theme should contain a change verb and a time reference. Check it explicitly before you move on.
  • ટકી રહેવું, to persist, is as important as any verb of loss. Continuity within change is usually the truer and always the more interesting claim.
  • Name the mechanism — money, technology, migration, the state, generation. Five options, and choosing one is the analysis.
  • The Paper 3 Section B question requires you to compare a heard and a read source. Cultural change is a natural setting for it: expect an older speaker and a younger writer, or the reverse.

Typical mistakes

  • Confusing બદલવું and બદલાવું. The transitive takes an ergative subject in the perfective; the intransitive does not, and getting it wrong is visible.
  • Writing that a tradition is dying. Unless you can show it, use ઘટ્યું છે or ટકી રહ્યું છે — the honest verbs — and attribute anything stronger.
  • Change with no date. In the last thirty years is a claim; nowadays is a mood.
  • Listing changes without a mechanism. It reads as a catalogue, and the grid rewards connection between ideas.

Active revision

કોઈ એક ગુજરાતી સાંસ્કૃતિક પ્રથા પસંદ કરો. ગુજરાતીમાં ત્રણ વાક્યો લખો: પહેલામાં ફેરફારનું ક્રિયાપદ અને સમયનો ઉલ્લેખ હોય, બીજામાં એ ફેરફારનું કારણ — પૈસો, ટેકનોલોજી, સ્થળાંતર, સરકાર કે પેઢી — હોય, અને ત્રીજામાં જે વસ્તુ ટકી રહી છે તે જણાવો.

Active recall

Recall the key points — then reveal.

Sources: Pearson Edexcel Level 3 Advanced GCE in Gujarati (9GU0) specification (Pearson Edexcel)

§ 05

સંશોધન માટેનો વિષય: ભારતીય સમાજ પર મહાત્મા ગાંધીજીનો પ્રભાવ#

●●●AdvancedLPPearson Edexcel 9GU0 — Theme 2 research subject ભારતીય સમાજ પર મહાત્મા ગાંધીજીનો પ્રભાવ — aspects: his effect on ways of thinking and outlook; his influence on ways of living; his legacyLPPearson Edexcel 9GU0 — Paper 1 Section C (writing: research question)

The three aspects of the Gandhi research subject, and what each demands

Gandhi: aspect and evidenceGraph, Research subject → Thought and outlook, Research subject → Ways of living, Research subject → Legacy, Thought and outlook → His own Gujarati writing, Ways of living → Documented practice, Legacy → Dated events; attributed viewsResearch subjectThought andoutlookWays of livingLegacyHis own GujaratiwritingDocumentedpracticeDated events;attributed views
Fig. 2The three aspects form a chain — an idea, the practice it produced, and what survived of both — and each demands a different kind of evidence. Reading the chain left to right is also the safest essay structure for this subject, because it keeps a biography from turning into a narrative. The emphasised node is the aspect where an unattributed characterisation does the most damage.

Key points

Theme 2's research subject is the influence of Mahatma Gandhi on Indian society, and its three aspects are વિચારસરણી અને દૃષ્ટિકોણ ઉપર મહાત્મા ગાંધીજીની અસર (his effect on ways of thinking and outlook), જીવનશૈલી ઉપર તેમનો પ્રભાવ (his influence on ways of living), and મહાત્મા ગાંધીજીનો વારસો (his legacy). Because it belongs to Theme 2, its scope is the wider one: research may draw on the Gujarat state and on other areas of India where Gujarati is spoken. It is also the only research subject in the qualification whose sources exist in Gujarati in enormous quantity written by the subject himself, which is a very large advantage — Gandhi wrote in Gujarati, and his Gujarati is readable.
The Gujarat facts are the anchor. Mohandas Karamchand Gandhi was born at Porbandar in 1869 and died in 1948. He wrote હિંદ સ્વરાજ in Gujarati in 1909 and his autobiography સત્યના પ્રયોગો, the experiments with truth, was serialised in the Gujarati weekly નવજીવન in the later 1920s. He founded the Satyagraha Ashram near Ahmedabad in 1915 and moved it to Sabarmati in 1917; Gujarat Vidyapith, in Ahmedabad, was founded by him in 1920; and Navjivan Trust, his publishing house, dates from 1919. The Kheda satyagraha of 1918 and the Ahmedabad mill workers' struggle of the same year were Gujarat campaigns; the Bardoli satyagraha of 1928 was led by Vallabhbhai Patel; and the salt march, દાંડીકૂચ, went from Sabarmati to Dandi in March and April 1930. Those are dated institutional facts and you may state them flatly.
For the first aspect the vocabulary of the ideas is the content, and it is Gujarati vocabulary. સત્ય truth; અહિંસા non-violence; સત્યાગ્રહ, literally holding fast to truth, the name Gandhi gave to his method; સ્વરાજ self-rule; સ્વદેશી, of one's own country, the doctrine of using domestically made goods; ખાદી hand-spun cloth; સર્વોદય the uplift of all; ટ્રસ્ટીશિપ trusteeship, his doctrine about wealth; રચનાત્મક કાર્યક્રમ the constructive programme; ગ્રામ સ્વરાજ village self-rule; અસ્પૃશ્યતા untouchability, whose removal he campaigned for. For the second aspect these become practices: spinning, diet, simplicity of dress, communal living in an ashram, manual labour as a discipline. Learn to write both — the idea and the practice it produced — because the two aspects ask for exactly that pairing.
This subject is also where the qualification's method for contested material is most needed, because Gandhi is the object of serious, continuing and public historiographical argument in India and elsewhere. His relationship to caste and his exchanges with B. R. Ambedkar, including the Poona Pact of 1932, are argued about by historians and by political movements with entirely different conclusions. His writings and conduct in South Africa before 1915 have been the subject of published criticism. His economic thought is admired and dismissed by identifiable schools. The method is the same as everywhere in this qualification: state the dated facts flatly, attribute every characterisation to whoever makes it, name the live debates as debates rather than settling them, invent no statistics, and mark your own judgement as a judgement. A Section C answer that reports the argument accurately will outscore one that takes a side loudly.
Worked example

Paper 1 Section C: writing about legacy without asserting it

The unseen text is a Gujarati column published around 2 October, Gandhi Jayanti, arguing that commemoration has replaced practice. The statement is ગાંધીજીનો વારસો આજે માત્ર સ્મરણ પૂરતો રહી ગયો છે — Gandhi's legacy today has been reduced to remembrance alone. Build the answer.

  1. 01Find the contestable word, as always

    માત્ર, only, is doing the work, reinforced by પૂરતો, merely to the extent of. The statement is not that commemoration exists; it is that nothing else does. That is a strong claim and therefore an arguable one. Decide your position on માત્ર before writing a word.

  2. 02Separate the three things that are called legacy

    This is the analytical move the subject rewards. Legacy as commemoration: 2 October is a national holiday in India, Gandhi Jayanti, and the United Nations declared it the International Day of Non-Violence in 2007. Legacy as institution: Sabarmati Ashram, Gujarat Vidyapith founded in 1920, Navjivan Trust founded in 1919 all still exist and do things. Legacy as method: satyagraha as a repertoire of protest that later movements, inside and outside India, have explicitly claimed. Three different things, three different kinds of evidence, and the statement is only really true of the first.

  3. 03Open by conceding the true part and naming the distinction

    આ વિધાનમાં એક ભાગ સાચો છે: સ્મરણનું પ્રમાણ વધ્યું છે અને ૨ ઓક્ટોબર રાષ્ટ્રીય રજા છે. પણ વારસો શબ્દના ત્રણ અર્થ છે — સ્મરણ, સંસ્થા અને પદ્ધતિ — અને વિધાન માત્ર પહેલા અર્થને લાગુ પડે છે। Part of this statement is true: commemoration has increased and 2 October is a national holiday. But the word legacy has three senses — remembrance, institution and method — and the statement applies only to the first. That opening has already earned on AO4 by making a distinction.

  4. 04Use the unseen text for its argument, and answer it

    AO2 is 10 marks for using relevant information from the text. So engage with the column rather than quoting it: લેખકની દલીલ મજબૂત છે જ્યાં તેઓ સમારંભની વાત કરે છે, પણ તેઓ સંસ્થાઓનો ઉલ્લેખ કરતા નથી. The writer's argument is strong where he speaks of ceremonies, but he makes no mention of the institutions. Naming what a source does NOT say is one of the most efficient ways to earn on AO2 while advancing your own argument.

  5. 05Handle the contested part honestly, in one measured sentence

    એ પણ ખરું કે ગાંધીજીના જાતિ અંગેના વલણ પર ઇતિહાસકારો વચ્ચે ગંભીર મતભેદ છે, અને એ ચર્ચા પોતે જ વારસાનો એક ભાગ છે। It is also true that there is serious disagreement among historians about Gandhi's position on caste, and that debate is itself a part of the legacy. That sentence is accurate, attributed to historians rather than asserted, and analytically useful — an argument that is still being had is evidence against the claim that only remembrance remains.

  6. 06Conclude on માત્ર

    ટૂંકમાં, સ્મરણ વધ્યું છે એ સાચું, પણ માત્ર શબ્દ ટકતો નથી: સંસ્થાઓ કાર્યરત છે અને પદ્ધતિ હજી વપરાય છે। મારા મતે વારસો સંકોચાયો છે, ખતમ થયો નથી। In short, it is true that remembrance has increased, but the word only does not hold: the institutions are working and the method is still used. In my view the legacy has narrowed, not ended. The judgement is marked as one, and it answers the exact word the essay opened on.

Result: One contested word, one distinction that does most of the analytical work, an unseen text engaged with rather than quoted, one contested area reported with attribution, and a conclusion that returns to the opening word. The distinction between legacy as remembrance, as institution and as method is the transferable idea.

Exam focus

  • All three aspects must be covered. Ideas, practices and legacy are a natural chain and the aspects are ordered as one.
  • Theme 2's wider scope applies: Gujarat and other Gujarati-speaking areas of India are both admissible for this research subject.
  • Gandhi wrote in Gujarati. The requirement for at least two authentic Gujarati sources is easier to satisfy here than anywhere else in the specification.
  • The historiographical debates are real and public. Report them with attribution; a Section C answer that acknowledges disagreement is doing what the AO4 grid calls critical analysis.

Typical mistakes

  • Writing hagiography. It is the fastest way into the grid's lower bands, because unqualified praise is an unjustified point of view.
  • Writing a biography instead of an argument about influence. The aspects ask about effect, practice and legacy, not about a life.
  • Settling a live historiographical dispute in a clause. Name it, attribute both positions, and if you judge, say that you are judging.
  • Using only English-language sources. The specification requires at least two authentic sources in Gujarati, and for this subject they are abundant.

Active revision

નીચેના વિધાન અંગે ગુજરાતીમાં દલીલ કરો: ગાંધીજીનો સૌથી મોટો પ્રભાવ વિચારસરણી પર નહીં, પણ રોજિંદી જીવનશૈલી પર પડ્યો છે. તમારા સંશોધનમાંથી ઓછામાં ઓછાં બે ચોક્કસ ઉદાહરણ આપો, એક વિરુદ્ધ મત પણ કોના મતે છે તે જણાવીને રજૂ કરો, અને અંતે તારણ કાઢો. લગભગ ૩૦૦ થી ૩૫૦ શબ્દો.

Active recall

Recall the key points — then reveal.

Sources: Pearson Edexcel Level 3 Advanced GCE in Gujarati (9GU0) specification (Pearson Edexcel)

Contents

Section -- / 05

    • 01તહેવારો: the Gujarati year and the occasions hung on it○
    • 02ઉજવણીઓ: celebrations, the life cycle and what has changed◐
    • 03ગુજરાતી ફિલ્મ સંગીત◐
    • 04The word બદલાવ: writing about change rather than listing customs●
    • 05સંશોધન માટેનો વિષય: ભારતીય સમાજ પર મહાત્મા ગાંધીજીનો પ્રભાવ●

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From notes into training

મુખ્ય વિષય ૨, પેટા-વિષય ૨: લોકપ્રિય સંસ્કૃતિમાં બદલાવ — festivals, celebrations and film music

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References & sources

Sources

Pearson Edexcel

  • Pearson Edexcel Level 3 Advanced GCE in Gujarati (9GU0) specification

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મુખ્ય વિષય ૪, પેટા-વિષય ૧: ગુજરાત રાજ્ય — તકોની ભૂમિ

EuraStudy·Notes T·04·MMXXVI

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