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Notes/Welsh Second Language/Writing in a range of forms
Notes · Welsh Second LanguageUK · A-Levels

Writing in a range of forms

Like the grammar topic, this is a COMPETENCE rather than a separately assessed element: no unit is called ‘writing’. It is AO3, using written language, as that objective operates across four of the six units — the whole of Unit 2 (the Package) and the whole of Unit 5 (the society and translanguaging paper) are marked on AO3 alone, and Units 3 and 6 each carry 10 percentage points of it. Added together, AO3 is 45% of the A level, the largest of the three objectives. What the specification actually asks for is narrow and testable: write correctly, clearly and proficiently with a range of linguistic resources; use grammar effectively in context; and demonstrate awareness of different registers, using Welsh effectively in different situations and for different purposes. This topic teaches the forms you will be asked to produce, the registers they demand, and the accuracy routine that protects the marks you have already earned.

5 sections·~30 min reading time·4 competencies·Level Foundation 1 · Standard 3 · Advanced 1

T·0222 / 14
Exam profile
AO3 · Write correctly, clearly and proficiently, demonstrating a range of linguistic resourcesAO3 · Use knowledge of grammar effectively within various contextsAO3 · Demonstrate awareness of various linguistic registers and make effective use of Welsh in different situations and for different purposesAO2 · Respond coherently to literary, visual and factual subjects in writing, by selecting and interpreting relevant material
Operators:writerespondpresentorganiseadaptexplainjustifycorrect

basic level

At AS, AO3 is 20 of the 40 percentage points available — Unit 2 contributes 10 and Unit 3 contributes 10 — so half of the AS is your written Welsh. Unit 2 gives you months to get three pieces right and Unit 3 gives you an hour. Use the coursework year to build the habits (planning, paragraphing, an accuracy sweep) that you will have no time to invent in the examination room.

higher level

At A2, AO3 rises to 25 percentage points across Units 5 and 6 and the forms get harder: Unit 5 Section B wants a letter, article or information pamphlet responding to an English source, and Unit 6 Section A wants a response to a specific task under the pressure of a two-hour paper you share with a literature question. The A2 grammar inventory — the impersonal, emphatic word order, the genitive, composite prepositions — exists precisely so that these pieces can be written in an adult register rather than a school one.

Depth

Reading depth: In depth

Text

Text size: Standard

Contents · 5 sections▾
  1. Writing in a range of forms
    • 01AO3 across four units, and what ‘correctly and proficiently’ means○
    • 02Cywair: choosing a register and holding it◐
    • 03The forms the specification actually names◐
    • 04Planning, paragraphing and the visible shape of a piece◐
    • 05The last ten minutes: an accuracy sweep in a fixed order●
§ 01

AO3 across four units, and what ‘correctly and proficiently’ means#

●○○FoundationLPSpecification §3.1, AO3 — using written language, and the per-unit weighting tableLPSpecification §2.1 Unit 2, the non-examination assessment; §2.2 Unit 5 Section BLPSpecification Appendix A, Unit 2 assessment grid — the AO3 band descriptors

Key points

AO3 is the largest assessment objective in this qualification and it lives in four units. Unit 2, the Package, is 10% of the A level and is marked on AO3 alone. Unit 5 is 15% and is likewise AO3 alone, across both the society question and the translanguaging task. Unit 3 splits AO2 5 with AO3 10, and Unit 6 splits AO2 10 with AO3 10. That totals 45 percentage points, against 30 for AO1 and 25 for AO2. The practical consequence is simple and it surprises most candidates: this qualification is decided more by how you write Welsh than by what you know about the film, the play, the poems or the stories.
The objective is described in three clauses and each is worth reading as a separate instruction. ‘Write correctly, clearly and proficiently, demonstrating a range of linguistic resources’ asks for accuracy AND for variety — a piece with no errors but four sentence patterns is not a strong AO3 piece. ‘Use knowledge of grammar effectively within various contexts’ asks you to deploy the inventory in Units 3 and 6, not merely to avoid breaking it. And ‘demonstrate awareness of various linguistic registers and make effective use of Welsh in different situations and for different purposes’ makes register a marked feature in its own right, not a matter of taste.
Appendix A of the specification prints the Unit 2 assessment grid, and because it is an AO3 grid it is the clearest public statement of what good writing means in this subject. The top band, 16 to 20 out of 20, asks a candidate to express themselves intelligently, clearly and accurately while presenting various elements of the text; to plan their work in detail and carefully; to pay close attention to register, form and audience by varying the style accordingly; to use an appropriate personal style with confidence; to express an opinion clearly and support it with strong reasoning; and to demonstrate a wide range of linguistic resources and a firm grasp of grammar and syntax. Read that list as a checklist and it will serve every written unit, not only Unit 2.
Notice what separates the top band from the one below it. The 13 to 15 band uses almost identical wording — clear, accurate, careful planning, attention to register, consistent personal style, relevant reasons, a wide range of resources. The differences are three adverbs: ‘intelligently’ in the expression, ‘in detail and carefully’ in the planning, and ‘strong’ rather than ‘relevant’ in the reasoning. In other words the jump to the top band is not made by adding vocabulary. It is made by planning more deliberately and by arguing with better reasons. That is a much more achievable target than ‘write better Welsh’, and it is the one to aim at.
Worked example

Reading the Appendix A grid as a revision instruction

You are given a piece of your own work back with 12 out of 20. Using only the Appendix A descriptors, work out what a 16 would have required.

  1. 01Locate the band you are in

    10 to 12 reads: expresses themselves clearly and relatively accurately; USUALLY plans carefully and accurately; pays attention to register, form and audience by varying the style; appropriate use of personal style; expresses an opinion effectively with relevant reasons; a range of linguistic resources and QUITE a firm grasp of grammar and syntax.

  2. 02Locate the band above

    13 to 15 reads: clearly and accurately (the ‘relatively’ is gone); plans carefully (the ‘usually’ is gone); pays CLOSE attention to register; CONSISTENT use of personal style; supports the opinion with relevant reasons; a wide range of resources and a FIRM grasp of grammar.

  3. 03Name the three differences precisely

    Accuracy must become reliable rather than relative. Planning must become invariable rather than usual. And the personal style must become consistent across the whole piece rather than present in patches. None of those is a vocabulary problem.

  4. 04Locate the top band

    16 to 20 adds ‘intelligently’ to the expression, ‘in detail and carefully’ to the planning, ‘confident’ to the personal style, and ‘strong reasoning’ to the opinion. So the ladder from 12 to 18 is: make accuracy reliable, make planning invariable, make style consistent, then make it confident and the reasoning strong.

  5. 05Convert it into three actions

    One: an accuracy sweep on every piece, every time, so ‘relatively accurate’ becomes ‘accurate’. Two: a written plan before every piece, including in the examination, so ‘usually plans’ becomes ‘plans carefully’. Three: choose a stance in the first paragraph and hold it to the last, so the personal style is consistent rather than intermittent. Those three actions are worth more marks than any amount of new vocabulary.

Result: The gap from 12 to 16 is described by the grid itself as reliability of accuracy, invariability of planning, and consistency of personal style — three habits, none of which requires knowing more Welsh than you already know.

Exam focus

  • AO3 is 45% of the A level and is examined in Units 2, 3, 5 and 6 (AO3).
  • Units 2 and 5 are marked on AO3 ALONE — there is no content knowledge to fall back on in either.
  • The objective has three clauses: accuracy, a range of linguistic resources, and register awareness.
  • In Appendix A the top band differs from the next chiefly by planning ‘in detail’ and by ‘strong’ reasoning.

Typical mistakes

  • Treating writing as a delivery mechanism for content, when in two whole units the writing IS the content.
  • Chasing rare vocabulary instead of the two things the top band actually names: detailed planning and strong reasoning.
  • Producing accurate but monotonous Welsh, which cannot meet the ‘range of linguistic resources’ clause.
  • Ignoring register on the assumption that it is a matter of taste rather than a marked criterion.

Active revision

Copy out the Appendix A top band as six numbered lines. Take a piece of your own Welsh writing from the last month and mark it against each line honestly, awarding yourself a tick, a half or a cross. Then rewrite ONLY the lines you crossed. Most candidates discover that their crosses are in planning and reasoning rather than in grammar, which tells them exactly where the next month of work belongs.

Active recall

Recall the key points — then reveal.

Sources: WJEC GCE AS/A Level Welsh (Second Language) specification — AO3 and the Appendix A Unit 2 assessment grid (WJEC CBAC)

§ 02

Cywair: choosing a register and holding it#

●●○StandardLPSpecification §2, Skills — use a correct linguistic register in a broad range of contexts, with consideration for purpose and audienceLPSpecification §2.2 Unit 5 Section B — candidates should be aware of their target audienceLPSpecification §2.2 Unit 6 Section B — use a linguistic register appropriate for the purpose and audience

Registers, their markers, and where each is examined

Cywair — situation, register, markerTable with 4 columns and 6 rows, Data: Situation · Register · Welsh markers · Units; Oral discussion · Natural spoken · Dw i’n credu · 1, 4; Letter to a body · Formal written · Yr wyf yn credu · 2, 5; Blog or diary · Personal · Heddiw, es i · 2; News article · Neutral report · Cynhaliwyd, Gwelir · 2, 5; Literary essay · Standard written · Mae’n awgrymu · 3, 6; Information leaflet · Direct, to you · Cofiwch, Ewch i · 5, highlighted cell: Natural spokenSITUATIONREGISTERWELSH MARKERSUNITSOral discussionNatural spokenDw i’n credu1, 4Letter to a bodyFormal writtenYr wyf yn credu2, 5Blog or diaryPersonalHeddiw, es i2News articleNeutral reportCynhaliwyd, Gwelir2, 5Literary essayStandard writtenMae’n awgrymu3, 6Information leafletDirect, to youCofiwch, Ewch i5
Fig. 1Register is visible in a handful of small signals. The emphasised row is the oral discussion, where the natural spoken register is not a concession but the correct answer.

Key points

Cywair means register: the level and colour of the language, chosen for a purpose and an audience. The specification returns to it again and again — in the skills list, in the poetry question, in the oral units, in the translanguaging task and in the short-story question — which tells you it is a marked feature everywhere. Welsh gives you a genuinely wide range to choose from, and the choice is visible in small, cheap signals rather than in grand ones: whether you write rydw i or yr wyf, whether you use the impersonal cynhaliwyd or the periphrastic cafodd ei gynnal, whether you address the reader as ti or chi, and how much English-derived vocabulary you allow yourself.
The everyday spoken register is right and expected in the two oral examinations. The specification asks for a register appropriate to the purpose and audience, not for a literary one, so dw i’n credu (I think), mae’n well gen i (I prefer) and o’n i’n meddwl (I thought) are exactly correct in a group discussion and would be stiff in a formal letter. Do not try to speak like an essay. The examiner is listening for control and appropriacy, and a candidate who reaches for literary forms in conversation usually loses fluency without gaining anything.
Formal written Welsh is the default for the Package, for a letter or article in Unit 5 Section B, and for any essay about a text. Its markers are learnable in an afternoon: full forms rather than contractions where the style is elevated, the impersonal for reporting (gwelir, ‘it is seen’; cynhaliwyd, ‘it was held’), composite prepositions (er mwyn, ‘for the sake of’; o achos, ‘because of’), and connectives that carry an argument (fodd bynnag, ‘however’; ar y llaw arall, ‘on the other hand’; o ganlyniad, ‘as a result’). Build a page of these and use it deliberately; the specification’s ‘range of linguistic resources’ is very largely this.
The third register worth naming is the direct, second-person voice of a leaflet, a poster or a piece of persuasive journalism — cofiwch (remember), ewch i (go to), beth am (how about). Unit 5 Section B explicitly allows an information pamphlet as a response form, and that form lives or dies on this register. The rule that governs all three is consistency: choose the register in the first sentence, and let every later sentence agree with it. A piece that starts in yr wyf and drifts into dw i has told the examiner that the register was an accident rather than a choice, and that is precisely what the descriptor ‘consistent use of appropriate personal style’ is testing.
Worked example

One idea, three registers

The idea is: the number of Welsh speakers in this village has fallen, and the local Menter Iaith is trying to reverse it. Write the opening sentence three times — for a formal letter, for a blog, and for a leaflet — and name the marker that carries each register.

  1. 01Formal letter

    Yr wyf yn ysgrifennu atoch ynglŷn â’r gostyngiad yn nifer y siaradwyr Cymraeg yn y pentref hwn. (I am writing to you concerning the fall in the number of Welsh speakers in this village.) Markers: yr wyf rather than dw i; the composite preposition ynglŷn â; the demonstrative hwn rather than yma.

  2. 02Blog

    Dw i’n poeni. Mae llai a llai o bobl yn siarad Cymraeg yn y pentref lle ces i fy magu. (I am worried. Fewer and fewer people speak Welsh in the village where I was brought up.) Markers: the contracted dw i; a short opening sentence; the personal relative clause lle ces i fy magu.

  3. 03Leaflet

    Ydych chi’n siarad Cymraeg? Mae angen eich help chi ar y pentref hwn. (Do you speak Welsh? This village needs your help.) Markers: a direct question to the reader; the second person chi; the idiom mae angen … ar, ‘X needs Y’, which conjugates: mae angen help arnoch chi.

  4. 04Check the mutations that changed

    In the letter, nifer y siaradwyr uses the genitive with no word for ‘of’ — the specification’s own rule. In the blog, ces i fy magu keeps fy plus the nasal mutation of magu — but m is not a nasal-mutable radical, so magu is unchanged; a learner who ‘corrects’ it has invented an error. In the leaflet, y pentref hwn takes no mutation because pentref is masculine.

  5. 05State what did NOT change

    The content is identical in all three: the number has fallen, and something is being done. Only the register moved. That is the exercise the examiner is setting whenever the rubric names an audience, and doing it deliberately is what the descriptor ‘varying the style accordingly’ rewards.

Result: Three openings, one idea. The register was carried by six or seven small signals — yr wyf against dw i, a composite preposition, a direct question, the second person — and by nothing larger.

Exam focus

  • Register is a MARKED feature in the orals, the Package, the translanguaging task and the literature answers (AO3).
  • Spoken register is correct in Units 1 and 4 — the specification asks for appropriacy, not for literary Welsh.
  • Formal markers are cheap and learnable: the impersonal, composite prepositions, argumentative connectives.
  • Consistency is the criterion: choose in sentence one and hold it to the end.

Typical mistakes

  • Speaking in an essay register during the oral examinations, which costs fluency and gains nothing.
  • Drifting between yr wyf and dw i inside one piece, which reads as an accident rather than a choice.
  • Assuming formal means longer; the impersonal and composite prepositions are usually SHORTER than the alternatives.
  • Writing an information pamphlet in the register of an essay, when the form demands the direct second person.

Active revision

Take one paragraph of your own Welsh and rewrite it three times: once as a formal letter to a public body, once as a personal blog entry, and once as an information leaflet addressed directly to the reader. Change only the register, not the content. Then underline every word that had to change. That list is your register vocabulary and it is shorter than you expect.

Active recall

Recall the key points — then reveal.

Sources: WJEC GCE AS/A Level Welsh (Second Language) specification — Skills, register, purpose and audience (WJEC CBAC)

§ 03

The forms the specification actually names#

●●○StandardLPSpecification §2.1 Unit 2 — the Package must include three extended pieces in three of seven named formatsLPSpecification §2.1 Unit 3 Section A (iii) — writing a personal response in a range of formsLPSpecification §2.2 Unit 5 Section B — a letter, article or information pamphlet

Key points

This specification does not ask for ‘an essay’ in the abstract. It names forms, and it names different ones in different units, so the safest preparation is a rehearsed repertoire rather than a single default style. Unit 2 lists seven: a report or article, a portrait, a story, a conversation or interview, a letter, a blog, and a diary — and you must produce three of them. Unit 5 Section B lists three: a letter, an article, or an information pamphlet. Unit 3 Section A asks for ‘a personal response in a range of forms’ without naming them, and Unit 6 Section A asks for ‘a response to a specific task’. Between them, six or seven distinct shapes.
Each form carries conventions the examiner can see at a glance, and hitting them is nearly free marks. A letter needs an address or salutation, a stated reason for writing in the first line, a developed middle and a closing request or conclusion. An article needs a headline, an opening that makes the reader care, sub-headings if the piece is long, and a closing line with some force. A diary needs a date, a first-person voice, and interior reaction rather than reportage. A blog is a diary with an audience: it addresses the reader. A conversation or interview needs two distinguishable voices and a reason for the exchange.
Two of the seven are worth extra thought because learners under-use them. A PORTRAIT (portread) is a written picture of a person — what they do, how they speak, what they are like, and why they matter to the subject you have chosen. It suits the Package well because it lets you write about a place or an issue through somebody who lives it, and it gives you a natural home for description. A STORY (stori) is the only creative option and it is legitimate at A level, but remember that the Package as a whole must still be about a real subject connected to Wales, so a story here is a way of showing that subject rather than an escape from it.
The information pamphlet, which appears only in Unit 5 Section B, deserves separate practice because its conventions are the least like an essay. It uses headings, short blocks of text, direct address to the reader, imperatives, and often a question as a heading. It does not need connected paragraphs of argument and it does not need a conclusion in the essay sense — it needs a call to action. Candidates who have practised only continuous prose write a pamphlet-shaped essay and lose the form marks. Half an hour spent looking at real Welsh-language leaflets from a council, the Urdd or a Menter Iaith will teach you the conventions faster than any description of them.
Worked example

Choosing three Package formats that are genuinely different

Your Package subject is the future of a small Welsh-medium primary school in your area. Choose three of the seven formats and justify each choice by what it lets you do that the others do not.

  1. 01List what the subject contains

    Facts and numbers (pupil roll, catchment, council proposals); people (the head teacher, a parent, a former pupil); and a personal stake (your own view of what closure would mean). Three different kinds of material, so three different forms.

  2. 02Choose the factual form

    A report or article carries the numbers and the proposals. It lets you use the impersonal — cynhaliwyd cyfarfod, ‘a meeting was held’; adroddwyd, ‘it was reported’ — and it lets you use sub-headings, which the specification explicitly rewards. This is also the natural home for the research the Package must show.

  3. 03Choose the human form

    A portread of the head teacher, or an interview with a parent. A portrait carries description and character; an interview carries two voices and lets an opposing view be heard without you having to endorse it. Either one gives the reader a person rather than a policy, which is what the descriptor ‘personal and relevant comments’ is asking for.

  4. 04Choose the personal form

    A diary entry from the day the proposal was announced, or a blog written afterwards. This is where your own attitude belongs — and the specification says the Package’s prevailing feature should be the candidate’s personal views. A diary lets you be uncertain; a blog lets you argue. Choose according to which you can sustain in Welsh.

  5. 05Check the three against each other

    Report, portrait, diary: one impersonal, one about somebody else, one about you; one full of facts, one full of description, one full of reaction. Three registers, three voices, three vocabularies. Compare that with report, article and letter, which would be three versions of the same register and would make the ‘range of linguistic resources’ clause impossible to satisfy.

Result: Report, portread and diary — chosen because they differ in VOICE (impersonal, third person, first person) and in register, not merely in name. That spread is what lets one Package demonstrate a range of linguistic resources.

Exam focus

  • Unit 2 names seven formats and you must produce three of them; Unit 5 Section B names three (AO3).
  • Form conventions are visible and cheap: a letter’s reason for writing, an article’s headline, a diary’s date.
  • A portread is a written portrait of a person and is a strong Package choice because it carries description naturally.
  • The information pamphlet is the least essay-like form and needs separate practice.

Typical mistakes

  • Writing every form as continuous argumentative prose, which loses the form marks in a pamphlet, a diary or an interview.
  • Choosing three Unit 2 formats that are really the same shape — for instance a report, an article and a letter.
  • Writing a story that drifts away from the Package’s Welsh subject and so stops serving the task.
  • Forgetting that a blog addresses a reader while a diary does not; the difference is the whole distinction.

Active revision

Write the seven Unit 2 formats as seven headings on a page, and under each write three conventions a reader would notice within ten seconds of starting. Then pick the three you would use for your own Package and check that they differ in shape as well as in name — one should be personal, one factual and one written in somebody else’s voice.

Active recall

Recall the key points — then reveal.

Sources: WJEC GCE AS/A Level Welsh (Second Language) specification — Unit 2 formats and Unit 5 Section B response forms (WJEC CBAC)

§ 04

Planning, paragraphing and the visible shape of a piece#

●●○StandardLPSpecification §2.1 Unit 2 — appropriate and effective use of headings and sub-headings when organising the workLPSpecification Appendix A — plan their work in detail and carefully; present the work in an organised mannerLPSpecification §2, Skills — discuss, consider and respond to other views and opinions to reach balanced conclusions

Key points

The Appendix A grid names planning twice — ‘plan their work in detail and carefully’ at the top, ‘usually plan their work carefully’ in the middle band — and it names organisation separately. That is unusual and it should be taken literally: planning is marked, and it is marked even in an examination where nobody sees the plan, because a planned piece reads differently from an unplanned one. Five minutes with a pen before you begin will show in the finished paragraphs, and the specification’s own instruction about headings and sub-headings tells you that the examiner expects the SHAPE of a piece to be visible on the page.
A workable plan for almost any extended piece in this subject has four moves. State the subject and your position in the first paragraph, so the reader knows within three sentences what the piece is about and what you think. Develop two or three distinct points, each in its own paragraph, each with a specific piece of evidence — a figure, a named place, an incident, a located scene. Acknowledge a different view honestly in one paragraph, because the specification asks for balanced conclusions and because an argument that has answered an objection is stronger than one that has not. Then close by returning to your position, changed by what you have said.
Paragraphs in Welsh work as they do in English but the joins are more visible, because Welsh connectives are distinctive words rather than punctuation. Build a small stock and use them deliberately: yn gyntaf (first), yn ail (second), ar ben hynny (moreover), er hynny (nevertheless), fodd bynnag (however), ar y llaw arall (on the other hand), o ganlyniad (as a result), i gloi (in conclusion). Two or three per piece is plenty; a paragraph that begins with a connective every time reads mechanically. The point of the stock is that you never have to stop and search for the join.
Headings and sub-headings belong in the Package, in a report or article, and in an information pamphlet, and they are worth marks in Unit 2 because the specification says so directly. They do not belong in a story, a diary, a letter or a literary essay. A useful discipline is to write the sub-headings BEFORE the prose: if you can write four honest sub-headings for a piece, you have a plan; if you cannot, you do not yet know what the piece is about. And a contents page and a bibliography are required for the Package as a whole, which is presentation rather than prose but is checked all the same.
Worked example

A six-line plan and the paragraph it produces

The task is a Unit 5 Section B article in Welsh responding to an English-language piece about young people leaving rural Wales for work. Build the plan, then write the opening paragraph in Welsh.

  1. 01Line 1 — the position

    Position: the problem is real but the usual explanation, that young people simply prefer cities, is too simple; housing and transport matter more. Writing the position as a sentence with a BUT in it guarantees that the piece has an argument rather than a topic.

  2. 02Lines 2 to 4 — the developed points

    Point one: wages are only part of it — evidence, the cost of a first house against a local salary. Point two: transport decides whether a rural job is reachable at all — evidence, the last bus. Point three: Welsh-medium work exists but is invisible to school leavers — evidence, the Menter Iaith and local employers. Each point names its evidence in the plan, so no paragraph has to be filled with opinion later.

  3. 03Line 5 — the counter-view

    Counter-view: some leave because they want to, and a community that treats every departure as a loss patronises them. Answer: the argument is not about preventing departure but about making staying possible. Naming the honest objection here is what the specification’s ‘balanced conclusions’ clause is asking for.

  4. 04Line 6 — the close

    Close: the question is not why they leave but whether they could have stayed — which returns to the opening position, changed by the three points.

  5. 05Write the opening in Welsh

    Mae’r erthygl yn iawn i ddweud bod pobl ifanc yn gadael cefn gwlad Cymru. Ond mae’r rheswm a roddir yno — eu bod yn well ganddyn nhw fyw mewn dinas — yn rhy syml o lawer. Yn fy marn i, tai a thrafnidiaeth sy’n penderfynu’r peth. (The article is right to say that young people are leaving rural Wales. But the reason given there — that they prefer city life — is far too simple. In my view it is housing and transport that decide the matter.) Three sentences: the source acknowledged, the position stated with a BUT, and the two points announced.

Result: A six-line plan and a three-sentence opening that acknowledges the source, states a position and announces the argument. Note the emphatic construction in the third sentence — tai a thrafnidiaeth sy’n penderfynu — which is exactly the A2 word order the Unit 6 inventory asks for.

Exam focus

  • Planning is named in the assessment grid itself, so it is marked even when the plan is never seen (AO3).
  • Four moves: position, two or three developed points with evidence, an honest counter-view, a changed close.
  • Welsh connectives make the joins visible — keep a stock of eight and use two or three per piece.
  • Headings, a contents page and a bibliography are required for the Unit 2 Package specifically.

Typical mistakes

  • Beginning to write before deciding what the position is, which produces a piece that lists rather than argues.
  • Using a connective at the head of every paragraph until the prose reads like a list of signposts.
  • Putting sub-headings into a story, a diary or a literary essay, where they break the form.
  • Omitting the counter-view, which makes ‘balanced conclusions’ impossible to demonstrate.

Active revision

Take any past written task and write only its plan: one line for the position, one line for each developed point with the evidence named, one line for the counter-view, one line for the close. Six lines, no prose. Then give the plan to somebody else and ask them what the piece will argue. If they cannot tell you, the plan is not finished — and no amount of good Welsh will rescue the piece from it.

Active recall

Recall the key points — then reveal.

Sources: WJEC GCE AS/A Level Welsh (Second Language) specification — Unit 2 guidelines and the Appendix A grid (WJEC CBAC)

§ 05

The last ten minutes: an accuracy sweep in a fixed order#

●●●AdvancedLPSpecification §3.1 AO3 — write correctly, clearly and proficientlyLPSpecification §2.1 Unit 3 Section A (i) — correcting errors in textLPSpecification §2.2 Unit 6 Section A (b) — choosing the correct verb and the correct word in a sentence

Key points

In a two-hour paper carrying two questions, ten minutes at the end is worth more than ten minutes anywhere else, because it recovers marks you have already earned rather than bidding for new ones. But a sweep only works if it has a fixed order, since reading a page for ‘mistakes’ in general finds almost nothing. The order that works in Welsh is: treiglo first, then verbs, then agreement, then spelling, then punctuation, then register. Each pass looks for ONE class of error, and each pass is fast because you are not thinking about meaning.
Pass one, treiglo. Read only the words that follow a known trigger: the twelve prepositions, fy, dy, ei, y before a feminine noun, yn, dau and dwy, a, â, tri, chwe, and the object of every short-form verb. You are not reading the sentences, you are reading the trigger list. This pass takes about two minutes on a page of Welsh and it is where most of the recoverable marks are, because a mutation error is visible to any reader and costs the ‘accuracy’ clause directly. Pass two, verbs: check that each clause uses one system rather than two, and that yn and wedi are where you meant them.
Pass three, agreement. Does the pronoun match the verb — rydw i and not rydw hi? Does the adjective take its feminine form after a feminine singular noun? Does the possessive agree with its echoing pronoun (fy … i, dy … di, ei … e or hi)? Pass four, spelling: the letters learners most often confuse are y and u, w and u, dd and d, and the doubled consonants in words like cyffredin. Pass five, punctuation: Welsh uses the comma more sparingly than English, and a comma splice is as wrong here as it is there.
Pass six is register, and it is a single question rather than a scan: does the last paragraph sound like the first? If the piece began yr wyf and ends dw i, or began with imperatives and ends with an essay conclusion, fix the ending rather than the beginning — it is quicker and the reader’s last impression is what carries. Then stop. A sweep that turns into rewriting will run out of time and will usually introduce a new error into a sentence that was already correct, which is the one outcome worse than leaving the page alone.
Worked example

An accuracy sweep over one paragraph: six errors found and explained

Sweep this paragraph in the fixed order and name the rule for every change. ‘Es i i Bangor gyda fy brawd. Roedd hi’n bwrw glaw, ond aethon ni i’r castell beth bynnag. Gwelais i tri castell yng Ngwynedd y llynedd. Mae’n gyfrifoldeb ar ni i ofalu am nhw. Yr wyf yn meddwl bod nhw’n bwysig, a dw i’n gobeithio gwelith pobl ifanc nhw.’

  1. 01Pass one — treiglo

    ‘fy brawd’: fy takes the nasal mutation and b becomes m, so fy mrawd (my brother). ‘Gwelais i tri’: the object of a short-form verb softens, so dri. ‘tri castell’: tri takes the aspirate mutation, but c becomes ch — so tri chastell. Three errors in one pass, all from the trigger list.

  2. 02Pass two — verbs

    ‘gwelith pobl ifanc nhw’ mixes systems. Either use the periphrastic future — y bydd pobl ifanc yn eu gweld nhw — or keep a short form but attach the object correctly. The cleaner repair for a learner is the periphrastic: dw i’n gobeithio y bydd pobl ifanc yn eu gweld nhw.

  3. 03Pass three — agreement

    ‘ar ni’ must be the conjugated form arnon ni (on us). ‘bod nhw’n bwysig’ needs the possessive-style nominal clause: eu bod nhw’n bwysig (that they are important). And ‘gofalu am nhw’ takes the conjugated preposition: gofalu amdanyn nhw (to look after them).

  4. 04Pass four and five — spelling and punctuation

    Nothing is misspelt here. The punctuation is sound: the comma before ond is correct, and beth bynnag needs none. Recording a clean pass is useful — it tells you the sweep is finding real errors rather than manufacturing them.

  5. 05Pass six — register

    The paragraph opens in a narrative spoken register (Es i, Roedd hi’n bwrw glaw) and then jumps to Yr wyf yn meddwl before dropping back to dw i. Fix the ending to match the beginning: Dw i’n meddwl eu bod nhw’n bwysig. The corrected paragraph reads: Es i i Fangor gyda fy mrawd. Roedd hi’n bwrw glaw, ond aethon ni i’r castell beth bynnag. Gwelais i dri chastell yng Ngwynedd y llynedd. Mae’n gyfrifoldeb arnon ni i ofalu amdanyn nhw. Dw i’n meddwl eu bod nhw’n bwysig, a dw i’n gobeithio y bydd pobl ifanc yn eu gweld nhw.

  6. 06Note the seventh change

    ‘i Bangor’ became ‘i Fangor’ in the corrected version: i takes the soft mutation and b becomes f. That one was in the original and is easy to miss because Bangor is a familiar place name — which is exactly why the sweep reads the trigger list and not the meaning.

Result: Seven changes: three mutations, one verb system, three agreement or conjugation errors, one register repair. Every one was found by a pass that was looking for a single class of error, and none required knowing any Welsh that the paragraph did not already use.

Exam focus

  • Ten minutes of checking at the end recovers earned marks; the order must be fixed or the sweep finds nothing (AO3).
  • Pass one is treiglo, read from the trigger list rather than from the sentences.
  • Passes two to five: verb systems, agreement, spelling, punctuation — one class of error per pass.
  • Pass six is a single question about register consistency; fix the ending, not the beginning.

Typical mistakes

  • Reading the page for ‘mistakes’ in general, which finds far less than six targeted passes in the same time.
  • Rewriting sentences during the sweep and introducing new errors into correct Welsh.
  • Checking mutations by reading the whole text rather than by reading the trigger list.
  • Leaving no time for the sweep at all because both questions were planned to fill the full two hours.

Active revision

Set a timer for ten minutes and run all six passes over a piece of your own Welsh that you already consider finished. Record how many errors each pass finds. Repeat this weekly for a month and watch the numbers fall pass by pass — the passes that keep finding things are telling you exactly which grammar to revise, which makes the sweep a diagnostic as well as a rescue.

Active recall

Recall the key points — then reveal.

Sources: WJEC GCE AS/A Level Welsh (Second Language) specification — AO3 and the Unit 3 and Unit 6 error-correction exercises (WJEC CBAC)

Contents

Section -- / 05

    • 01AO3 across four units, and what ‘correctly and proficiently’ means○
    • 02Cywair: choosing a register and holding it◐
    • 03The forms the specification actually names◐
    • 04Planning, paragraphing and the visible shape of a piece◐
    • 05The last ten minutes: an accuracy sweep in a fixed order●

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From notes into training

Writing in a range of forms

Reinforce this topic with matching tasks from the question bank.

~30
min
4
Competencies
Practise

References & sources

Sources

WJEC CBAC

  • WJEC GCE AS/A Level Welsh (Second Language) specification — AO3 and the Appendix A Unit 2 assessment grid

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