UK · Subject guide
Moving Image Arts
A-Level Moving Image Arts (CCEA) — a genuine GCE A-Level (graded A*-E, not Applied) and the sole UK provider; practical portfolios with critical-response examinations.
01 · Overview
Moving Image Arts
A-Level Moving Image Arts (CCEA) — a genuine GCE A-Level (graded A*-E, not Applied) and the sole UK provider; practical portfolios with critical-response examinations.
- Subject guide
- A-Levels
- Topics mapped
- 18
02 · Complete topic map
Complete topic map
Every topic recorded for this subject in the curriculum is reproduced below in its full hierarchy. The descriptions reflect the mapped scope without implying additional exam rules.
- 01
Film language: the five core areas
Camera, editing, sound, lighting and mise-en-scene.
- 02
Narrative structure and genre
Conventional and non-conventional narrative and genre codes.
- 03
The classical Hollywood style
Continuity (invisible) editing and realist storytelling.
- 04
Realism and realist techniques
Bazin's realism: the long take, deep focus, hand-held camera, naturalistic acting and diegetic sound.
- 05
Formalism and formalist techniques
Expressive editing, lighting and mise-en-scene set against realist transparency.
- 06
The creative process: pre-production to evaluation
The five-stage portfolio workflow.
- 07
Pre-production: script, storyboard and shot list
Scripting, storyboarding, shot lists and the director's notebook.
- 08
Live-action and animation production
Producing a live-action sequence or an animation, with technique choice and workflow.
- 09
Editing and post-production
Constructing meaning and pace, from continuity cutting to montage.
- 10
Sound design
Diegetic and non-diegetic sound, dialogue, effects and music in creating mood.
- 11
Realising the Foundation Portfolio (AS)
The AS production in the Classical Hollywood Style with realist and/or formalist techniques.
- 12
Hitchcock, pure cinema and the auteur
The auteur through Hitchcock: point of view, close-ups, cross-cutting, montage and suspense.
- 13
The Hollywood studio system and film history
Vertical integration, craft departments, genre production and house styles.
- 14
Early European cinema and American Expressionism
Soviet Montage, German Expressionism and Film Noir.
- 15
Practitioner research and the illustrated essay (A2)
Study of a practitioner's signature style leading to an illustrated essay that informs an original film.
- 16
Realism in world cinema
Italian Neo-Realism, the French New Wave, Cinema Verite and Poetic Realism.
- 17
Critical and comparative analysis
Written analysis of unseen sequences and comparison across two clips.
- 18
The creative exercise: director's notes
Justifying creative choices of film language in response to unseen material.
03 · Where this subject applies
Where this subject applies
These pathways and regions are explicitly connected to the subject in the curriculum.
Pathways and specifications
AS-Level
Advanced Subsidiary — the first year of A-Level study (standalone or first half of the full A-Level).
A-Level (A2)
The full Advanced Level — AS content plus the second-year A2 content.
Nations and regions
All registered regions
04 · Official sources
Official sources
The public sources below are referenced directly by this subject or by one of its topics.
This editorial selection points to the relevant official bodies. Always confirm current requirements, dates and amendments with your school or college and the appropriate awarding organisation.
2
Public references
UK · EuraStudy Guides
Place this subject inside the complete curriculum.
Open the curriculum guide to see every subject and topic, or continue to EuraStudy Summa to begin working with the material.