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Notes/Hebrew (Biblical)/Literary and cultural context
Notes · Hebrew (Biblical)UK · A-Levels

Literary and cultural context

Section 3.4.1 does not merely recommend the additional reading in English; it requires it. Students must also study the texts included under the heading additional reading in English, because that reading covers events referred to in the set texts and enables students to understand and appreciate their literary context. It is therefore examinable material, and the Section C essay on each literature paper is written on the second set text together with the material read in translation. The prescription is also unusually well designed: the five blocks set beside II Kings 9 to 13 each explain something those chapters assume, and the six blocks set beside Psalms 50 to 59 are precisely the narratives that six of those ten psalms name in their superscriptions. This topic covers both blocks, the geography the specification asks for, the narrative order of the four books, and how to write about a sacred text honestly under examination conditions.

6 sections·~52 min reading time·3 competencies·Level Foundation 1 · Standard 4 · Advanced 1

T·0777 / 7
Exam profile
AO2 · Understand and appreciate the literary context from which the set texts have been taken by reading an appropriate selection of ancient literature in English translationAO2 · Understand and appreciate, as appropriate, the social, cultural and historical contexts for the set texts, including the approximate locations of important places on maps of the regionAO3 · Select relevant information from the material studied to support an argument, and analyse and summarise findings
Operators:explaindescribelocateanalyseevaluatediscussattributejustify

basic level

Read the eleven prescribed blocks in English early in the course and then again beside the set texts, because they are short and because almost every one of them explains a specific thing a set text takes for granted. Keep a single sheet with two columns: the block, and the passage of the set text it accounts for. That sheet is the raw material of both Section C essays.

higher level

At full A-level the context has to be deployed as evidence rather than recited as background. The habit to build is the three-part move: name the block, name the passage of the set text it illuminates, and state what the connection lets you claim about the set text. Alongside that, learn to write about scripture in an attributive register — the narrative presents, some readers take, scholars describe — because the AO3 grid rewards supported conclusions and an attributed claim is a supported one.

Depth

Reading depth: In depth

Text

Text size: Standard

Contents · 6 sections▾
  1. Literary and cultural context
    • 01Why the additional reading is prescribed, and where it is examined○
    • 02The five blocks behind set text 2◐
    • 03The six blocks behind set text 4◐
    • 04Places: the geography the specification asks for◐
    • 05The four set texts in narrative order◐
    • 06The text itself: ketiv and qere, the versions, and how to write about scripture●
§ 01

Why the additional reading is prescribed, and where it is examined#

●○○FoundationLPAQA 7677 section 3.4.1 — students must also study the texts included under the heading additional reading in English; the additional reading covers events referred to in the set texts and will enable students to understand and appreciate their literary contextLPAQA 7677 section 3.2 — understand and appreciate the literary context from which the set texts have been taken by reading an appropriate selection of ancient literature in English translationLPAQA 7677 sections 4.5 and 4.6 — in Section C students will write an essay which draws upon material from the second set text and the material read in translation

Key points

The specification's language about the additional reading is not permissive. Section 3.4.1 says students must also study the texts included under the heading additional reading in English, and gives the reason: the additional reading covers events referred to in the set texts and will enable students to understand and appreciate their literary context. Section 3.2 repeats the requirement from the other side, listing among the things students should be able to do the ability to understand and appreciate the literary context from which the set texts have been taken by reading an appropriate selection of ancient literature in English translation. And Sections C of both literature papers make it assessable directly, because each essay draws upon material from the second set text and the material read in translation. It is prescribed content, examined content, and content that carries 40 of the qualification's 300 marks between the two essays.
Notice which set texts have additional reading and which do not, because the pattern is exact. Set text 1, I Samuel 1 to 7, has none. Set text 3, Jeremiah 13 to 18, has none. Set text 2, II Kings 9 to 13, has five blocks: I Kings 11:28 to 40, 12:19 to 33, 16:29 to 34 and 21, and II Kings 8:25 to 29. Set text 4, Psalms 50 to 59, has six: I Samuel 19:9 to 17, 21:2 to 16, 22:7 to 19, 23:14 to 28 and 24:1 to 8, and II Samuel 12:1 to 24. The additional reading is attached to exactly the two set texts that carry a Section C essay, and to no others. That is not a coincidence but the design of the papers: the essay is the place where a candidate has to bring a Hebrew text and a body of English reading into a single argument, so the reading is prescribed for the texts on which the essays are set.
The reading is also examinable outside the essay, and this is the part candidates most often miss. Section 4.5 says that the comprehension and grammar questions in the literature papers will target contextual and grammatical understanding of the text. Contextual understanding means understanding what the extract presupposes, and in II Kings 9 what the extract presupposes is very often something narrated in I Kings. A question asking why two kings are together at Jezreel, or whose plot of ground the body is thrown into, or what charge is being repeated against a northern king, is answerable only from material read in translation. Treating the reading as essay preparation alone therefore leaves marks on the table in Sections A and B as well.
Two practical points about how to do the reading. First, it is short. Eleven blocks in all, none of them long, and several of them a dozen verses. A candidate can read the whole of it in an evening, and should, early in the course, before the set texts make demands that the reading would have answered. Second, it is read in English, and the specification says so, which means no time should be spent construing it. What is needed is knowledge of what happens, who is involved, where it happens, and what the narrative says about it — the sort of knowledge that fits on a card. The Hebrew effort belongs entirely to the set texts.
The one discipline that turns the reading from background into evidence is to record, for each block, the specific passage of the set text it accounts for. Doing that converts a list of chapters into a table of connections, and a table of connections is what an essay is built from. It also protects against the commonest failure in a Section C answer, which is to retell the material read in translation. The examiner is not testing whether you have read it; the essay is marked on AO2 for the accuracy and detail of your knowledge and on AO3 for the conclusions you draw, so the reading earns its marks when it is used to explain something in the set text, not when it is summarised.
Worked example

Turning a block of reading into three lines of evidence

Take I Kings 16:29 to 34, one of the shortest blocks on the list, and show how to record it so that it can be used in an examination rather than merely remembered.

  1. 01What the block contains

    The regnal notice for Ahab son of Omri, with the narrator's evaluation that he did evil more than all who were before him; his marriage to Jezebel daughter of Ethbaal king of the Sidonians; his service of Baal, the altar and house he built for Baal in Samaria, and the sacred pole he made; and a closing note about Hiel of Bethel rebuilding Jericho. Six verses, and every element of them is load-bearing for set text 2.

  2. 02What in the set text it accounts for

    Three things at least. It explains why there is a temple of Baal in Samaria for Jehu to destroy in II Kings 10. It explains who Jezebel is, where she comes from and why she is a religious as well as a political figure, which is what makes her death in II Kings 9 a scene about the cult and not only about the dynasty. And it establishes the house of Ahab as a house under judgement in the narrative's own terms, which is the frame within which the whole of set text 2 presents Jehu's commission.

  3. 03The claim each connection licenses

    That the narrative of II Kings 9 to 13 assumes a verdict already delivered rather than delivering one; that its treatment of the Baal cult is continuous with a story begun several chapters earlier and not a new theme; and that Jezebel is characterised before she acts, so that the reader of the set text meets a figure already defined. Each of these is a claim about the set text, supported by the reading, which is exactly the shape the Section C essay wants.

  4. 04How to write it on the card

    Three lines and no more. Line one: I Kings 16:29 to 34 — Ahab, Jezebel of Sidon, Baal temple in Samaria. Line two: explains the Baal temple destroyed in II Kings 10, Jezebel's cultic significance in II Kings 9, and the standing verdict on the house of Ahab. Line three: licenses the claim that set text 2 assumes a judgement rather than argues one. Location, function, claim. Eleven cards of this kind are the whole of the context requirement.

  5. 05The register to use

    Note the wording throughout: the narrator evaluates, the narrative presents, the account establishes. These are descriptions of what a text does, and they are accurate in a way that a bare assertion would not be. In a Section C essay this register is not a stylistic nicety but a source of marks, because the AO3 grid rewards conclusions supported by well-selected examples, and a claim about what a narrative does can be supported from the narrative, whereas a claim about what happened cannot be settled at all.

Result: Card: I Kings 16:29 to 34 gives Ahab, his marriage to Jezebel of Sidon, and the Baal temple in Samaria. It explains the temple Jehu destroys in II Kings 10, Jezebel's significance in II Kings 9, and the standing verdict on the house of Ahab. It licenses the claim that set text 2 assumes a judgement already delivered rather than delivering one. Location, function, claim, in three lines.

Exam focus

  • The additional reading is required, not recommended, and is directly assessed in Section C of each literature paper, which is 40 of the qualification's 300 marks (AO2, AO3).
  • Only set texts 2 and 4 have additional reading, and they are exactly the two on which the Section C essays are set (AO2).
  • Contextual comprehension questions in Sections A and B may also require it, since an extract from II Kings 9 presupposes material narrated in I Kings (AO2).

Typical mistakes

  • Treating the additional reading as optional background because it is read in English rather than construed.
  • Retelling the material read in translation in a Section C essay instead of using it to explain something in the set text.
  • Leaving the reading until the last weeks, when its whole value is that it answers questions the set texts raise from the first week.

Active revision

Read all eleven prescribed blocks in one sitting and make a single sheet with three columns: the block and its verse range, a three-line summary in your own words, and the passage of the set text it explains. Then test the sheet backwards: take ten passages from II Kings 9 to 13 and from Psalms 50 to 59 and, for each, name the block of reading that accounts for it. Any passage for which you cannot name one is either genuinely self-contained or a gap in your sheet, and it is worth knowing which.

Active recall

Recall the key points — then reveal.

Sources: AQA A-level Biblical Hebrew 7677 specification, sections 3.2, 3.4.1 and 4.5 (AQA) · GCE AS and A level subject content for ancient languages (Department for Education)

§ 02

The five blocks behind set text 2#

●●○StandardLPAQA 7677 section 3.4.1.1 — additional reading in English for set text 2: I Kings 11:28-40, 12:19-33, 16:29-34, 21; II Kings 8:25-29LPAQA 7677 section 4.5 — in Section C students will write an essay which draws upon material from set text 2 and the material read in translationLPAQA 7677 section 3.2 — background information about incidents, characters, places and people, where relevant for a complete understanding of the storyline

Key points

I Kings 11:28 to 40 introduces Jeroboam son of Nebat. He is an able young man whom Solomon puts in charge of the forced labour of the house of Joseph; the prophet Ahijah the Shilonite meets him on the road, tears his new garment into twelve pieces and gives him ten, with an announcement that the kingdom will be divided; Solomon seeks to kill him and he escapes to Egypt, to Shishak, and stays there until Solomon's death. The block does two jobs for set text 2. It supplies the origin of the northern kingdom as the narrative accounts for it, and it introduces the man whose name becomes, in II Kings, the standard by which every northern king is condemned.
I Kings 12:19 to 33 completes that story and supplies the charge itself. Israel rebels against the house of David; Jeroboam is made king; a prophetic word forbids Rehoboam's army to fight; Jeroboam builds Shechem and Penuel, and then, reasoning that pilgrimage to Jerusalem will draw the people's loyalty back to the house of David, makes two golden calves and sets one at Bethel and one at Dan, appoints priests who are not of the sons of Levi, and institutes a feast in the eighth month. Every element of that paragraph reappears in set text 2 as an accusation. When II Kings 10 records that Jehu destroyed Baal from Israel but did not turn from the golden calves at Bethel and at Dan, it is invoking this passage, and a reader who has not read it will not see that the narrative has just qualified its own hero.
I Kings 16:29 to 34 gives the house of Ahab. Ahab son of Omri is evaluated as having done evil more than all before him; he marries Jezebel daughter of Ethbaal king of the Sidonians; he serves Baal, builds an altar and a house for Baal in Samaria and makes a sacred pole. This block explains the Baal temple that Jehu destroys in II Kings 10, and it explains who Jezebel is: not simply a queen but a Sidonian princess associated in the narrative with the cult, which is why her death at Jezreel in II Kings 9 is presented as a religious as well as a dynastic event. I Kings 21 then supplies the single most important connection in the whole prescription. Naboth the Jezreelite refuses to give up his vineyard beside the palace at Jezreel; Jezebel arranges a fast, false accusers and a stoning; Ahab takes possession; and Elijah meets him there with an oracle against him, his house and Jezebel, specifying the place.
II Kings 8:25 to 29 is the shortest block and the one that makes the opening of set text 2 possible. It records that Ahaziah son of Jehoram became king of Judah, that his mother was Athaliah, granddaughter of Omri, and that he went with Joram son of Ahab to fight Hazael king of Aram at Ramoth-gilead, where Joram was wounded and returned to Jezreel to recover, and that Ahaziah went down to see him there. Without those five verses, II Kings 9 is unintelligible in three places at once: it explains why the army is at Ramoth-gilead when Jehu is anointed there, why the king of Israel is lying wounded at Jezreel, and why the king of Judah is with him and therefore dies in the same purge. It also explains, five verses in advance, how Athaliah comes to be positioned to seize the throne of Judah in II Kings 11.
Taken together the five blocks show that set text 2 is the closing movement of a story begun several books earlier and that it depends on its reader knowing that story. The practical form of this knowledge is a chain: Jeroboam's calves become the standing charge; Ahab and Jezebel bring in the Baal cult and commit the crime at Naboth's vineyard; the oracle is spoken at Jezreel; the Aramean war at Ramoth-gilead puts the army, the wounded king and the visiting king exactly where the coup needs them; and the coup then executes the oracle in the place where it was spoken. A candidate who can state that chain in five sentences has the whole of the prescribed reading available as evidence and can deploy any link of it in a Section C essay.
Worked example

Using the shortest block to answer a contextual comprehension question

A Paper 2 Section B comprehension question on an extract from II Kings 9 asks: why are the king of Israel and the king of Judah both at Jezreel, and what is the relationship between them? Answer it, and say where the answer comes from.

  1. 01Recognise that the extract cannot answer it

    Nothing in II Kings 9 explains why the two kings are in the same place. The chapter simply reports that Joram is at Jezreel and that Ahaziah is visiting him. A candidate who looks for the answer in the printed extract will not find it, and the question has been set precisely to test whether the prescribed reading has been done. Recognising the kind of question is half of answering it.

  2. 02The answer, from II Kings 8:25 to 29

    Joram of Israel and Ahaziah of Judah had gone together to fight Hazael king of Aram at Ramoth-gilead; Joram was wounded there and returned to Jezreel to recover; Ahaziah went down to Jezreel to visit him. That is the whole answer to the first half of the question and it takes two sentences. Note the further consequence, which the question may be pointing at: the same passage explains why Jehu is at Ramoth-gilead with the army when the prophet arrives to anoint him.

  3. 03The relationship

    Ahaziah of Judah is connected to the house of Ahab through his mother Athaliah, who is described in the same passage as a descendant of Omri, so the two kings are kin as well as allies. That connection is what makes Ahaziah's death part of the same purge rather than an accident of proximity, and it is also what puts Athaliah in a position to seize the throne of Judah two chapters later when her son is dead.

  4. 04How to write it

    Give the fact, then the reference, then the consequence, in that order and in note form if the mark allocation is small. They had campaigned together against Hazael at Ramoth-gilead, where Joram was wounded and withdrew to Jezreel, and Ahaziah came to visit him — II Kings 8:28 to 29. They are related through Ahaziah's mother Athaliah, of the house of Omri — II Kings 8:26. Citing the reference is worth doing even in a short answer, because it shows the examiner that the knowledge is located rather than vague.

  5. 05The general lesson

    Questions of this kind are cheap marks for a candidate who has read the prescribed blocks and impossible for one who has not, and they cannot be bluffed, because the answer is a specific set of facts. Five verses of English reading, read once and carded, secure them permanently. This is the clearest illustration of why the specification calls the additional reading required rather than recommended.

Result: They are at Jezreel because they had campaigned together against Hazael at Ramoth-gilead, where Joram was wounded and withdrew to Jezreel and Ahaziah came down to see him, at II Kings 8:28 to 29; and they are kin, because Ahaziah's mother Athaliah belonged to the house of Omri, at II Kings 8:26. Neither fact is available from the printed extract, and both come from a prescribed block of five verses.

Exam focus

  • The golden calves of I Kings 12 are the standing charge in II Kings, and II Kings 10 uses it to qualify its verdict on Jehu himself (AO2, AO3).
  • I Kings 21 supplies the oracle and the place that II Kings 9:25 to 26 executes, and is the single most useful block for a Section C essay (AO2, AO3).
  • II Kings 8:25 to 29 explains three separate presuppositions of II Kings 9 in five verses, and may be needed for a contextual comprehension question (AO2).

Typical mistakes

  • Knowing the Naboth story but not the Jeroboam story, and so missing that II Kings 10 delivers a qualified rather than an unqualified verdict on Jehu.
  • Confusing Joram or Jehoram of Israel with Jehoram of Judah, and Ahaziah of Judah with Ahaziah of Israel; keep a two-column table of names by kingdom.
  • Retelling I Kings 21 at length in an essay instead of using it to make a claim about how II Kings 9 is constructed.

Active revision

Write the five-link chain in five sentences from memory: Jeroboam and the calves, Ahab and Jezebel and the Baal cult, Naboth's vineyard and the oracle, the Aramean war and the wounded king at Jezreel, and the coup that executes the oracle where it was spoken. Then, for each link, write the reference of the prescribed block and the reference in set text 2 that it explains. Finally, take three past-style essay questions on set text 2 and mark which links each would need.

Active recall

Recall the key points — then reveal.

Sources: AQA A-level Biblical Hebrew 7677 specification, sections 3.4.1.1 and 4.5 (AQA)

§ 03

The six blocks behind set text 4#

●●○StandardLPAQA 7677 section 3.4.1.2 — additional reading in English for set text 4: I Samuel 19:9-17, 21:2-16, 22:7-19, 23:14-28, 24:1-8; II Samuel 12:1-24LPAQA 7677 section 4.6 — in Section C students will write an essay which draws upon material from set text 4 and the material read in translationLPAQA 7677 section 3 — Hebrew verse counting will be used wherever relevant

Six psalms, six prescribed narratives

Superscriptions and prescribed readingTable with 3 columns and 7 rows, Data: Psalm · What its heading names · Prescribed passage; 51 · Nathan comes to David · II Samuel 12:1-24; 52 · Doeg informs Saul · I Samuel 22:7-19; 54 · the Ziphites tell Saul · I Samuel 23:14-28; 56 · seized by Philistines · I Samuel 21:2-16; 57 · flight to a cave · I Samuel 24:1-8; 59 · the house is watched · I Samuel 19:9-17; 50, 53, 55, 58 · no historical note · none prescribed, highlighted cell: no historical notePSALMWHAT ITS HEADING NAMESPRESCRIBED PASSAGE51Nathan comes to DavidII Samuel 12:1-2452Doeg informs SaulI Samuel 22:7-1954the Ziphites tell SaulI Samuel 23:14-2856seized by PhilistinesI Samuel 21:2-1657flight to a caveI Samuel 24:1-859the house is watchedI Samuel 19:9-1750, 53, 55, 58no historical notenone prescribed
Fig. 1The prescription for set text 4 is exactly the set of narratives its psalms name, which is why the reading is required rather than recommended and why the Section C essay draws on both. References are in the Hebrew verse counting the specification uses, which is why I Samuel 21 appears as 21:2 to 16. The emphasised cell is the control case: four of the ten psalms carry no historical note at all, which is the best evidence available for what the headings actually do.

Key points

The prescription for set text 4 is the most elegant thing in the specification, and it is invisible until you line the two lists up. Six of the ten psalms in the set range carry a superscription that names an incident from the life of David, and the six blocks of prescribed reading are precisely those six incidents. Psalm 51 names the coming of Nathan the prophet after the affair with Bathsheba, and II Samuel 12:1 to 24 narrates it. Psalm 52 names Doeg the Edomite informing Saul, and I Samuel 22:7 to 19 narrates it. Psalm 54 names the Ziphites telling Saul where David was hiding, and I Samuel 23:14 to 28 narrates it. Psalm 56 names the Philistines seizing David in Gath, and I Samuel 21:2 to 16 narrates it. Psalm 57 names the flight from Saul into a cave, and I Samuel 24:1 to 8 narrates the episode at En-gedi. Psalm 59 names Saul sending men to watch the house, and I Samuel 19:9 to 17 narrates it. Six psalms, six blocks, no remainder.
The blocks themselves are short and their contents are worth holding precisely. I Samuel 19:9 to 17: Saul attempts to pin David to the wall with a spear; David escapes by night; messengers are set around the house to kill him in the morning; Michal lets him down through a window and puts a household image in the bed under a covering of goats' hair, telling the messengers he is ill. I Samuel 21:2 to 16 — note the Hebrew numbering, which the specification uses and which runs one verse ahead of most English Bibles here — David comes to Ahimelech the priest at Nob, receives bread and the sword of Goliath, and then goes to Achish king of Gath, where he is recognised and escapes by feigning madness. I Samuel 22:7 to 19: Doeg the Edomite, who had been at Nob, tells Saul what he saw; Ahimelech is summoned and killed with the priests of Nob.
The remaining three continue the sequence. I Samuel 23:14 to 28: David in the strongholds of the wilderness of Ziph; Jonathan comes to him; the Ziphites offer to betray him to Saul; the pursuit closes around him and is broken off only because a messenger reports a Philistine raid. I Samuel 24:1 to 8: at En-gedi, Saul enters the cave where David and his men are hiding; David cuts off the corner of Saul's robe and is stricken in conscience, and restrains his men. II Samuel 12:1 to 24: Nathan tells the parable of the poor man's ewe lamb, David condemns the rich man and is told that he is the man; judgement is pronounced on his house; the child born to Bathsheba falls ill and dies; and Solomon is born. Two of these blocks are consecutive in the narrative, since Doeg is present at Nob in the first and reports what he saw in the second, so two of the six psalms rest on a single connected episode.
What the connections license and what they do not is the crucial distinction and it should be settled once. They license the claim that these psalms have been transmitted with headings that direct them to particular narratives; that in several cases the direction is apt, because the psalm's own imagery answers to the situation the narrative describes, most obviously with Psalm 59 and the watchers set around the house; and that the collection has been arranged so that a run of headings maps onto a connected stretch of one narrative. They do not license the claim that a psalm was composed on the occasion its heading names. Whether the superscriptions record occasions of composition or were supplied later as interpretative guidance is a question on which traditional and historical-critical readers have long differed, and an examination answer should name the approaches rather than choose between them.
The four psalms with no historical note — 50, 53, 55 and 58 — are as important to an argument as the six that have one, because they are the control. Psalm 50 is a divine summons to judgement; Psalm 53 shares most of its text with Psalm 14; Psalm 55 turns on the betrayal of a companion and an equal, which is precisely the kind of subject that could have been given a Davidic setting and was not; and Psalm 58 is an imprecation against unjust judges. That four of the ten function perfectly well without any narrative anchor is the best available evidence for what the superscriptions actually do, and any essay about them that ignores the four has thrown away half its evidence.
Worked example

Reading two psalms against one connected episode

Psalms 56 and 52 rest on two prescribed blocks that are consecutive in the narrative: I Samuel 21:2 to 16 and I Samuel 22:7 to 19. Show what a candidate gains from noticing the connection, and how to use it.

  1. 01The narrative link

    In the first block David comes to Ahimelech at Nob, receives bread and the sword of Goliath, and goes on to Gath. The narrative notes that Doeg the Edomite was there at Nob. In the second block Doeg reports what he saw to Saul, and the priests of Nob are killed for having helped David. The two episodes are cause and consequence, and the specification prescribes both, though it attaches the first to Psalm 56 and the second to Psalm 52 through their respective superscriptions.

  2. 02What each psalm makes of its half

    Psalm 56 is a lament whose heading points to the Gath episode, and its subject is being hemmed in and watched by adversaries. Psalm 52 is a denunciation of a man who boasts of evil and whose tongue is his weapon, and its heading points to the informer. Read separately, the two psalms are simply a lament and a denunciation. Read against their prescribed narratives, they divide a single episode between them: one takes the position of the hunted man, the other addresses the man whose words did the damage.

  3. 03The claim this licenses

    That the arrangement of the superscriptions is not simply a list of occasions but a distribution: two psalms of different genres are attached to two halves of one connected episode, so that the collection offers both a voice from inside the danger and a verdict on the man who created it. That is a claim about the design of the collection, it is supported by the two headings and the two narratives, and it can be tested against the other four pairings. It is exactly the kind of argument the Section C essay rewards.

  4. 04How to deploy it in 500 words

    One paragraph. State the claim; give the evidence with all four references — Psalms 56 and 52, I Samuel 21:2 to 16 and 22:7 to 19; note that the narrative link between the two blocks is Doeg's presence at Nob; and state the consequence, that the pairing shows the headings functioning as an arrangement rather than as a set of independent notes. Do not retell either narrative. Two sentences of evidence are enough because the references locate everything the examiner needs.

  5. 05The caveat to include

    Add one clause of attribution. Whether the headings record the occasions on which these poems were written, or were added later to direct how they should be read, is a question on which readers differ; the claim being made here concerns the effect of the arrangement as it has been transmitted, and it holds on either account. That clause takes ten words, protects the whole argument, and demonstrates the critical awareness the AO3 grid asks for.

Result: Psalm 56 is directed to the Gath episode of I Samuel 21:2 to 16 and Psalm 52 to the informing of Doeg in I Samuel 22:7 to 19, and the two narratives are linked, because Doeg is present at Nob in the first and reports in the second. The pairing shows the superscriptions distributing two genres across one episode — the voice of the hunted and the verdict on the informer — which is a claim about the arrangement of the collection and holds however the headings themselves are accounted for.

Exam focus

  • Six psalms map onto the six prescribed blocks with no remainder, and knowing the mapping is the core preparation for the Paper 3 Section C essay (AO2, AO3).
  • Cite the prescribed blocks in the Hebrew verse counting the specification uses, which is why I Samuel 21 is given as 21:2 to 16 (AO2).
  • The four psalms without a historical note are the control case for any argument about what the superscriptions do (AO3).

Typical mistakes

  • Claiming that a psalm was composed on the occasion named in its superscription, which is an interpretative position rather than a fact and should be attributed if it is used at all.
  • Learning the six narratives without noticing that two of them are consecutive, so that the Nob episode underlies two psalms rather than one.
  • Writing an essay on the superscriptions that discusses only the six psalms that have one.

Active revision

Reproduce the six-row mapping table from memory, with the psalm, the situation its heading names, and the prescribed passage. Check it against a Hebrew text. Then read the six blocks in sequence and write one sentence for each saying what the psalm gains from the connection and one saying what it does not gain. Finally, add a seventh row for the four psalms with no historical note and write a sentence saying what their existence shows.

Active recall

Recall the key points — then reveal.

Sources: AQA A-level Biblical Hebrew 7677 specification, sections 3.4.1.2 and 4.6 (AQA)

§ 04

Places: the geography the specification asks for#

●●○StandardLPAQA 7677 section 3.2 — approximate locations of important places on maps of the regionLPAQA 7677 section 3.2 — background information about incidents, characters, places and people, where relevant for a complete understanding of the storylineLPAQA 7677 section 3.4.1 — the four set texts and the additional reading

Key points

Section 3.2 lists, among the things students should study for the set texts, the approximate locations of important places on maps of the region. The word approximate is doing real work: what is required is the ability to place a name in relation to other names, not a gazetteer. In practice that means being able to say whether a place is north or south, coastal or inland, east or west of the Jordan, and near which other place in the narrative. Two or three sketch maps drawn from memory during revision will do it, and they are worth drawing rather than reading, because the point is to be able to reconstruct the relationships without a map in front of you.
Set text 1 is played out in a compact area. Shiloh, where Eli is priest and the sanctuary stands, lies in the hill country; Ramah, the home of Elkanah's family and later of Samuel, is nearby, as are Mizpah, Bethel and Gilgal, which chapter 7 names as the circuit Samuel travelled as judge. The Philistine world lies to the west and south-west on and behind the coastal plain, and three of its cities are named in the ark narrative: Ashdod, where the ark is set beside Dagon, then Gath and then Ekron. The ark comes back inland to Beth-shemesh and then goes up to Kiriath-jearim. The battle that opens the ark narrative is fought at Ebenezer against a Philistine camp at Aphek. Knowing that the ark travels west into Philistine territory and then east and up into the hills is enough to make chapters 4 to 7 intelligible as a journey.
Set text 2 has a wider and more political geography. Ramoth-gilead, where Jehu is anointed, is east of the Jordan and is the contested frontier with Aram, whose capital is Damascus and whose king in these chapters is Hazael; that is why an Israelite army is stationed there and why a wounded king has come home from there. Jezreel lies in the broad valley of that name in the north, and is where the royal house had property, where Naboth's vineyard was, and where Joram and Jezebel die. Samaria is the northern capital, the seat of the house of Ahab and the site of the Baal temple. Jerusalem is the southern capital, where Athaliah reigns and where the temple repairs of chapter 12 take place. Megiddo, where Ahaziah dies, guards the pass at the western end of the Jezreel valley, and Gath, which Hazael takes in chapter 12, lies away to the south-west, which is what makes his subsequent move towards Jerusalem alarming.
The poetry set texts add a third geography. Jeremiah's own home, named at the opening of the book, is Anathoth in the territory of Benjamin, a short distance from Jerusalem, and Jerusalem is where the sabbath address at the gates in chapter 17 is delivered. The location of the sign of the waistcloth in chapter 13 is a genuine interpretative question rather than a settled fact: the place named is פְּרָת, which is the usual Hebrew name for the Euphrates but which some readers have taken to be a place much closer to Anathoth with a similar name. The two readings have very different implications for whether the sign involves a long journey, and the honest thing in an answer is to give both with their justifications, which is precisely what section 3.2 invites when it asks for up to two explanations of a complex or ambiguous word or phrase.
For set text 4 the geography comes almost entirely from the prescribed reading, and it is the geography of flight. Nob, where Ahimelech is priest, lies close to Jerusalem; Gath is a Philistine city on the other side of the country, which is why going there is a desperate expedient; the wilderness of Ziph and the strongholds in it lie in the dry country south of Hebron; and En-gedi, where the cave episode takes place, is on the western shore of the Dead Sea, in broken terrain that the narrative itself makes much of. Being able to say that the sequence of prescribed narratives traces a movement from the hill country near Jerusalem, out to the Philistine plain, and then back into the southern wilderness gives the six blocks a shape, and a shape is far easier to remember than a list.
Worked example

Two justified readings of one place name

A question on set text 3 asks about the location named in the sign of the linen waistcloth at Jeremiah 13:1 to 11, and invites up to two explanations with justification. Construct the answer.

  1. 01State the difficulty

    Open by naming what kind of question this is. The place named in the passage is spelled in Hebrew as פְּרָת, and that spelling is the ordinary biblical name of the Euphrates; but the narrative sends the prophet there and back twice, which is a very long journey, and readers have therefore asked whether a nearer place with a similar name is meant. The difficulty is thus not lexical but geographical and narrative, and saying so at the outset frames both readings that follow.

  2. 02Reading one, and its justification

    The place is the Euphrates. Justification: that is what the word means everywhere else in the Hebrew Bible, and the spelling here is the same. Consequence for the reading of the sign: the enormous distance is part of the point, because a garment carried to the great river of the empire that will overwhelm Judah and rotted there makes the sign a statement about where the ruin comes from. On this reading the journey's improbability is not an objection but a feature.

  3. 03Reading two, and its justification

    The place is a location near the prophet's own home in Benjamin whose name resembles the word used. Justification: the narrative requires two journeys, the second after many days, which would be an extraordinary undertaking to the Euphrates and is unremarkable if the site is a few miles from Anathoth; and the sign works equally well as a sign wherever the cloth is hidden, since what matters is the ruin of the garment. Consequence: on this reading the passage is a local sign-act like the others in the book, and the resemblance of the names is a deliberate resonance rather than an identification.

  4. 04State a preference, or decline to

    If the question invites a preference, give one and give the reason: the plain sense of the word is the stronger evidence, and the difficulty of the journey is an argument from probability rather than from the text. If the question does not invite one, say that both readings are current and that the choice affects the scale of the sign rather than its meaning. Either is a full answer; what would not be a full answer is asserting one reading without acknowledging the other, since the question explicitly offered two.

  5. 05The register

    Attribute throughout. The word is normally used of; readers have asked whether; on this reading the sign becomes. That register is accurate, because the question genuinely is open, and it is also the register the specification's own wording invites when it asks for explanations supported by contextual and grammatical justification rather than for a decision. An examiner marking AO2 rewards the accuracy of the knowledge deployed, and the accurate statement here is that the identification is disputed.

Result: Name the difficulty first: the Hebrew word is the ordinary name of the Euphrates, but the narrative requires two journeys there and back. Reading one takes it as the Euphrates, justified by usage, making the distance part of the sign's meaning. Reading two takes it as a nearby place of similar name, justified by the narrative's demand for two journeys, making it a local sign-act. Give a preference with a reason if invited, and attribute throughout.

Exam focus

  • The requirement is approximate location and relationship, not precise mapping; being able to say north, south, east of the Jordan, or near which other place is what is wanted (AO2).
  • Geography carries narrative weight in set text 2: Ramoth-gilead explains where the army is, Jezreel explains why the killings happen there, and Gath explains why Hazael's advance is alarming (AO2, AO3).
  • The place named in the waistcloth sign at Jeremiah 13 is genuinely ambiguous, and giving two justified readings is the response section 3.2 asks for (AO2).

Typical mistakes

  • Learning place names as a list rather than as relationships, so that a question about why a journey matters cannot be answered.
  • Asserting a single reading of the place named in Jeremiah 13 as though the question were settled.
  • Ignoring geography in the poetry papers, when six of the ten psalms of set text 4 depend on narratives whose whole subject is movement across the country.

Active revision

Draw three sketch maps from memory, one for each set text that needs one. On the first, place Shiloh, Ramah, Mizpah, Aphek, Ebenezer, Ashdod, Gath, Ekron, Beth-shemesh and Kiriath-jearim, and trace the route of the ark. On the second, place Ramoth-gilead, Jezreel, Samaria, Megiddo, Jerusalem, Gath and Damascus, and mark where each major episode of II Kings 9 to 13 happens. On the third, place Nob, Gath, Ziph, En-gedi and Jerusalem, and trace the sequence of the six prescribed narratives. Then check them and redraw whatever you got wrong.

Active recall

Recall the key points — then reveal.

Sources: AQA A-level Biblical Hebrew 7677 specification, section 3.2 (AQA)

§ 05

The four set texts in narrative order#

●●○StandardLPAQA 7677 section 3 — over the course of the A-level, students will have studied four different books of the Bible in preparation for the language and literature examsLPAQA 7677 section 3.4.1 — the four set texts and the additional readingLPAQA 7677 section 3.2 — understand and appreciate, as appropriate, the social, cultural and historical contexts for the set texts

The four set texts and their prescribed reading, in narrative order

Narrative order, not chronologyGraph, I Samuel 1-7 → I Samuel 19-24, I Samuel 19-24 → II Samuel 12, II Samuel 12 → Psalms 50-59, I Kings 11-21 → II Kings 8, II Kings 8 → II Kings 9-13, II Kings 9-13 → Jeremiah 13-18I Samuel 1-7I Samuel19-24II Samuel 12Psalms 50-59I Kings 11-21II Kings 8II Kings 9-13Jeremiah13-18by heading
Fig. 2This is narrative order — the sequence in which the biblical account places its material — and not a chronology. No dates are given, deliberately: assigning dates to these narratives is contested and is not examined by this specification. The dashed link marks a different kind of connection, since Psalms 50 to 59 is attached to the Davidic narratives by its superscriptions rather than by the plot. The emphasised node is set text 4, whose relation to the rest runs entirely through those headings.

Key points

The four books this course requires belong to two different parts of the Hebrew canon, and knowing which is which is useful because it explains why they read so differently. Samuel, שְׁמוּאֵל, and Kings, מְלָכִים, belong to the נְבִיאִים, the Prophets, and specifically to the group traditionally called the Former Prophets: they are narrative books, and in the Hebrew tradition they are prophetic literature rather than history in the modern sense. Jeremiah, יִרְמְיָהוּ, belongs to the same division but to the Latter Prophets, the books of prophetic oracles. Psalms, תְּהִלִּים, belongs to the כְּתוּבִים, the Writings, the third division of the canon after the תּוֹרָה and the Prophets. So the course covers narrative prophecy, oracular prophecy and liturgical poetry — three genres, four books, two literature papers.
Within the biblical narrative the four sit in a definite order, and it is worth being able to state it, provided it is stated as narrative order and not as a chronology. I Samuel 1 to 7 opens the story: the sanctuary at Shiloh, the birth and calling of Samuel, the loss and recovery of the ark, and the assembly at Mizpah. The prescribed reading for set text 4 comes next in the same book and the one after it: the flight of David from Saul in I Samuel 19 to 24, and the confrontation with Nathan in II Samuel 12. Psalms 50 to 59 attaches to those narratives through the superscriptions rather than through the plot. The prescribed reading for set text 2 then follows in I Kings: the division of the kingdom, the house of Ahab, Naboth's vineyard. II Kings 9 to 13 continues it. And Jeremiah 13 to 18 stands last, in the years when the southern kingdom is under the pressure that the book describes.
That ordering is a statement about where the books place their material relative to one another, and nothing more. Assigning dates to these narratives, or to the composition of the books that contain them, is a separate and contested question: different traditions and different scholarly reconstructions give different answers, and none of it is examined by this specification. So the honest thing to hold is the sequence, not a timeline. An answer that says the events of set text 2 are presented as following those of the prescribed reading in I Kings is accurate and safe; one that attaches a century to them has made a claim the specification never asked for and that a candidate cannot defend in three sentences.
The sequence is worth knowing because it makes several features of the set texts intelligible at once. It explains why Samuel is the book in which a sanctuary and an ark are central and Kings the book in which temples, dynasties and foreign powers are: the narrative has moved from a period it presents as tribal and local to one it presents as monarchic and international. It explains why the prescribed reading for Psalms is drawn from the earlier book and the prescribed reading for II Kings from the later one. And it explains the position of Jeremiah, whose oracles address a kingdom whose fate the books of Kings have already been describing, which is why the vocabulary of building and planting, of uprooting and pulling down, has such weight in chapters 13 to 18.
One further orientation is worth having. The two literature papers divide the material along the line of genre rather than of period: Paper 2 takes the two narrative texts and Paper 3 the two poetic ones, so a candidate moves between the two ends of the sequence in each paper rather than working through it. That is why the sequence has to be held deliberately rather than absorbed from the order of study. Drawing it out once, as a chain from Samuel through the Davidic narratives and the divided kingdom to Jeremiah, with the Psalms attached to the Davidic material by their headings, gives a single picture that both papers can be hung on.
Worked example

Placing an unfamiliar reference in the sequence

In an examination you meet a reference to the sins of Jeroboam son of Nebat in an extract from set text 2, and a reference to the house of David in an extract from set text 4. Place both in the sequence and say what each contributes, without dating anything.

  1. 01The first reference

    Jeroboam son of Nebat belongs to the prescribed reading, at I Kings 11:28 to 40 and 12:19 to 33: he is the first king of the northern kingdom in the narrative's account and the maker of the golden calves at Bethel and Dan. In the sequence he stands before the whole of set text 2. What the reference contributes in an extract from II Kings is a standing evaluation: to say that a king did not turn from the sins of Jeroboam is to place him within a judgement that the narrative has been applying since the kingdom divided.

  2. 02How to state it safely

    Write: the reference is to the account in I Kings 12:19 to 33 of the calves set up at Bethel and Dan, which the narrative of Kings uses thereafter as its standing charge against the northern kings. Nothing in that sentence is a date, an authorship claim or a historical judgement, and every part of it can be supported from the prescribed reading. It is a statement about how one text uses another.

  3. 03The second reference

    The house of David in a psalm of set text 4 is not a narrative reference in the same sense, because a psalm is not narrating. What it does is connect the poem to the Davidic material to which the collection has been attached, both by the attribution in the superscriptions and, in six psalms, by a historical note pointing at a specific episode. In the sequence, that material stands between set text 1 and the I Kings reading.

  4. 04The difference between the two references

    Naming it is worth a mark. The reference in Kings is intertextual within a continuous narrative: one part of a story invoking an earlier part. The reference in a psalm is a matter of collection and attribution: a poem placed within a body of material associated with a figure. Treating both as the same kind of reference is a common flattening, and distinguishing them shows the kind of critical awareness the AO3 grid rewards.

  5. 05What not to add

    Do not add a century, a regnal date or a claim about when either text was written. None of it is examined, none of it can be defended in an examination answer, and all of it is contested. If a question genuinely seems to require a historical framing, supply it as the narrative's own framing — the account presents these events as following those — which is accurate, sufficient and safe.

Result: Jeroboam belongs to the prescribed reading at I Kings 11 and 12 and stands before the whole of set text 2, and a reference to his sins invokes the narrative's standing charge against the northern kings. A reference to the house of David in a psalm works differently: it connects the poem to the material the collection is attributed to, and in six psalms to a specific prescribed narrative. Distinguish the two kinds of reference, and attach no dates to either.

Exam focus

  • Samuel and Kings are narrative books of the Former Prophets, Jeremiah is oracular prophecy, and Psalms belongs to the Writings; the genre difference explains most of the difference in reading (AO2).
  • State the sequence as narrative order, not as a chronology; assigning dates is contested and is not examined (AO2).
  • The two papers divide by genre rather than by period, so the sequence has to be learned deliberately rather than absorbed from the order of study (AO2).

Typical mistakes

  • Attaching dates to the set texts or to their composition, which is contested, unnecessary and indefensible in an examination answer.
  • Treating Psalms 50 to 59 as though it belonged chronologically inside the Samuel narratives, when the connection runs through the superscriptions and not through the plot.
  • Reading Jeremiah as though it stood alongside Kings rather than addressing a situation the books of Kings have been leading towards.

Active revision

Draw the chain on one side of paper: I Samuel 1 to 7, then the prescribed Davidic narratives, then Psalms 50 to 59 attached by a dashed line to those narratives, then the prescribed I Kings material, then II Kings 9 to 13, then Jeremiah 13 to 18. Label each with its canonical division and its genre. Then write two sentences under it: one saying what the chain shows, and one saying what it deliberately does not claim. Being able to write that second sentence is what makes the first one safe.

Active recall

Recall the key points — then reveal.

Sources: AQA A-level Biblical Hebrew 7677 specification, sections 3.2 and 3.4.1 (AQA)

§ 06

The text itself: ketiv and qere, the versions, and how to write about scripture#

●●●AdvancedLPAQA 7677 section 3.2 — up to two explanations of the meaning of any complex, ambiguous or uncommon word or phrase, supported by contextual and/or grammatical justificationLPAQA 7677 section 3 — this specification follows the Orthodox Jewish tradition for the presentation of Divine names; you may use this approach, but you are also free to approach the qualification from a Christian or other perspectiveLPAQA 7677 section 3.3.1.4 and 3.3.2.4 — pointing, and the effect of the accents on pointing

Key points

The text you construe has a history, and knowing a little of it makes several features of the printed page intelligible rather than puzzling. The consonants of the Hebrew Bible are far older than the vowels: the pointing, the accents and the marginal notes were supplied by the Masoretes, scholars working over several centuries and associated above all with Tiberias, in order to record and fix a reading tradition that had until then been carried orally. That is why the specification can examine pointing as a skill in its own right, and why an unpointed consonantal text is a coherent thing to be given in an examination. It is also why a candidate should think of the pointing as an interpretation preserved with great care rather than as an inseparable part of the letters.
The clearest surviving trace of that work is the ketiv and qere, כְּתִיב and קְרֵי, the written and the read. Where the tradition read a word differently from the way the consonants were written, the consonants were left untouched and the alternative was recorded in the margin, with its vowels placed on the written form. Some of these are perpetual: the four-letter Divine name is written one way and read another throughout, and there are a handful of other words with a standing alternative reading. Others are local to a verse. Neither כְּתִיב nor קְרֵי appears in the terminology list of section 3.3.2, so you will not be asked to define them; but they are a feature of the text you are construing, and section 3.2's requirement to give up to two justified explanations of a difficult word is exactly the right frame for a verse where the written and the read forms differ. Naming the phenomenon and saying what each form would mean is a full answer.
Beyond the Masoretic text stand the ancient versions, and they matter in the same limited but real way. The Hebrew Bible was translated into Greek from the third century before the common era onwards, into Aramaic in the Targums, into Syriac and into Latin, and manuscripts found near the Dead Sea in the twentieth century have preserved Hebrew text older than any previously known. In several places these witnesses differ from the Masoretic text, and the books of Samuel are among those where the differences are most discussed. A candidate does not need to know the evidence in detail. What is needed is the discipline of saying, where a verse is genuinely difficult, that the text is difficult and that the witnesses do not all agree, instead of translating smoothly as though nothing were there — and of attributing a variant to the tradition that preserves it rather than presenting it as a correction.
The specification settles one matter of presentation and leaves another open, and both should be handled as it does. It states that it follows the Orthodox Jewish tradition for the presentation of Divine names: the four-letter Divine name is written יי, and other Divine names are written as they appear in the Hebrew Bible except that a dash is added between the first and second letters, as in אֱ-לֹהִים. It then says, in its own words, that you may use this approach but are also free to approach the qualification from a Christian or other perspective. So the convention on the question paper is fixed, and the candidate's own religious standpoint is explicitly not. Following the printed convention in your answers is the simplest course and is never wrong; nothing grammatical depends on it, since a dashed name is pointed and construed exactly as an undashed one.
The last point is about register, and it is the most important thing in this topic. These four books are read as scripture by very large numbers of people and have been the object of sustained interpretation in more than one tradition for a very long time. An examination answer is not the place to adjudicate any of that, and the mark schemes do not ask you to: AO2 rewards knowledge and understanding of the literature, AO3 rewards analysis, evaluation and response to it. Two habits follow. Describe what a text does rather than asserting what is the case: the narrative presents, the psalm asks, the oracle announces. And where readings differ, name the approaches — a traditional reading, a historical-critical reading, a literary reading — say what each looks for, and leave it there. That is not timidity; it is precision about who is claiming what, and under a grid that rewards supported conclusions, an attributed claim is a supported one.
Worked example

Writing three sentences about a disputed passage without adjudicating

A Section C essay question on set text 2 invites you to consider how the narrative presents Jehu's purge. You know that readers have taken very different views of it. Write the passage of your essay that handles this, in an attributive register, and say why each choice is made.

  1. 01Separate the three questions

    Three different things are in play and conflating them is what produces a weak paragraph. What the narrative says: a matter of reading the text, and settleable. How the narrative frames what it says: a matter of literary analysis, and arguable from evidence. Whether what is described was right, or happened: matters of moral and historical judgement, not settleable in an examination and not asked for. Decide before writing which of the three your sentence is about, and say so.

  2. 02Sentence one: what the narrative does

    Write: the account presents the purge as the execution of a judgement already pronounced, framing it by the commission at Ramoth-gilead at the opening of chapter 9 and by the recollection of the oracle at the plot of Naboth at 9:25 to 26. Every verb in that sentence is a verb of presentation, and every claim is supported by a located reference. It is a claim about the text and it can be defended from the text.

  3. 03Sentence two: the qualification the narrative itself supplies

    Write: the same account withholds unqualified approval, since chapter 10 records that Jehu did not turn from the golden calves at Bethel and Dan, applying to him the standing charge the prescribed reading at I Kings 12:19 to 33 supplies. This is the move that turns description into argument, and it does so entirely from within the material, which is why it is safe as well as strong.

  4. 04Sentence three: naming the readings without choosing

    Write: the passage has been read very differently — as a vindication of prophecy, and as a narrative that records a bloody episode while declining to endorse its agent — and both readings appeal to features of the text, the first to the fulfilment structure and the second to the qualification in chapter 10. Naming two readings and saying what evidence each appeals to is analysis; picking one and denouncing the other is not, and would in any case require space the essay does not have.

  5. 05Why this scores

    The AO3 grid rewards a range of points, well developed, based on well-selected examples, leading to conclusions. Three sentences of this kind make two points, support both from located evidence, and reach a conclusion about the narrative's own stance rather than about the events. They also treat a text that many readers hold sacred with the seriousness a scholarly discussion would, which is simply the correct way to write about it and happens also to be the way that earns the marks.

Result: Sentence one states what the narrative does, with two located references. Sentence two states the qualification the narrative supplies about its own agent, drawing on the prescribed reading. Sentence three names two established readings and the textual features each appeals to, without choosing. Three sentences, two supported points, one conclusion about the text's stance, and no claim the candidate cannot defend.

Exam focus

  • The pointing was supplied later than the consonants, which is why an unpointed text is a coherent thing to be set and why pointing is examinable as a skill (AO1, AO2).
  • Ketiv and qere are not in the terminology list, but a verse where written and read forms differ is exactly the case section 3.2's two-explanations clause was written for (AO2).
  • Follow the specification's own convention for Divine names in your answers; it is fixed on the question paper and nothing grammatical depends on it (AO1, AO2).

Typical mistakes

  • Translating over a textual difficulty as though it were not there, when naming it and describing it is a better and more accurate answer.
  • Presenting a reading from an ancient version as a correction of the Hebrew rather than as the reading of that version.
  • Asserting a religious or historical interpretation in the candidate's own voice, when the question asked what the text says or does.

Active revision

Work through one chapter of each set text with an edition that prints the Masoretic marginal notes, and list every place where a written and a read form differ. For each, write what the written consonants would give, what the read form gives, and whether the difference affects the sense of the verse. Then take three passages from across the four books where you know translations differ, and for each write two sentences: one describing the difficulty, and one naming the kinds of reading that have been proposed, without choosing between them.

Active recall

Recall the key points — then reveal.

Sources: AQA A-level Biblical Hebrew 7677 specification, sections 3 and 3.2 (AQA) · GCE AS and A level subject content for ancient languages (Department for Education)

Contents

Section -- / 06

    • 01Why the additional reading is prescribed, and where it is examined○
    • 02The five blocks behind set text 2◐
    • 03The six blocks behind set text 4◐
    • 04Places: the geography the specification asks for◐
    • 05The four set texts in narrative order◐
    • 06The text itself: ketiv and qere, the versions, and how to write about scripture●

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From notes into training

Literary and cultural context

Reinforce this topic with matching tasks from the question bank.

~52
min
3
Competencies
Practise

References & sources

Sources

AQA

  • AQA A-level Biblical Hebrew 7677 specification, sections 3.2, 3.4.1 and 4.5

Department for Education

  • GCE AS and A level subject content for ancient languages

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