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Photography

A-Level Photography is the lens- and light-based endorsement of Art and Design - literally 'drawing with light' - delivered here through the AQA Art and Design: Photography title (7206). It shares the Art and Design structure exactly: the same four equally weighted assessment objectives (AO1 develop ideas through investigations informed by contextual and other sources; AO2 explore and select appropriate media, materials, techniques and processes; AO3 record ideas, observations and insights relevant to intentions; AO4 present a personal and meaningful response), and the same two portfolio components with NO written examination - Component 1, a self-directed Personal Investigation (a practical portfolio together with a written personal study of 1000 to 3000 words, worth 60%), and Component 2, a response to an Externally Set Assignment (a preparatory period followed by 15 hours of supervised work, worth 40%). It is centre-assessed and externally moderated, graded A*-E. Photography spans portraiture, landscape, still life, documentary and photojournalism, fashion, experimental imagery, and multimedia, installation and moving image, and it has a genuinely optical and technical seam - the camera, the exposure triangle of aperture, shutter speed and ISO, depth of field, lenses and focal length, and chemical and digital processing - alongside the visual language, the genres and the history of the medium. Because these notes cannot reproduce photographs, they teach the language, the technique, the process and the analytical method of photography: how the camera and light are controlled to realise an intention, how the visual elements and composition build meaning within the frame, how each genre works and what its conventions and key practitioners are, how images are produced and processed chemically and digitally, and how a sustained personal photographic enquiry is developed, edited and resolved across the four assessment objectives. AQA's Externally Set Assignment starting points ROTATE each year, so these notes teach the transferable method and use well-known photographers only as neutral illustrations of technique and genre, never as a set task.

0/70 Texts·15 Chapters·~317 min total

Continue reading — Chapter ITable of contents
LPAQA 7206 PhotographyLPOfqual GCE Art and Design subject contentLPAQA 7206 Photography (components)LPAQA 7206 Photography (Component 1)LPAQA 7206 Photography (Component 2)LPAQA 7206 Photography (assessment)+64 more●○○Foundation●●○Standard●●●Advanced
Table of contents · 15 ChaptersT·15
Ch. ICourse overview and components5 texts · 0 read
  • What A-Level Photography isText L·01 · Recommended start5 min
  • The two components and how they fit togetherText L·024 min
  • Component 1: the Personal InvestigationText L·035 min
  • Component 2: the Externally Set AssignmentText L·045 min
  • Assessment, moderation and gradingText L·054 min
Ch. IIThe four Assessment Objectives6 texts · 0 read
  • The four objectives overviewText L·065 min
  • AO1: developing ideas from sourcesText L·074 min
  • AO2: exploring media, techniques and processesText L·084 min
  • AO3: recording ideas, observations and insightsText L·094 min
  • AO4: presenting a personal and meaningful responseText L·104 min
  • The AOs as a connected journeyText L·114 min
Ch. IIIPhotographic media, techniques and processes5 texts · 0 read
  • The span of photographic mediaText L·124 min
  • Traditional and analogue photographyText L·135 min
  • Digital photographyText L·145 min
  • Analogue versus digital: two workflowsText L·154 min
  • Selecting media and experimentingText L·164 min
Ch. IVCamera and lens techniques6 texts · 0 read
  • The camera and the exposure triangleText L·175 min
  • Aperture and f-stopsText L·185 min
  • Depth of fieldText L·195 min
  • Shutter speed and motionText L·205 min
  • Lenses, focal length and the light pathText L·215 min
  • Lighting, filters and viewpointText L·224 min
Ch. VVisual language and composition5 texts · 0 read
  • The visual elements within the imageText L·235 min
  • Composition and the rule of thirdsText L·245 min
  • Leading lines, framing, balance and viewpointText L·255 min
  • Colour, pattern and textureText L·265 min
  • Presentation and layoutText L·275 min
Ch. VILens- and light-based image production5 texts · 0 read
  • Producing the image: from latent image to final printText L·285 min
  • The chemical darkroomText L·295 min
  • Digital processing and editingText L·304 min
  • Photo-manipulation, montage and compositingText L·314 min
  • Processing as a creative decisionText L·324 min
Ch. VIIPortraiture4 texts · 0 read
  • What portraiture isText L·335 min
  • Lighting the portraitText L·345 min
  • Pose, expression, viewpoint and settingText L·354 min
  • Portrait photographers and approachesText L·364 min
Ch. VIIILandscape photography4 texts · 0 read
  • What landscape photography isText L·375 min
  • Light, weather and time of dayText L·384 min
  • Composition and depth in the landscapeText L·395 min
  • Approaches, traditions and a landscape enquiryText L·405 min
Ch. IXStill life photography4 texts · 0 read
  • What still life isText L·415 min
  • Arrangement, surface and backgroundText L·424 min
  • Lighting the still lifeText L·435 min
  • Meaning, symbolism and a still-life enquiryText L·445 min
Ch. XDocumentary photography and photojournalism4 texts · 0 read
  • What documentary photography isText L·454 min
  • Photojournalism and the decisive momentText L·464 min
  • Truth and constructionText L·475 min
  • Social, cultural and ethical contexts, and a documentary enquiryText L·485 min
Ch. XIFashion photography4 texts · 0 read
  • What fashion photography isText L·494 min
  • The constructed image and the teamText L·505 min
  • Lighting and settingText L·514 min
  • Editorial, advertising, audience and purposeText L·525 min
Ch. XIIExperimental imagery4 texts · 0 read
  • What experimental imagery isText L·534 min
  • Camera-less photographyText L·544 min
  • In-camera experimentText L·554 min
  • Post-capture experiment and an experimental enquiryText L·564 min
Ch. XIIIMultimedia, installation and moving image4 texts · 0 read
  • Extending photography beyond the still imageText L·574 min
  • Moving image: time, sequence and soundText L·585 min
  • Installation and presentation in spaceText L·594 min
  • Multimedia and a time-based enquiryText L·604 min
Ch. XIVContextual and historical study5 texts · 0 read
  • Why context and history matterText L·614 min
  • A history of photographyText L·624 min
  • Movements and debatesText L·634 min
  • Studying and analysing photographersText L·645 min
  • Using context to inform your own practiceText L·655 min
Ch. XVPersonal investigation and personal study5 texts · 0 read
  • The Personal InvestigationText L·665 min
  • The practical portfolio across the AOsText L·674 min
  • The written personal studyText L·685 min
  • Editing to a resolved personal responseText L·695 min
  • Leading into the Externally Set AssignmentText L·705 min
Reading progress · subject
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0/70
Texts
~317
min total
Recommended start
Course overview and components · Ch. I
What A-Level Photography is
Text L·01 · 5 min
Read now
Instrument · 01Recommended study order
  1. 1Course overview and components
  2. 2The four Assessment Objectives
  3. 3Photographic media, techniques and processes
  4. 4Camera and lens techniques
  5. 5Visual language and composition
  6. 6Lens- and light-based image production
  7. 7Portraiture
  8. 8Landscape photography
  9. 9Still life photography
  10. 10Documentary photography and photojournalism
  11. 11Fashion photography
  12. 12Experimental imagery
  13. 13Multimedia, installation and moving image
  14. 14Contextual and historical study
  15. 15Personal investigation and personal study
Instrument · 02Exam structure
Component 1 - Personal Investigation (practical portfolio + written personal study)
A self-directed, practical and theoretical photographic investigation supported by a written personal study. Marked out of 96 and worth 60% of the A-Level; there is no time limit (it is coursework produced over the course). Students conduct a sustained personal photographic enquiry into a theme of their own choosing, shooting extensively from primary sources, researching relevant photographers and contexts, exploring camera, light, darkroom and digital processes, and editing toward a resolved personal outcome or coherent body of work, AND a related written personal study - a coherent, continuous piece of a minimum of 1000 and a maximum of 3000 words that critically analyses relevant photographers, genres and contexts and their own developing practice, properly referenced with a bibliography. All four assessment objectives are assessed. Centre-assessed and externally moderated by AQA.
Component 2 - Externally Set Assignment (ESA)
A response to a broad starting point chosen from an externally set question paper released by AQA (available from 1 February). Marked out of 96 and worth 40% of the A-Level. Students have a preparatory period of sustained photographic investigation - research, shooting, development and experimentation - which is unlimited in time, followed by 15 hours of supervised, unaided work in which the final photographic outcome is produced. All four assessment objectives are assessed. Centre-assessed and externally moderated. Because the starting points rotate each year, no theme should be treated as fixed; the method transfers to whatever the current paper sets.
Assessment objectives (each equally weighted at 25%)
AO1 - Develop ideas through investigations, demonstrating critical understanding of sources (photographers, genres, contexts). AO2 - Refine work by exploring ideas and selecting and experimenting with appropriate media, materials, techniques and processes (the camera, light, the darkroom, digital editing). AO3 - Record ideas, observations and insights relevant to intentions as work progresses (chiefly the student's own photographs from primary sources, with annotation). AO4 - Present a personal and meaningful response that realises intentions and, where appropriate, makes connections between visual and other elements. Each objective carries 25% of the marks in each component; strong work satisfies all four and shows a clear, evidenced journey between them - and in photography, rigorous editing of many images to a resolved few is where AO3 and AO4 meet.
Nature of assessment and grading
Photography, like all the Art and Design endorsements, is a non-examined, portfolio-assessed subject: there is no written paper. Both components are practical bodies of photographic work marked against the four assessment objectives, assessed by the centre and externally moderated by the awarding body. The A-Level is graded A*-E (U below E). The Photography title (7206) shares identical assessment objectives, weightings and component structure with the other Art and Design endorsements (Art, craft and design; Fine art; Graphic communication; Textile design; Three-dimensional design), differing only in its lens- and light-based media and concerns.
Instrument · 03Official sources
  • Ofqual - GCE AS and A level qualifications (subject-level conditions and requirements for Art and Design)Ofqual
  • AQA AS and A-level Art and Design (7201-7206), Photography endorsement (7206 / 7246) specificationAQA

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