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Notes/Hebrew (Biblical)/Prescribed prose literature
Notes · Hebrew (Biblical)UK · A-Levels

Prescribed prose literature

Paper 2 is two hours, 75 marks and a quarter of the A-level, and it examines two prose set texts that do not rotate: I Samuel 1 to 7, omitting 2:1-10, and II Kings 9 to 13. Section 3.4.1 states that the set texts will remain valid for the lifetime of the specification, which removes the cycle-checking that candidates in Latin and Classical Greek must do and makes it worth learning these two books properly rather than learning a method for handling whichever text is prescribed. The paper has three sections and the same shape as Paper 3: Section A on set text 1 for 30 marks, Section B on set text 2 for 25, and Section C, a 20-mark essay drawing on set text 2 together with the material the specification requires to be read in English translation. No dictionary, and no access to the set texts except the extracts printed on the paper.

6 sections·~52 min reading time·3 competencies·Level Foundation 1 · Standard 3 · Advanced 2

T·0555 / 7
Exam profile
AO2 · Demonstrate detailed knowledge and understanding of the set texts studied, and of the social, cultural and historical contexts for themAO3 · Identify, analyse and evaluate literary techniques, characterisation, strength of argument and literary meaning in the set textsAO2 · Translate passages of each set text into English and answer comprehension and grammar questions targeting contextual and grammatical understanding
Operators:translateexplainanalyseevaluatediscusscomparejustifyselect

basic level

Work chapter by chapter and build two things in parallel: a translation you can reproduce, and a card for each episode giving its location, its content in your own words, and the one or two claims it supports. Because the texts are fixed for the lifetime of the specification, everything you learn about them keeps its value, which is not true in the ancient-language A-levels whose texts rotate.

higher level

At full A-level the second text of the pair carries a double load: its own 15-mark literary question and the Section C essay, which must also draw on the prescribed English reading. That makes II Kings 9 to 13 the text to know most deeply, and it makes the five blocks of prescribed reading from I Kings and II Kings 8 examinable context rather than background. Learn to quote Hebrew, translate the quotation and turn it into a claim in three sentences, because that is the unit the 15-mark grid rewards.

Depth

Reading depth: In depth

Text

Text size: Standard

Contents · 6 sections▾
  1. Prescribed prose literature
    • 01What Paper 2 asks, section by section○
    • 02Set text 1: I Samuel 1 to 7, omitting 2:1 to 10◐
    • 03Set text 2: II Kings 9 to 13◐
    • 04Translation and grammar on a set text: a different standard from an unseen◐
    • 05The 15-mark question: style, characterisation, argument, meaning●
    • 06Section C: the 20-mark essay on set text 2 and the reading in English●
§ 01

What Paper 2 asks, section by section#

●○○FoundationLPAQA 7677 section 2.2 — Paper 2 Prose literature: written exam, 2 hours, 75 marks, 25 per cent of A-level; three sections, all answered; no access to texts or dictionariesLPAQA 7677 section 4.5 — in Sections A and B students will answer questions to show their understanding and appreciation of set texts 1 and 2; in Section C students will write an essay drawing on set text 2 and the material read in translationLPAQA 7677 section 4.7.4 to 4.7.6 — the marking grids for translation, for the 15-mark question and for the essay

Papers 2 and 3 have the same architecture

Paper 2 and Paper 3, section by sectionTable with 4 columns and 8 rows, Data: Task · Paper 2 prose · Paper 3 poetry · Marks; A comprehension · set text 1 · set text 3 · 10; A translation · set text 1 · set text 3 · 5; A literary question · set text 1 · set text 3 · 15; B comprehension · set text 2 · set text 4 · 5; B translation · set text 2 · set text 4 · 5; B literary question · set text 2 · set text 4 · 15; C essay · text 2 plus reading · text 4 plus reading · 20; Whole paper · two hours · two hours · 75, highlighted cell: 5TASKPAPER 2 PROSEPAPER 3 POETRYMARKSA comprehensionset text 1set text 310A translationset text 1set text 35A literary questionset text 1set text 315B comprehensionset text 2set text 45B translationset text 2set text 45B literary questionset text 2set text 415C essaytext 2 plus readingtext 4 plus reading20Whole papertwo hourstwo hours75
Fig. 1One architecture, two papers, so it need only be learned once. The emphasised cell is the asymmetry worth planning around: the second text of each pair carries half the comprehension marks of the first, but also carries the essay, so it must be known well enough to argue from rather than only to construe.

Key points

Paper 2 is two hours, 75 marks and 25 per cent of the A-level, and it tests AO2 and AO3 only. It has three sections and all are answered. Section A takes set text 1 and is worth 30 marks: comprehension and grammar questions for 10, translation of a passage for 5, and a question analysing literary style, characterisation, argument and literary meaning for 15. Section B takes set text 2 and is worth 25: comprehension and grammar for 5, translation for 5, and a 15-mark analytical question. Section C is a 20-mark essay drawing on set text 2 together with the material read in translation. Thirty plus twenty-five plus twenty is seventy-five, and the arithmetic is worth doing because it exposes the paper's central asymmetry.
That asymmetry is the most useful planning fact about the paper. The first text of the pair carries twice as much comprehension and grammar as the second — 10 marks against 5 — so set text 1 must be known to a fine linguistic grain. But the second text carries its own 15-mark literary question and the 20-mark essay, which is 35 of the 75 marks, so set text 2 must be known well enough to argue from at length and to connect to material read in English. The two texts therefore need different kinds of preparation, and a candidate who revises both identically has misallocated their time in one direction or the other.
Paper 3 has exactly the same shape on the poetry set texts, which means the paper architecture only has to be learned once. Section A on set text 3 for 10, 5 and 15; Section B on set text 4 for 5, 5 and 15; Section C an essay on set text 4 and the material read in translation, for 20. The same three marking grids apply to both papers: the 5-mark proportion-of-sense grid for translation, the five-level AO3 grid for the 15-mark questions running 13 to 15, 10 to 12, 7 to 9, 4 to 6 and 1 to 3, and the five-level combined grid for the essays running 17 to 20, 13 to 16, 9 to 12, 5 to 8 and 1 to 4.
The specification gives length advice and it is worth following exactly. Students are advised to write approximately 300 words for each 15-mark question and approximately 500 words for the essay. It then adds two clarifications that are easy to misread. Everything that students write will be marked and there is no word limit. But students who write the recommended number of words will have access to the full range of marks. Read together, those two sentences say that you will not be penalised for length in itself, and that the recommended length is what the mark scheme's top bands were written for. In two hours, 300 plus 300 plus 500 is eleven hundred words of English, which is a substantial writing load on top of two translations and two sets of comprehension questions.
Two conditions govern the paper and both shape revision. No dictionaries are allowed. And there is no access to the set texts in the exam, except for the extracts quoted within the question paper itself. That second condition is the one candidates underestimate. It means the translation you produce in Section A must be produced from the printed Hebrew alone, so the set text has to be known as language and not merely as story; and it means every quotation in your 15-mark answers and in your essay must come from memory, or from the extract printed in front of you. A good working discipline is to revise each episode twice over — once as Hebrew you can construe cold, and once as content you can summarise and cite without the book.
Worked example

Building a two-hour plan for Paper 2

Seventy-five marks in one hundred and twenty minutes. Build a plan that respects the specification's length advice, protects the essay, and says what you would cut if you fell fifteen minutes behind.

  1. 01The rate

    One hundred and twenty minutes for 75 marks is 1.6 minutes per mark. Proportionally that gives 16 minutes for the 10-mark comprehension, 8 for each 5-mark translation, 8 for the 5-mark comprehension, 24 for each 15-mark question and 32 for the essay. That sums to 120 exactly, which again tells you the plan must be sub-proportional to leave any reading or checking time.

  2. 02Take the reading time off the top

    Allow five minutes at the start to read the printed extracts and all three questions, and five at the end. That leaves 110 working minutes. Scale down: 14 for the 10-mark comprehension, 7 for each translation, 7 for the 5-mark comprehension, 22 for each 15-mark question and 31 for the essay. Reading the essay question first is worth doing even if you answer it last, because it changes what you notice in the extracts.

  3. 03Match the plan to the length advice

    Twenty-two minutes for approximately 300 words is a comfortable rate for a planned answer and an uncomfortable one for an unplanned one, which is the point: two minutes of planning inside the twenty-two is what makes the other twenty work. Thirty-one minutes for approximately 500 words is likewise adequate only if the essay is planned. Build the plan into the allocation rather than treating it as an extra.

  4. 04Protect the essay with a start time

    Write the essay's start time on the paper at the beginning of the exam and treat it as immovable. The essay carries 20 marks and requires both AO2 and AO3 in balance; the specification states explicitly that a mark of 14 made up of AO2 11 and AO3 3 should not be achievable, which means an essay written in fifteen minutes, with knowledge but no argument, is capped well below its apparent quality.

  5. 05The triage

    If you are fifteen minutes behind, take the time from the comprehension answers by writing them in note form, which is legitimate and often clearer, and from the second 15-mark question rather than the first, since the first is on set text 1 which you have prepared linguistically. Never take it from the essay, and never abandon a translation, since translation is marked on the proportion of sense achieved and a partial translation scores.

Result: Five minutes to read everything, then 14 minutes for the Section A comprehension, 7 for its translation, 22 for its 15-mark question, 7 and 7 for the Section B comprehension and translation, 22 for its 15-mark question and 31 for the essay, with five minutes at the end. Write the essay's start time on the paper and hold it; if time is lost, take it from prose style in the comprehension answers, never from the essay.

Exam focus

  • Section A carries 10 marks of comprehension and grammar against Section B's 5, so set text 1 needs the finer linguistic preparation (AO2).
  • Set text 2 carries 35 of the 75 marks once the essay is counted, so it needs the deeper argumentative preparation (AO2, AO3).
  • The recommended lengths — about 300 words for a 15-mark question and about 500 for the essay — are what the top bands of the grids were written for (AO3).

Typical mistakes

  • Revising both set texts in the same way, when the paper asks for fine linguistic knowledge of the first and argumentative depth on the second.
  • Relying on being able to look something up, when the specification allows no access to the set texts in the exam beyond the printed extract.
  • Writing a 700-word answer to a 15-mark question and then having twenty minutes for a 20-mark essay.

Active revision

Write out the mark architecture of Paper 2 on one side of a card and Paper 3 on the other, and check that each adds to 75. Then write a time plan: two hours for 75 marks is 1.6 minutes per mark, so about 16 minutes for a 10-mark comprehension question, 8 for a 5-mark translation, 24 for a 15-mark question and 32 for the essay. Sit a full paper to that plan and record where you overran. The block that overruns is nearly always the first 15-mark question, because it is where candidates write everything they know rather than what was asked.

Active recall

Recall the key points — then reveal.

Sources: AQA A-level Biblical Hebrew 7677 specification, sections 4.5 and 4.7 (AQA) · GCE AS and A level subject content for ancient languages (Department for Education)

§ 02

Set text 1: I Samuel 1 to 7, omitting 2:1 to 10#

●●○StandardLPAQA 7677 section 3.4.1.1 — Set text 1: I Samuel 1-7 (omitting 2:1-10)LPAQA 7677 section 3.4.1 — these set texts will remain valid for the lifetime of the specificationLPAQA 7677 section 3.2 — background information about incidents, characters, places and people, where relevant for a complete understanding of the storyline

Key points

Set text 1 is seven chapters with one omission, and the omission is itself informative: 2:1 to 10 is the song Hannah utters after bringing Samuel to Shiloh, and it is poetry embedded in a prose book. The specification gives no reason for leaving it out, but the effect is clear enough — Paper 2 is the prose paper, and the poetry papers have their own texts. Candidates should know that the passage exists and what it is, because the narrative around it refers to Hannah's prayer, but they are not required to construe it and it will not be set. Beyond that omission the seven chapters are continuous, and they fall into two movements that are worth holding apart: chapters 1 to 3, the birth and calling of Samuel at the sanctuary of Shiloh, and chapters 4 to 7, the capture and return of the ark and the assembly at Mizpah.
The first movement is a domestic story that becomes an institutional one. Chapter 1 introduces Elkanah and his two wives, Hannah who has no children and Peninnah who has, the annual pilgrimage to Shiloh where Eli is priest and his sons Hophni and Phinehas serve, Hannah's vow at the sanctuary, Eli's mistaking her silent prayer for drunkenness, and the birth and naming of Samuel, whose name the narrative connects with the asking that has run through the chapter. After the omitted song, chapter 2 sets two things side by side: the conduct of Eli's sons at the sanctuary, which the narrative condemns, and the growth of the boy Samuel ministering in a linen ephod with the little robe his mother brings him each year. A man of God comes to Eli with an oracle against his house. Chapter 3 is the call of Samuel by night in the sanctuary, the message of judgement he must deliver to Eli, and his establishment as a prophet recognised throughout Israel.
The second movement is the ark narrative and it is one of the most tightly constructed pieces of narrative prose in the Hebrew Bible. Israel is defeated by the Philistines; the ark is fetched from Shiloh in the hope that it will save them; Israel is defeated again, the ark is captured and Hophni and Phinehas are killed, which fulfils the oracle of chapter 2 exactly. Eli dies on hearing the news, and the wife of Phinehas dies in childbirth naming the child Ichabod, a name the narrative itself explains by the departure of the glory from Israel at I Samuel 4:21 to 22. Chapter 5 follows the ark into Philistine territory — Ashdod and the temple of Dagon, then Gath, then Ekron — and chapter 6 brings it back on a cart drawn by two milch cows, with a guilt offering of gold, to Beth-shemesh. Chapter 7 places it at Kiriath-jearim, gathers Israel at Mizpah under Samuel, routs the Philistines, and closes with the stone Samuel sets up and names, at I Samuel 7:12, with a name meaning stone of help.
Three things in these chapters are worth knowing as literary technique because the 15-mark question asks for exactly that. First, the narrative works by naming: Samuel at 1:20, Ichabod at 4:21, and the stone at 7:12 are each given a name that the text glosses, and each gloss is a comment on the situation. Section 3.2 makes derivations of proper nouns examinable, so these are usable evidence rather than decoration. Second, it works by prediction and fulfilment: the oracle of chapter 2 says that Eli's two sons will die on one day, and chapter 4 reports it happening, which is a structural claim the narrative makes without stating an opinion. Third, it works by contrast: the sons of Eli and the boy Samuel are placed in alternating scenes in chapter 2, and the narrative's judgement is carried by the arrangement rather than by comment.
One textual caution belongs here, and it is the kind of thing the specification's instruction to give up to two justified explanations is designed for. The number of those struck at Beth-shemesh at I Samuel 6:19 is expressed in the Masoretic text in a way that has long been recognised as difficult, and Hebrew manuscripts and the ancient versions do not all agree. A candidate meeting that verse should say that the text is difficult at this point and describe the difficulty, rather than translating smoothly as though nothing were there. The same honesty applies elsewhere in the book: where the Masoretic text has a ketiv and a qere, the note in the margin is part of the text you are reading, and naming it is a better answer than silently choosing one.
Worked example

Turning one episode into a revision card that will actually be used

Take the call of Samuel in I Samuel 3 and build the four-part card: location, content in your own words, a Hebrew phrase you can quote and translate, and the claims it supports. Then show how the card would be used in two different questions.

  1. 01Location

    I Samuel 3, the whole chapter, sitting between the oracle of the man of God against Eli's house in chapter 2 and the defeat at Ebenezer in chapter 4. Its position matters: it is the second announcement of judgement on Eli, and the narrative has arranged for the announcement to be delivered by the child Eli is raising. Knowing what stands on either side of an episode is half of knowing the episode, because most essay questions are about relations rather than about incidents.

  2. 02Content in your own words

    The word is rare in those days. Samuel, still a boy, is sleeping in the sanctuary where the ark is; Eli's eyesight is failing. A voice calls three times; three times Samuel goes to Eli, who at last understands what is happening and tells him how to answer. The message Samuel receives is one of judgement on Eli's house, and Eli makes him tell it. Samuel grows, and the narrative reports that he is recognised as a prophet throughout Israel. Six sentences, no quotation, all of it usable.

  3. 03A phrase to quote and translate

    Eli's instruction at I Samuel 3:9 is דַּבֵּר יי כִּי שֹׁמֵעַ עַבְדֶּךָ, speak, for your servant is listening; Samuel's reply as the narrative reports it at 3:10 is דַּבֵּר כִּי שֹׁמֵעַ עַבְדֶּךָ. The difference between the two is the presence of the Divine name in the instruction and its absence in the reply. That difference is in the text, and it can be pointed to. What to make of it is a question of interpretation on which readers have long differed, and the honest form of an answer is section 3.2's own: offer up to two explanations with justification rather than asserting one.

  4. 04The claims it supports

    Three, at least. That the narrative transfers authority from Eli to Samuel by having Eli himself teach Samuel how to receive it. That judgement in these chapters is announced twice before it is executed, so chapter 4 is not a surprise but a fulfilment. And that the book characterises by speech: Eli's instruction, his insistence on hearing the message, and his response to it tell you more about him than any description does. Each claim is arguable, each is supported by the episode, and none requires anything from outside the set text.

  5. 05Using the card in two different questions

    For a 15-mark question on characterisation in a printed extract from chapter 3, the card supplies the observation about speech and the quotation to anchor it, and the answer would quote, translate and then make the claim. For a Section C essay on how the narrative presents the decline of the house of Eli, the card supplies the structural point about announcement and fulfilment, and the quotation would probably be dropped in favour of the sequence across chapters 2 to 4. Same card, two uses, which is why the card should carry claims and not just content.

Result: Location: I Samuel 3, between the oracle of chapter 2 and the defeat of chapter 4. Content: the night call, the three approaches to Eli, Eli's instruction, the message of judgement, Samuel established as prophet. Phrase: דַּבֵּר יי כִּי שֹׁמֵעַ עַבְדֶּךָ at 3:9 and דַּבֵּר כִּי שֹׁמֵעַ עַבְדֶּךָ at 3:10, with the difference noted and not adjudicated. Claims: transfer of authority through Eli's own instruction; announcement before fulfilment; characterisation through speech.

Exam focus

  • The omission of 2:1 to 10 removes Hannah's song from the examinable Hebrew, but the surrounding narrative still refers to her prayer, so know what the passage is (AO2).
  • Named episodes with an etymology attached — Samuel at 1:20, Ichabod at 4:21, the stone at 7:12 — are directly usable evidence, because section 3.2 makes derivations of proper nouns examinable (AO2).
  • Prediction and fulfilment across chapters 2 and 4 is a structural feature you can argue from in a 15-mark question without importing anything from outside the text (AO3).

Typical mistakes

  • Treating the ark narrative as a sequence of incidents rather than as a designed structure, and so having nothing to say when a question asks about literary meaning.
  • Quoting a name etymology that the text does not itself supply, which turns a rewardable observation into an unsupported claim.
  • Smoothing over a difficult verse in translation instead of saying that the text is difficult and describing why.

Active revision

Make one card per episode across the seven chapters, each carrying four things: the chapter and verse range, a three-line summary in your own words, one Hebrew phrase you can quote and translate from memory, and the one or two claims the episode can support in an essay. Then shuffle the cards and, for each, say aloud what precedes and what follows it. The test of whether you know a narrative set text is whether you can place any episode in the sequence without the book.

Active recall

Recall the key points — then reveal.

Sources: AQA A-level Biblical Hebrew 7677 specification, sections 3.2 and 3.4.1.1 (AQA)

§ 03

Set text 2: II Kings 9 to 13#

●●○StandardLPAQA 7677 section 3.4.1.1 — Set text 2: II Kings 9-13, with additional reading in English of I Kings 11:28-40, 12:19-33, 16:29-34, 21 and II Kings 8:25-29LPAQA 7677 section 4.5 — in Section C students will write an essay which draws upon material from set text 2 and the material read in translationLPAQA 7677 section 3.2 — approximate locations of important places on maps of the region

Key points

Set text 2 is five chapters covering the violent replacement of one dynasty by another in the northern kingdom and the parallel crisis in the southern one. Chapter 9 opens with Elisha sending a member of the prophetic company to Ramoth-gilead to anoint Jehu, an army commander, as king over Israel with a commission against the house of Ahab; his fellow officers proclaim him; he drives to Jezreel, where Joram of Israel is recovering from wounds and Ahaziah of Judah is visiting him. Jehu kills Joram and has his body thrown into the plot of ground that had belonged to Naboth the Jezreelite, invoking an oracle spoken against Ahab; Ahaziah is wounded and dies at Megiddo; and Jezebel, who meets Jehu from an upper window, is thrown down and killed. Chapter 10 completes the purge — the seventy sons of Ahab in Samaria, the kinsmen of Ahaziah, the meeting with Jehonadab son of Rechab, and the assembly at which the worshippers of Baal are killed and the temple of Baal destroyed. The chapter then records that Jehu did not turn from the golden calves at Bethel and Dan, and that Hazael of Aram began to reduce Israel's territory.
Chapter 11 moves to Judah and is a coup narrative of a different kind. Athaliah, mother of the dead Ahaziah, destroys the royal line and reigns; one infant, Joash, is hidden by Jehosheba in the house of the LORD for six years; in the seventh Jehoiada the priest arranges a carefully staged proclamation with the temple guards, crowns the boy, and has Athaliah, who cries treason, put to death outside the temple precinct. A covenant follows, and the temple of Baal in Jerusalem is pulled down and its priest killed. Chapter 12 covers the reign of Joash: forty years in Jerusalem, and a long technical account of the repair of the temple, including the priests' failure to carry out the work and the chest with a hole bored in its lid that Jehoiada set beside the altar. It ends with Hazael's advance and the stripping of the temple treasures to buy him off, and with the conspiracy in which Joash is killed by his own servants.
Chapter 13 returns to Israel: the reigns of Jehoahaz son of Jehu and of Jehoash, both under pressure from Hazael and Ben-hadad of Aram; the last appearance and death of Elisha, with the episode of the arrows, in which the king is told to shoot eastward and then to strike the ground with arrows, and is rebuked for striking only three times; the burial of Elisha and the account of a body thrown into his grave that revives on touching his bones; and the recovery of cities from Ben-hadad. The five chapters therefore contain two coups, two purges of Baal worship, a temple restoration, a prophetic death and a series of Aramean wars, and they are connected throughout by the theme of prophetic word and its execution.
That connection is the reason the specification prescribes the additional reading, and it is the single most important structural fact about set text 2. Jehu's action in the plot of Naboth is presented as the fulfilment of an oracle spoken after the seizure of Naboth's vineyard, which is I Kings 21 and is on the prescribed list. The standing charge against every northern king in these chapters is that he did not turn from the sins of Jeroboam son of Nebat, which is I Kings 12:19 to 33, also prescribed. Ahab and Jezebel's marriage and the introduction of Baal worship in Samaria is I Kings 16:29 to 34, prescribed. Jeroboam's rise and Ahijah's prophecy is I Kings 11:28 to 40, prescribed. And the reason Ahaziah of Judah is in Jezreel at all, where Jehu finds and kills him, is given at II Kings 8:25 to 29, prescribed. Five blocks, five explanations of things set text 2 assumes.
Section 3.2 also asks for approximate locations of important places on maps of the region, and set text 2 makes that requirement concrete. Ramoth-gilead, where Jehu is anointed, is east of the Jordan and is the frontier with Aram, which is why the army is there. Jezreel is in the valley of that name in the north, and is the site both of Naboth's vineyard and of Jehu's killings. Samaria is the northern capital, where Ahab's sons and the Baal temple are. Jerusalem is the southern capital, where Athaliah reigns and where the temple repairs of chapter 12 take place. Megiddo, where Ahaziah dies, and Gath, which Hazael takes in chapter 12, complete the picture. Knowing roughly where these lie makes the geography of the chapters intelligible rather than decorative, and it is examinable.
Worked example

Following one thread from the prescribed reading into the set text

Trace the Naboth thread from the prescribed English reading into set text 2, and show how a candidate would deploy it in a Paper 2 answer without turning the answer into a summary.

  1. 01The prescribed passage

    I Kings 21, which is on the prescribed list in full, tells how Naboth the Jezreelite refused to sell or exchange his vineyard, which lay beside the palace at Jezreel; how Jezebel arranged for him to be accused and stoned; how Ahab took possession; and how Elijah met Ahab there with an oracle of judgement on him, on his house and on Jezebel, specifying the place. It is read in English, which is exactly what the specification intends: it is context, not construing practice.

  2. 02Where it surfaces in the set text

    At II Kings 9:21 to 26 Jehu meets Joram in the plot of ground that had been Naboth's, kills him, and instructs his officer to throw the body there, recalling that he and the officer had ridden together behind Ahab when the oracle was spoken. Later in the same chapter Jezebel dies at Jezreel. The narrative is therefore not merely reporting a coup; it is reporting a coup as the execution of a word spoken years earlier at that spot. Without I Kings 21 the scene is a killing in a field; with it, the field is the point.

  3. 03What claim this licenses

    That the narrative of II Kings 9 organises violence as fulfilment, and that place is its chief device for doing so. The claim is arguable rather than obvious, and it can be tested against the rest of the set text: the same technique recurs when the deaths at Jezreel are lined up against the oracle, and it is absent from the Judaean coup in chapter 11, which is organised around the temple rather than around a prophetic word. Noticing that difference is the kind of comparison a 15-mark question rewards.

  4. 04How to deploy it without summarising

    Three sentences. One: state the claim — the narrative presents Jehu's killing of Joram as the execution of a judgement already pronounced. Two: give the evidence, naming the location precisely, II Kings 9:25 to 26, and citing the prescribed reading it depends on, I Kings 21. Three: say what follows — that the setting is doing the work of a comment, so the narrative can judge without stating a judgement. No retelling of either story is needed, and retelling is what loses marks in the AO3 grid, which rewards points made and examples selected rather than material covered.

  5. 05The honest caveat

    The narrative's own theological framing is a feature of the text and should be described as such: the text presents these events in this way. Whether the presentation is historically accurate, and how the events should be judged, are questions of interpretation on which readers differ, and an examination answer is stronger for saying that the narrative claims something than for asserting it. The AO3 grid rewards the quality of the points and their support, and an attributed claim is a better-supported point than an unattributed one.

Result: The prescribed reading I Kings 21 supplies the oracle and the place; II Kings 9:21 to 26 executes both. The deployable claim is that the narrative uses location to present violence as fulfilment, evidenced by the naming of Naboth's plot at 9:25 to 26, and tested by the contrast with chapter 11, which organises its coup around the temple instead. Three sentences: claim, evidence with references, consequence.

Exam focus

  • Set text 2 carries 35 of Paper 2's 75 marks once the essay is counted, so it must be known well enough to argue from at length (AO2, AO3).
  • The five blocks of prescribed English reading each explain something set text 2 assumes; the Section C essay requires you to draw on them (AO2).
  • Section 3.2 makes the approximate locations of important places examinable, and the geography of these chapters carries real narrative weight (AO2).

Typical mistakes

  • Learning the events of II Kings 9 to 13 without the prescribed reading that explains them, and then having nothing to draw on in the Section C essay.
  • Treating the regnal formulae as filler. They are the frame in which the narrative places its judgements and are quotable evidence.
  • Confusing the two Joashes and the two Jehoashes, and the two kings named Jehoram or Joram, one in each kingdom. Keep a table of names by kingdom.

Active revision

Draw a two-column chart, Israel on one side and Judah on the other, and enter every named ruler in II Kings 9 to 13 in sequence with the chapter in which they appear, marking every point at which the two columns interact. Then, for each of the five blocks of prescribed English reading, write one sentence saying which passage of set text 2 it explains. Finally, sketch a rough map with Ramoth-gilead, Jezreel, Samaria, Jerusalem, Megiddo and Gath on it, and place each major episode.

Active recall

Recall the key points — then reveal.

Sources: AQA A-level Biblical Hebrew 7677 specification, sections 3.2 and 3.4.1.1 (AQA)

§ 04

Translation and grammar on a set text: a different standard from an unseen#

●●○StandardLPAQA 7677 section 4.5 — for each set text, students will translate a passage from the set text into English and answer comprehension and grammar questions, which will target contextual and grammatical understanding of the textLPAQA 7677 section 4.7.4 — Papers 2 and 3 translation questions are marked on the same 5-mark proportion-of-sense grid as Paper 1LPAQA 7677 section 3.2 — more complex grammatical forms where they appear in the set text; up to two explanations of the meaning of any complex, ambiguous or uncommon word or phrase

Key points

Each literature paper contains two translation questions of 5 marks each and two comprehension and grammar questions, of 10 and 5 marks. Twenty of the seventy-five marks are therefore linguistic, and they are marked to the same standards as Paper 1: the translation on the proportion-of-sense grid, the grammar in the terminology of section 3.3.2. What changes is the expectation. An unseen translation is judged on how much sense you can extract from a text you have never met; a set-text translation is judged on a passage you have prepared, so the reasonable standard is exact rather than approximate, and the 5-mark descriptor allowing one slight error is a real target rather than an aspiration.
Section 3.2 raises the grammatical demand explicitly. As well as everything in section 3.3, students should study more complex grammatical forms where they appear in the set text. That means the grammar questions in Papers 2 and 3 are not bounded by the grammar list: whatever unusual form the chapter happens to contain is fair game, and in narrative prose from Kings that will include rare binyanim, archaic suffixes, unexpected pointing and the occasional form that the Masoretic text itself flags with a marginal reading. The right preparation is not to learn more grammar in the abstract but to go through the set text noting every form you could not have produced, and to be able to explain each one.
The same section adds the requirement for up to two explanations of the meaning of any complex, ambiguous or uncommon word or phrase, supported by contextual and grammatical justification. In a set-text context this is a question about a word you have had months to think about, so the expectation is correspondingly higher: not a shrug with two guesses but two readings each anchored in something — a parallel usage elsewhere in the book, a grammatical constraint, the demands of the immediate context. Where the ambiguity is in the text itself rather than in your knowledge, say so: a ketiv and qere, a form the versions render differently, or a word that occurs too rarely for its sense to be certain are all legitimate answers, and naming the kind of difficulty is part of the answer.
Two features of set-text translation deserve rehearsal. The first is that you will not have the surrounding text: the extract is printed, and everything before and after it is in your memory. So practise translating extracts cold, out of context, with only the verse reference to place them. The second is that a prepared translation can drift. Candidates who have translated a chapter many times begin to reproduce a remembered English version rather than construing what is printed, and the remembered version smooths over exactly the forms the examiner has chosen the extract for. The cure is to re-parse as you translate even where you know the passage: the examiner chose this extract for a reason, and the reason is usually a form.
Comprehension questions on a set text target contextual understanding as well as grammatical understanding, which is the specification's own phrase. That means questions may ask what a passage refers to, who a pronoun denotes, what event is presupposed, or why a place is named — all of which require knowledge of the chapters around the extract. It also means that the prescribed English reading can be relevant here and not only in the essay: a question about why Jehu goes to Jezreel, or about whose vineyard the plot of ground was, is answerable only from material read in translation. Prepare the reading as though it were examinable in every section, because in this sense it is.
Worked example

Two explanations of a difficult phrase in a set text

A comprehension and grammar question on an extract from set text 1 asks you to give up to two explanations of a numerical expression that reads awkwardly, and to justify each. Work through how such an answer should be built, using I Samuel 6:19 as the case.

  1. 01Say first what kind of difficulty this is

    The phrase is difficult in the text, not merely difficult for you. The Masoretic text expresses the number of those struck at Beth-shemesh in a way that has long been recognised as awkward in Hebrew, and Hebrew manuscripts and the ancient versions do not all agree on it. Opening the answer by naming the kind of difficulty is itself a mark: it shows you know the difference between a word you have not learned and a text that is uncertain, and it frames both of the explanations that follow.

  2. 02Explanation one, with grammatical justification

    The first reading takes the expression as it stands and construes the two numerical elements as a single compound total, which is the reading of the Masoretic text as printed. The grammatical justification is that Biblical Hebrew does place numerals in apposition in some constructions; the difficulty is that the order and the agreement here are unusual, which is precisely why the reading has been questioned. State the reading, state the support, state the residual problem.

  3. 03Explanation two, with textual justification

    The second reading takes the smaller element alone as the number, treating the larger as a secondary element in the transmission of the text. The justification here is textual rather than grammatical: some Hebrew manuscripts and some of the ancient versions support the shorter figure. Attribute this properly — it is a reading found in part of the manuscript tradition, not a correction you are proposing — and do not assert which is original, because that is a question scholars continue to discuss.

  4. 04Say what it does to the translation

    Whichever reading is preferred, the sense of the episode is the same: a number of people at Beth-shemesh were struck, and the town's response is to send the ark on to Kiriath-jearim. A good answer says so, because it shows that you have understood the narrative independently of the crux. In the translation itself, render the Masoretic text as printed and add a brief note that the text is difficult; do not silently substitute the shorter reading, which would be an emendation presented as a translation.

  5. 05The register to write in

    Descriptive and attributed throughout. The text reads; the versions differ; some manuscripts support; scholars have long noted the difficulty. That register is not a hedge, it is accuracy about who is claiming what, and in a passage that is sacred scripture to many readers it is also the only respectful way to write about a textual problem. The specification asks for explanations supported by contextual and grammatical justification, and an attributed explanation is by definition a supported one.

Result: Name the kind of difficulty first — a crux in the text, not a gap in your knowledge. Then two readings: the Masoretic text as it stands, justified from Hebrew numeral syntax and with its residual awkwardness admitted; and the shorter figure, justified from the manuscript and version evidence and attributed to that evidence rather than asserted. Then state that the narrative sense is unaffected, and translate the printed text with a note rather than emending it silently.

Exam focus

  • A set-text translation is prepared, so the standard is exactness; the 5-mark descriptor allowing one slight error is the target (AO2).
  • Section 3.2 lifts the grammar ceiling above section 3.3 for the set texts, so unusual forms in the chapters are examinable (AO2).
  • Contextual comprehension questions may require the prescribed English reading, not only the Hebrew (AO2).

Typical mistakes

  • Reciting a remembered English translation instead of construing the printed extract, which glides past the very forms the extract was chosen for.
  • Preparing only the chapters and not the surrounding context, so that a question about what an extract refers to cannot be answered.
  • Giving two explanations of an ambiguous phrase without saying whether the ambiguity is in your knowledge or in the text itself.

Active revision

Take twenty extracts of about five verses each from across both prose set texts, write each on a card with only its reference, shuffle them, and translate them cold under timed conditions. Mark each on the 5-mark grid. Then, for every extract, list the forms you could not have produced yourself and write a one-sentence explanation of each; that list is the grammar revision the set texts actually require, and it will be different from the grammar list.

Active recall

Recall the key points — then reveal.

Sources: AQA A-level Biblical Hebrew 7677 specification, sections 3.2, 4.5 and 4.7.4 (AQA)

§ 05

The 15-mark question: style, characterisation, argument, meaning#

●●●AdvancedLPAQA 7677 section 4.5 — for each set text students will answer a 15-mark question analysing literary style, characterisation, argument and literary meaning; students will be asked to refer both to the content and to the language of the passageLPAQA 7677 section 4.7.5 — the 15-mark grid, AO3 only: level 5 is 13-15, level 4 is 10-12, level 3 is 7-9, level 2 is 4-6, level 1 is 1-3LPAQA 7677 section 4.5 — students are advised to write approximately 300 words for each 15-mark question

Key points

Each literature paper contains two 15-mark questions, one on each set text, and together they are 30 of the 75 marks. The specification describes them in one sentence: a question analysing literary style, characterisation, argument and literary meaning, in which students will be asked to refer both to the content and to the language of the passage. Two words in that sentence do most of the work. Both means that an answer confined to what happens, or confined to grammar, has answered half. Passage means that the evidence is the printed extract, so the answer is an exercise in close reading rather than in general knowledge of the book.
The marking grid is AO3 alone and it says exactly what it rewards: the quality of the points made and the range and quality of the examples selected from the passage. Level 5, 13 to 15, requires very good engagement with the question, a range of perceptive points with very good development leading to convincing conclusions, based on a range of well-selected, accurate and precise examples from the passage, and a logically structured response with a well-developed, sustained and coherent line of reasoning. Level 4, 10 to 12, is the same structure with good rather than very good and relevant rather than perceptive. The descending levels reduce first the perceptiveness, then the development, then the support, and finally the structure. Reading the grid downwards tells you what to protect first: structure and support are the last things to go, so they are the first things to build.
The reliable unit of an answer is a three-move paragraph: claim, evidence, consequence. Make a claim about what the passage is doing. Support it with a precise example, which for this paper means quoting the Hebrew, translating it, and saying what grammatical or lexical feature you are pointing at. Then say what follows for the reading of the passage. Three or four such paragraphs, each on a different aspect — one on style, one on characterisation, one on the argument or the structure, one on meaning — comes to about 300 words, which is exactly the length the specification advises. The temptation to write six paragraphs of two sentences should be resisted: the grid rewards development, and an undeveloped point is worth less than half a developed one.
Referring to the language is the requirement candidates most often skip, and it is the one that separates the top two levels from the rest. Language evidence in Biblical Hebrew narrative includes: a verb form and what it does — a vav consecutive advancing the action, a participle holding a scene still, an infinitive absolute intensifying; word order, especially a fronted subject marking background or contrast; repetition of a root or a phrase across a passage; direct speech and what it reveals; the choice between two words for the same thing; a construct chain that binds two nouns; and the naming of a place or a person where the narrative could have used a pronoun. Each of these can be quoted, translated and turned into a claim, and each is available in almost any extract from these books.
The final discipline is to answer the question that was asked. The grid's top descriptor begins with engagement with the question, and the commonest way to lose marks at this level is to write a good analysis of a different aspect of the passage. Read the question twice, underline its governing term — style, characterisation, argument, meaning, or a more specific formulation such as how the narrative presents a particular character — and make each paragraph answer it directly. A paragraph that begins by naming the question's own term and then makes a claim about it cannot drift, and drifting is what turns a level 4 answer into a level 3.
Worked example

A 15-mark answer built on a named passage

The extract is II Kings 9:17 to 26, in which watchmen see Jehu approaching Jezreel, two riders are sent out to meet him, Joram and Ahaziah go out in their chariots, and Jehu kills Joram in the plot of Naboth. The question asks how the narrative builds tension in this passage, with reference to both content and language. Plan four paragraphs.

  1. 01Paragraph one: repetition as delay

    Claim: the narrative builds tension by repeating an approach three times before allowing the meeting. Evidence: a watchman reports the company; a rider is sent and does not return; a second rider is sent and does not return; only then do the kings go out themselves. The repeated question in these verses is הֲשָׁלוֹם, is it peace, which recurs through II Kings 9:17 to 22 in the mouths of the riders and finally of Joram himself. Consequence: the repetition converts information into suspense, because the reader knows from verses 1 to 13 what the messengers do not.

  2. 02Paragraph two: dramatic irony

    Claim: the tension depends on the gap between what the reader knows and what the characters know. Evidence: the anointing scene earlier in the chapter has already told the reader that Jehu has been commissioned against the house of Ahab, so every polite enquiry about peace is heard by the reader as a question with a known and terrible answer. Consequence: the narrative's judgement is delivered by arrangement rather than by comment, which is characteristic of these books and can be compared with the way I Samuel 2 and 4 are arranged.

  3. 03Paragraph three: language, and the pace of the chase

    Claim: the syntax accelerates as the meeting approaches. Evidence: the passage is carried by a dense chain of vav consecutive clauses with few subordinate constructions, so the events arrive one after another with nothing between them; where the chain breaks, it breaks for a description or a speech rather than for an explanation. Quote a clause from the extract, translate it, and name the construction. Consequence: the reader is given no pause in which to reflect, which is the syntactic counterpart of the chariot drive the passage describes.

  4. 04Paragraph four: place as the resolution

    Claim: the tension is resolved not by the killing but by the naming of the place. Evidence: at II Kings 9:25 to 26 Jehu instructs his officer to throw the body into the plot of Naboth the Jezreelite and recalls the oracle spoken there, which the prescribed English reading at I Kings 21 supplies. Consequence: the passage retrospectively reveals that its tension was never about whether Joram would escape but about where he would fall, and the answer converts a political killing into the execution of a prior word. Note that this is what the narrative claims; the historical and moral assessment of it is a separate question on which readers differ.

  5. 05Checking the plan against the grid

    Four paragraphs, four distinct claims, each with a located example, at least two of them linguistic and at least two of them structural, and a line of reasoning that develops from delay through irony and syntax to resolution. That is a range of points, well developed, based on precise examples from the passage, in a logically structured response — the wording of level 5. About 300 words. What would drop it to level 3 is losing the quotations, and what would drop it to level 2 is retelling the chase.

Result: Four paragraphs: repetition of the approach and of the question is it peace as a device of delay; dramatic irony created by the anointing scene earlier in the chapter; the unbroken vav consecutive chain as a syntactic counterpart of the pace; and the naming of Naboth's plot at 9:25 to 26 as the resolution, with the prescribed reading of I Kings 21 supplying the oracle. Claim, located evidence, consequence, four times, in about 300 words.

Exam focus

  • The question requires reference to both content and language; an answer that does only one has answered half regardless of quality (AO3).
  • The grid rewards the quality of points and the range and quality of examples selected from the passage, so precision of citation matters as much as insight (AO3).
  • Approximately 300 words is the advised length, which is about four developed paragraphs of claim, evidence and consequence (AO3).

Typical mistakes

  • Retelling the passage. Narration is not analysis and earns nothing under an AO3 grid that rewards points and examples.
  • Making a claim about the language without quoting the Hebrew, so that the examiner cannot tell which feature is meant.
  • Writing six short paragraphs instead of four developed ones, which sacrifices the development the top two levels require.

Active revision

Take ten extracts of about eight verses from across both prose set texts and, for each, write four claims about it — one on style, one on characterisation, one on argument or structure, one on meaning — each with the Hebrew phrase you would quote and the translation you would give. Do not write the paragraphs. Forty claims later, choose the five best and write those four-paragraph answers in full, timed at twenty-two minutes each.

Active recall

Recall the key points — then reveal.

Sources: AQA A-level Biblical Hebrew 7677 specification, sections 4.5 and 4.7.5 (AQA)

§ 06

Section C: the 20-mark essay on set text 2 and the reading in English#

●●●AdvancedLPAQA 7677 section 4.5 — in Section C students will write an essay which draws upon material from set text 2 and the material read in translation; the question will require a critical and analytical responseLPAQA 7677 section 4.7.6 — AO2 10 marks and AO3 10 marks, equally weighted, best fit; level 5 is 17-20, level 4 is 13-16, level 3 is 9-12, level 2 is 5-8, level 1 is 1-4LPAQA 7677 section 4.5 — students are advised to write approximately 500 words for the essay

The architecture of a Section C essay

Section C, four movesProbability tree, 8 paths, Data: first → What is asked; first → What counts; AO2 → Located episodes; AO2 → Language to quote; AO2 → What it explains; AO2 → Where it links; AO3 → A line of reasoning; AO3 → A conclusionfirstAO2AO2AO3Read the questionFrom set text 2From the English readingBuild the argumentSection C essay (20)What is askedWhat countsLocated episodesLanguage to quoteWhat it explainsWhere it linksA line of reasoningA conclusion
Fig. 2Two of the four branches carry AO2 and two carry AO3, which is the balance the mark scheme insists on: the specification states that a mark of 14 made up of AO2 11 and AO3 3 should not be achievable. The emphasised branch is the one candidates most often omit, and omitting it forfeits both the context marks and the depth the question was designed to reward.

Key points

Section C is a single essay worth 20 marks, a quarter of Paper 2 and 6.7 per cent of the A-level, and it is the only place in the qualification where two assessment objectives are marked together. Ten marks are AO2, knowledge and understanding of the literature including the social, historic and cultural context; ten are AO3, critical analysis, evaluation and response. The specification says they are equally weighted and marked by best fit, and then gives an example that defines the question's whole character: you should not be able to achieve a mark of 14 made up of AO2 11 and AO3 3. In other words, an essay full of knowledge that argues nothing is capped, and so is a brilliant argument built on a text the candidate does not know. Balance is not a stylistic preference here; it is in the mark scheme.
The material is prescribed as well as the question type. The essay draws upon material from set text 2 and the material read in translation, which for Paper 2 means II Kings 9 to 13 together with I Kings 11:28 to 40, 12:19 to 33, 16:29 to 34 and 21, and II Kings 8:25 to 29. Both halves are required. An essay that stays inside the Hebrew has not drawn on the reading in translation; an essay that ranges over the reading in translation without anchoring itself in the set text has abandoned the AO2 marks that the set text carries. The five blocks are short and each connects to a specific feature of the set text, so the practical preparation is a table with two columns: what the block contains, and what in II Kings 9 to 13 it explains.
The essay must be argumentative. The specification says the question will require a critical and analytical response and that students will need to select relevant examples from the set text and draw and express conclusions based on the selected examples in relation to the question posed. Every noun in that sentence is doing work. Select means choose a few examples and use them properly, not cover everything. Relevant means relevant to the question, not merely interesting. Draw and express conclusions means the essay ends somewhere it did not begin. And in relation to the question posed means that the conclusion must answer the question rather than summarise the material.
A workable architecture in 500 words is four moves. Open by defining the terms of the question and stating the line you will take, in three or four sentences and with no preamble about the importance of the topic. Then two or three body paragraphs, each making one claim, supporting it with a located example from the set text — chapter and verse, with a Hebrew phrase where the point is linguistic — and, in at least two of them, bringing in the relevant block of prescribed reading to supply what the set text assumes. Then a conclusion that states the position the argument has reached and, where the question invites it, acknowledges the strongest objection to it. Four moves, about 500 words, and every paragraph answering the question by name.
Two cautions specific to this material. First, these chapters describe political violence carried out with religious justification, and the narrative itself frames it as the fulfilment of prophecy. An examination answer should describe that framing accurately and attribute it to the narrative — the text presents, the narrative claims, the account frames — rather than adopting it or condemning it in the candidate's own voice. That is not evasion: it is the difference between analysing a text's argument and joining it, and the AO3 grid rewards analysis. Second, historical and traditional readings of these chapters differ, and so do scholarly reconstructions of what lies behind them. Naming an approach and saying what it looks for is a legitimate and often perceptive move; adjudicating between traditions is not what the question asks and cannot be done in 500 words.
Worked example

Planning a Section C essay in eight minutes

The question is: how far does the narrative of II Kings 9 to 13 present the fall of the house of Ahab as the fulfilment of prophecy? You may draw on the material read in translation. Plan the essay to 500 words.

  1. 01Define the terms and state the line

    How far invites a judgement, so the essay must reach one rather than describing. Fulfilment of prophecy is the term to define: does the narrative merely report that a prophecy was fulfilled, or does it organise its material so that fulfilment is the frame within which everything is read? State the line at the outset: the narrative presents the fall of Ahab's house as fulfilment very thoroughly indeed, by placement and by cross-reference, but the same chapters also record a judgement on Jehu himself, which complicates any simple reading. Three sentences, no preamble.

  2. 02Claim one, from the set text

    The narrative frames the coup as commissioned. Located evidence: the anointing at Ramoth-gilead at the opening of chapter 9, where the commission against the house of Ahab is spoken before any action is taken. Consequence: everything that follows is read by the narrative as execution rather than as initiative, so the reader is never invited to see Jehu as an opportunist. This is AO2 knowledge deployed for an AO3 purpose, which is what the grid wants.

  3. 03Claim two, using the prescribed reading

    The narrative uses place to make fulfilment visible. Located evidence: II Kings 9:25 to 26, where the body is thrown into the plot of Naboth and the oracle is recalled; and the prescribed reading of I Kings 21, which supplies both the vineyard and the oracle. Consequence: the fulfilment is not asserted but staged, and a reader without the prescribed reading would miss it entirely. This is the paragraph where the material read in translation earns its place, and the essay should say explicitly that it is drawing on it.

  4. 04Claim three, the complication

    The same narrative withholds unqualified approval. Located evidence: chapter 10 records that Jehu destroyed Baal worship but did not turn from the golden calves at Bethel and Dan — an evaluation made in the narrative's own frame and connected, through the prescribed reading at I Kings 12:19 to 33, to Jeroboam. Consequence: the fulfilment frame does not exhaust the narrative's judgement, so the answer to how far is a qualified one. A counter-claim of this kind is what moves an essay from level 4 to level 5, because the grid rewards a sustained line of reasoning rather than a single thesis restated.

  5. 05Conclusion and register

    Conclude with the qualified judgement: the narrative presents the fall of Ahab's house as fulfilment thoroughly and by design, using commission, cross-reference and place, but it applies the same evaluative frame to Jehu and so declines to make him its hero. Throughout, keep the register attributive — the narrative presents, the account frames, the text records — because the essay is analysing a text's argument and not making a religious or historical claim of its own. Then stop; a 500-word essay has no room for a summary of what it has just said.

Result: Line: the narrative presents the fall thoroughly as fulfilment, but qualifies its verdict on Jehu. Three claims: the commission at Ramoth-gilead frames the coup as executed rather than initiated; the plot of Naboth at 9:25 to 26 with I Kings 21 stages fulfilment through place; chapter 10 with I Kings 12:19 to 33 withholds unqualified approval. Conclusion: a qualified answer to how far, written throughout in an attributive register. Roughly 500 words, both AOs served.

Exam focus

  • AO2 and AO3 are equally weighted and marked by best fit, so an imbalanced essay is capped no matter how strong its stronger half (AO2, AO3).
  • Drawing on the material read in translation is a requirement of the question, not an optional enrichment (AO2).
  • The question requires conclusions drawn in relation to the question posed, so the essay must end somewhere it did not begin (AO3).

Typical mistakes

  • Writing everything known about II Kings 9 to 13 and hoping the argument will emerge, which produces a high AO2 mark, a low AO3 mark and a best-fit judgement in the middle.
  • Ignoring the prescribed English reading, which forfeits both the context marks and the depth the question was designed to reward.
  • Adopting or attacking the narrative's own theological framing in the candidate's own voice, instead of describing and analysing it.

Active revision

Write six essay questions of your own on set text 2, each of which cannot be answered without the prescribed English reading. For each, plan four moves on half a page: the line you would take, two or three claims with located examples, the block of prescribed reading each claim draws on, and the conclusion. Then write two of them in full at 500 words in 31 minutes. Planning six and writing two is a better use of an hour than writing three unplanned.

Active recall

Recall the key points — then reveal.

Sources: AQA A-level Biblical Hebrew 7677 specification, sections 4.5 and 4.7.6 (AQA)

Contents

Section -- / 06

    • 01What Paper 2 asks, section by section○
    • 02Set text 1: I Samuel 1 to 7, omitting 2:1 to 10◐
    • 03Set text 2: II Kings 9 to 13◐
    • 04Translation and grammar on a set text: a different standard from an unseen◐
    • 05The 15-mark question: style, characterisation, argument, meaning●
    • 06Section C: the 20-mark essay on set text 2 and the reading in English●

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Prescribed prose literature

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References & sources

Sources

AQA

  • AQA A-level Biblical Hebrew 7677 specification, sections 4.5 and 4.7

Department for Education

  • GCE AS and A level subject content for ancient languages

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