EuraStudy
Component 2 is a written examination, and doing it justice requires exam technique as well as knowledge. This topic sets out the structure of the paper - Section A on the set work Rooster and the compulsory Area of Study Rambert, and Section B on the chosen optional Area of Study - and how to succeed in it: short-answer technique, planning and structuring an essay, writing analytically with accurate terminology and feature-to-context links, and managing timing and revision across the whole paper. It turns the knowledge of the content topics and the analytical method of the critical-appreciation topic into exam marks under AO3 and AO4.
5 sections~19 min reading time2 competenciesLevel Foundation 1 · Standard 2 · Advanced 2
basic level
AS-Level written technique expects accurate, relevant answers using appropriate terminology and some analysis.
higher level
The full A-level rewards well-planned, analytical and evaluative essays that answer the question precisely, use accurate terminology, and link the constituent features of works to their contexts.
Reading depth: In depth
Text size: Standard
The structure of the written paper
A question reads: 'Analyse how the aural setting contributes to the communication of the choreographic intent in the set work.' What does it ask, and what would go wrong if you ignored the focus and command?
The focus is the set work (Rooster), so the answer must be about Rooster specifically, not a general point or another work.
The focus is one constituent feature - the aural setting (the eight Rolling Stones songs and their relationship to the movement) - so the answer must concentrate on that, not on all features.
The command is 'analyse... how [it] contributes to the communication of the choreographic intent', so the answer must analyse the link between the aural setting and the intent, not just describe the music.
Ignoring the focus (writing generally about Rooster) or the command (describing the songs without analysing their contribution to the intent) would miss the marks, however much is written.
Result: The question is decoded as: analyse how Rooster's aural setting communicates its intent - showing how reading focus and command precisely directs the whole answer and avoids off-target writing.
Typical mistakes
Active revision
Write out the structure of Component 2 (the two sections, what each covers, and the question types); then, for a sample question, underline its focus and its command word.
Active recall
Recall the key points — then reveal.
Sources: AQA AS and A-level Dance (7236 / 7237) specification (AQA)
Short-answer technique
A 2-mark question asks: 'Identify one constituent feature of Rooster and briefly describe how it contributes to the work.' Write a strong answer.
Select one constituent feature clearly - for example the costume (part of the physical setting) - so the answer is focused.
State it in correct terms: the men wear sharp tailored suits (costume by Marian Bruce).
Briefly say how it contributes: the smart suits support the men's strutting 'rooster' display and locate the work in the 1960s.
Stop there - two precise points (the feature and its contribution) match a 2-mark question; no essay is needed.
Result: The 2-mark question is answered with a precise feature and a brief contribution, concisely - the accurate, right-length short answer that reliably earns the marks.
Typical mistakes
Active revision
For three short-answer questions on Rooster or Rambert (for example naming a feature, a practitioner and a device), write concise, precise answers, and check each uses correct terminology and matches the likely marks.
Active recall
Recall the key points — then reveal.
Sources: AQA AS and A-level Dance (7236 / 7237) specification (AQA)
The analytical essay paragraph
Plan an answer to: 'Evaluate how effectively Christopher Bruce communicates the subject matter of Rooster through its movement and aural setting.'
Focus: Rooster's subject matter (1960s courtship) communicated through two features - movement and aural setting. Command: 'evaluate... how effectively', so a judgement is required.
Line of argument: Bruce communicates the subject very effectively, because movement and music work together to evoke the decade and its courtship.
Paragraph 1: movement (the rooster strut, gesture, social dance) communicating male display and 1960s courtship. Paragraph 2: aural setting (the Rolling Stones songs, close music-movement relationship) evoking the decade and shaping each section. Paragraph 3: how the two combine (e.g. the strut with 'Little Red Rooster').
Conclusion: evaluate - the movement and aural setting together communicate the subject highly effectively, with a reason (their close integration and vivid, characterful imagery).
Result: The essay is planned from the question - a line of argument, feature-based paragraphs with evidence, and a reasoned judgement - the plan that produces a focused, evaluative essay.
Typical mistakes
Active revision
For a sample essay question, write a plan: the line of argument, three or four paragraph points, and the evidence for each; then write one paragraph using the point-evidence-analysis-evaluation pattern.
Active recall
Recall the key points — then reveal.
Sources: AQA AS and A-level Dance (7236 / 7237) specification (AQA)
What a strong essay must do
A student writes about Giselle: 'In the second act the women dance in white dresses.' Upgrade this to an analytical, context-linked sentence.
Name the feature precisely: 'Act II is a ballet blanc, the corps of Wilis dancing on pointe in long white Romantic tutus.'
Analyse the effect: 'the uniform, ethereal, weightless movement on pointe makes the Wilis appear as supernatural spirits.'
Link to context: 'this embodies the Romantic ballet's fascination with the supernatural and the ideal, the earthly heroine transformed into an otherworldly being.'
Evaluate: 'the ballet blanc is a highly effective convention, creating the supernatural world through massed, weightless movement rather than mere scenery.'
Result: The plain description becomes a top-level sentence - precise terminology, analysis, a feature-to-context link and evaluation - modelling the analytical writing the essays reward.
Typical mistakes
Active revision
Take one point about a prescribed work and write it up analytically - precise terminology, specific feature-evidence, a feature-to-context link, and a brief evaluation - then check it does all four.
Active recall
Recall the key points — then reveal.
Sources: AQA AS and A-level Dance (7236 / 7237) specification (AQA)
Preparing for and sitting the paper
With 20 minutes left you still have one whole essay to write. What is the best strategy?
A complete, if less polished, essay scores more than a beautifully written half-essay, so the priority is to answer the whole question in the time left.
Spend two minutes on a quick plan - the line of argument and three points with evidence - so even a rushed essay stays focused and answers the command.
Write efficiently: each paragraph a clear point, specific feature-evidence, brief analysis and a context link, without padding, and reach the judgement the command requires.
Above all, finish with a brief conclusion that answers the question - an essay that reaches its judgement, even briefly, scores far better than one that stops mid-argument.
Result: The time-pressured essay is salvaged by prioritising completion, a quick plan, concise analytical writing and a real conclusion - the recovery strategy that protects the marks when time runs short.
Typical mistakes
Active revision
Write a time plan for the 2h30 paper (short answers plus three essays), and design a revision plan for the prescribed material that includes at least one timed practice essay per week.
Active recall
Recall the key points — then reveal.
Sources: AQA AS and A-level Dance (7236 / 7237) specification (AQA) · Ofqual - GCE AS and A level qualifications (Ofqual)
References & sources