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Notes/Japanese/Listening: Paper 3, and the whole of the AO1 weighting
Notes · JapaneseUK · A-Levels

Listening: Paper 3, and the whole of the AO1 weighting

This topic carries Paper 3 — Listening, reading and writing — which is 60 marks, 2 hours 15 minutes and 30 per cent of the A-Level, together with the listening half of its Section B. It matters out of proportion to its mark total for one structural reason: Paper 3 is the only paper in which listening is assessed, so it carries the qualification's ENTIRE AO1 weighting of 20 per cent, and AO1 in this qualification is written-only — understand and respond IN WRITING to spoken language. Two rules shape everything: students have individual control of the recording and may stop, revisit and replay it as they wish, which converts listening from a test of instantaneous comprehension into a method; and the language of response changes between the sections, since Section A's four questions are set in English and answered in English while everything in Section B is set in Japanese and answered in Japanese. The topic teaches a three-pass method built on that individual control, the specific features of spoken Japanese that defeat candidates, and the summary and evaluation writing that Section B demands.

5 sections·~34 min reading time·3 competencies·Level Standard 3 · Advanced 2

T·0333 / 12
Exam profile
AO1 · Understand and respond in writing to spoken Japanese from a variety of sources and registersAO2 · Understand and respond in writing to written Japanese alongside a spoken sourceAO3 · Manipulate Japanese accurately when summarising and evaluating in writing
Operators:聞き取りなさい要約しなさい答えなさい比べなさい評価しなさい説明しなさい

basic level

At first-year standard the target is recovering main points and clear details from short passages, using the replay function deliberately rather than in panic, and writing answers that say what was heard rather than what was expected. Building a habit of listening to the same short passage three times with a different task each time is worth more than listening to three passages once.

higher level

The full A-Level expects inference from complex spoken material, summary of different points of view, and evaluation in writing. That means hearing the sentence-final apparatus that carries stance, distinguishing what a speaker asserts from what they report, recognising register well enough to know who is speaking to whom, and writing a Japanese evaluation of 400 to 500 characters that uses both a heard and a read source.

Depth

Reading depth: In depth

Text

Text size: Standard

Contents · 5 sections▾
  1. Listening: Paper 3, and the whole of the AO1 weighting
    • 01The shape of Paper 3, and what individual control changes◐
    • 02What makes spoken Japanese hard to hear, and what to do about each thing●
    • 03The summary questions in Section A, and note-taking that survives◐
    • 04Paper 3 Section B: the heard source, summarised in Japanese●
    • 05Different registers and types, and where the recordings come from◐
§ 01

The shape of Paper 3, and what individual control changes#

●●○StandardLPPearson Edexcel 9JA0 Paper 3 Section A — listening comprehension (30 marks)LPPearson Edexcel 9JA0 Paper 3 — assessment information, individual control of the recordingLPDfE GCE AS and A level subject content for modern foreign languages

Individual control turned into a three-pass method

The three-pass listening methodGraph, 一回目 → メモ, メモ → 二回目, 二回目 → 確認, 確認 → 記入一回目メモ二回目確認記入
Fig. 1The five stations of a listening routine that uses the replay function as a tool rather than as a rescue. The first pass writes nothing, because orientation is faster with a still hand and because knowing how many speakers there are and who disagrees with whom makes the second pass far more accurate. The emphasised edge is the one into 確認, verification, because it is the pass candidates skip when time is short and the one that catches the two commonest losses — a missed negative and a misidentified speaker. Node labels are held to four characters, since the figure engine measures label width in code points while a kanji draws at roughly twice that width.

Key points

Paper 3 is 60 marks, two hours fifteen minutes and 30 per cent of the qualification, in two compulsory sections. Section A, listening comprehension, is 30 marks with a recommended 45 minutes: four questions, a mixture of multiple-choice and open-response, including questions that test summary skills. Section B, the listening, reading and writing question, is 30 marks with a recommended 1 hour 30 minutes: one heard source and one read source, summarised at 5(a) and 5(b), then evaluated at 5(c) in approximately 400 to 500 characters. The specification says the spoken passages cover different registers and types, that they feature one or more male and female speakers, that sources include material from online media, and that the material is drawn across all the sub-themes. No dictionary is permitted.
The language of response differs between the sections and this is the single most important practical fact in the paper. Section A's four questions are set in English and are answered in English — the specification states that responses to the Paper 1 Section A translation and to the Paper 1 Section B and Paper 3 Section A comprehension questions will be in English, and that all other student responses must be in Japanese. Section B is different: all its questions are set in Japanese and must be answered in Japanese. So one paper asks you to switch languages halfway through, and a candidate who has not internalised where the switch falls will lose marks to the format rather than to the language.
Individual control of the recording is the other structural fact and it should reshape how you prepare. Recordings reach centres as a CD or as MP3 files through Pearson's secure download service, and each student has individual control of the playback: you may stop, revisit and replay sections as you wish. That means Paper 3 Section A is not a test of catching something once. It is a test of method under a time budget, which is a completely different skill and a much more trainable one. The corollary is that your practice must be conducted the same way — replaying deliberately, with a plan — because practising under conditions of single-play trains a skill the examination does not assess and does not train the one it does.
The method these notes recommend is three passes with three different jobs, and the reason it works is that each pass asks the ear for something the previous pass has made easier. Pass one is orientation with no writing: how many speakers, what register, what is the topic, is anyone disagreeing with anyone. Pass two is capture: with the questions in front of you, stop at each answer point and note in whatever mixture of English, Japanese and shorthand is fastest. Pass three is verification: replay only the segments your answers depend on, and check the two things that most often go wrong — negation and who is speaking. Budget roughly 45 minutes for the whole section, which across four questions leaves ample time for this if you do not waste pass one on note-taking.
Worked example

The three-pass method applied to a concrete Section A passage

The recording contains this. 司会:今日は、若い人の働き方について伺います。田中さんは、転職は珍しくなくなったとお考えですか。 田中:ええ、確かに以前より増えました。ただ、どの業界でも同じというわけではありません。 司会:と言いますと。 田中:技術系では移りやすいのですが、地方の中小企業では、まだ同じ会社に長く勤める人が多いようです。 The question, in English, is: According to Tanaka, in which situation is changing employer still less common? Answer in English.

  1. 01Pass one, no writing: establish the shape

    Two speakers. One is 司会, a presenter or moderator, whose 伺います and お考えですか are humble and honorific forms — 伺う is the humble form of 聞く and お考えですか the honorific of 考えますか. The other is 田中さん, an interviewee speaking politely but not honorifically. So this is an interview, the register is formal, and the presenter's honorifics tell you who is deferring to whom. That takes thirty seconds and it means you already know whose statements the question will be about.

  2. 02Pass one, continued: find the argumentative shape before the detail

    Tanaka says ええ, then 確かに, then ただ. That sequence is a concession structure: yes, certainly, however. Hearing 確かに…ただ tells you a qualification is coming and that the qualification is where the interesting information will be, before you have understood a word of the qualification itself. Japanese speakers signal their argumentative structure with these connectives constantly, and training your ear on them alone is one of the highest-return listening exercises available.

  3. 03Pass two: with the question in front of you, stop at the qualification

    The question asks where changing employer is still LESS common, so you need the negative side of Tanaka's contrast. The relevant utterance is 技術系では移りやすいのですが、地方の中小企業では、まだ同じ会社に長く勤める人が多いようです. Two では phrases in contrast: 技術系では and 地方の中小企業では. The first is where moving is easy; the second is where people still stay. Stop and note both, because the question could have asked for either and mis-hearing which is which is the classic error.

  4. 04Pass two, continued: hear the modality at the end

    多いようです. よう on a plain form is the Appendix 2 form for an inference from evidence — it seems that, it appears that. Tanaka is not asserting a fact; he is reporting an impression. That does not change the answer to this question, but it would change the answer to a question about how confident he is, and it should change your English wording: write it seems that people still tend to, not people definitely do. Sentence-final modality is where a Japanese speaker's stance lives and it arrives last, which is why pass two must let each utterance finish.

  5. 05Pass three: verify negation and speaker

    Two checks. Negation: the only negative in the passage is どの業界でも同じというわけではありません — it is not the case that it is the same in every industry — which is a partial negation, not a denial that job-changing has increased. Misreading it as a denial would produce a completely wrong answer to a different question. Speaker: the claim you are using is Tanaka's, not the presenter's, and the question said according to Tanaka, so that checks out. Thirty seconds, and it protects the whole answer.

  6. 06Write the English answer, and only the answer

    At small and medium-sized firms in regional areas, where he says people still seem to stay with the same company for a long time. That is one sentence in English as required; it names the situation the question asked about; it preserves the ようです hedge with he says … seem to; and it does not repeat the technology-sector half, which the question did not ask for. Then move on — Section A is 30 marks across four questions in 45 minutes, and every minute saved here is a replay available for a harder question.

Result: Model answer, in English as required: At small and medium-sized firms in regional areas, where he says people still seem to stay with the same company for a long time. The method: pass one establishes speakers, register and argumentative shape with no writing; pass two captures the answer point and hears the sentence-final modality; pass three verifies negation and speaker identity; then the answer is written in English, in one sentence, answering the question that was asked.

Exam focus

  • Section A is answered in ENGLISH; Section B is set and answered in JAPANESE. Know where the switch falls (AO1, AO2).
  • Use individual control deliberately. The paper tests method, not instantaneous comprehension (AO1).
  • Practise with replay, because that is the examination condition (AO1).
  • On the verification pass, check negation and speaker identity before anything else (AO1).

Typical mistakes

  • Answering Section A in Japanese. Its questions are set in English and its answers are written in English.
  • Practising under single-play conditions. The examination gives you individual control and your method should use it.
  • Writing during the first pass. Orientation is faster and more accurate when your hand is still.
  • Spending replays on parts of the recording no question asks about. Replay only what your answers depend on.

Active revision

日本語の音声を一つ選び、三回に分けて聞きなさい。一回目は何も書かずに、話し手の人数・場面・立場だけを確認すること。二回目は設問を見ながら答えの箇所で止めてメモを取ること。三回目は答えの根拠となる部分だけを聞き直し、否定と主語を確認すること。全体を四十五分以内に収めなさい

Active recall

Recall the key points — then reveal.

Sources: Pearson Edexcel Level 3 Advanced GCE in Japanese (9JA0) specification (Pearson Edexcel)

§ 02

What makes spoken Japanese hard to hear, and what to do about each thing#

●●●AdvancedLPPearson Edexcel 9JA0 Paper 3 Section A — spoken passages covering different registers and typesLPPearson Edexcel 9JA0 Appendix 2 — plain form plus そう and よう; embedded questionsLPDfE GCE AS and A level subject content for modern foreign languages

Key points

The first difficulty is structural rather than phonetic: the load of a Japanese sentence arrives at the end. Negation, tense, modality, politeness and the speaker's stance are all suffixed to the verb, so a clause you think you have understood halfway through can be reversed by its last two syllables. 行きます, 行きません, 行きました, 行きたくない, 行かなければならない, 行くかもしれません and 行くとは限りません all begin identically. The training consequence is precise: teach yourself to wait. Candidates who translate mentally as they listen commit to a reading before the sentence has finished and then cannot revise it. Listening to the end and only then reconstructing is slower per sentence and enormously more accurate.
The second difficulty is the contracted forms of ordinary speech, which are not taught in most textbooks and appear constantly in authentic recordings. ~ている becomes ~てる: 見てる, 知ってる. ~てしまう becomes ~ちゃう and ~でしまう becomes ~じゃう: 忘れちゃった. ~なければ becomes ~なきゃ and ~なくては becomes ~なくちゃ: 行かなきゃ. ~ては becomes ~ちゃ. の becomes ん before です and elsewhere: 何してるんですか. と becomes って for quotation: 高いって言ってた. These are not slang; they are the ordinary spoken register of educated adults, and a candidate who has only ever heard textbook Japanese will find an authentic conversation unexpectedly opaque for reasons that have nothing to do with vocabulary.
The third difficulty is that Japanese has a great many homophones distinguished in writing by kanji and in speech only by context and pitch. こうしょう, きかん, しんこう and せいさく each cover several unrelated meanings. There is no trick here beyond context, but there is a discipline: when a compound sounds familiar but does not fit, do not force it — reach for the topic. In a recording about employment, きかん is far more likely to be 期間, a period, than 機関, an institution, and the surrounding words will usually settle it. The same applies to numbers and counters, which are genuinely hard: 一日, 一人, 二十日 and the counter changes in 一本, 一匹, 一杯 need drilling separately because they are irregular and because a misheard number can invalidate an entire answer.
The fourth is register, which the specification explicitly says varies across the passages, and it is information rather than noise. 敬語 identifies relationships: a speaker using いらっしゃる, おっしゃる, なさる or ご覧になる is elevating the person they are describing, and a speaker using 申す, 伺う, いたす or 拝見する is lowering themselves, so hearing which direction the honorifics run tells you who is the customer, the employee, the interviewer, the guest. Sentence-final particles carry stance: ね seeks agreement, よ asserts something the listener may not know, かな marks uncertainty, でしょう invites confirmation. And fillers — えーと, あのー, まあ, なんか — carry no content and should be ignored deliberately rather than puzzled over.
Worked example

One listening decision, walked through: hearing the end of the sentence

Six utterances that begin identically. For each, say what the speaker has committed to, and what a candidate who stopped listening at the third syllable would have concluded.

  1. 01参加します and 参加しません

    Both begin 参加し. The first commits the speaker to attending, the second to not attending, and the whole difference is ます against ません — two syllables at the very end. A listener who has already written attending has to unwrite it, and under time pressure many do not. This is why the first discipline of Japanese listening is not vocabulary but patience: hold the clause open until it closes.

  2. 02参加したいと思います against 参加することになりました

    The first is a wish — たい plus と思う, which Appendix 2 lists as the volitional-adjacent softening pattern — so the speaker wants to attend and may not. The second, ことになりました, says it has been arranged that they will attend, with the arranger unnamed, so attendance is settled and was not necessarily their own decision. English would use I would like to and I am going to; Japanese marks the difference in agency explicitly, and a question about who decided turns entirely on it.

  3. 03参加するかもしれません against 参加するはずです

    かもしれない is possibility: it may happen, with no particular grounds. はずだ is expectation from grounds: it should be the case, because something else is true. Both are on the Appendix 2 list alongside でしょう and だろう, and they are graded — はず is stronger than かも. A Section A question asking how likely a speaker thinks something is is answered by these forms and by nothing else in the sentence.

  4. 04参加しないわけではありません — the one that reverses twice

    This is a double negative meaning it is not that I am not attending, which in effect concedes that the speaker will or may attend while resisting the implication behind the question. A candidate who hears 参加しない and stops has heard the exact opposite of the utterance. ~ないわけではない and ~ないとは限らない are common in careful adult speech precisely because they hedge, and they are worth drilling as recognition items even though you would rarely produce them.

  5. 05参加するそうです against 参加するようです

    Appendix 2 lists both. Plain form plus そう is hearsay — I hear that they will attend — and the speaker is passing on information from elsewhere. Plain form plus よう is inference — it appears that they will attend — and the speaker is drawing a conclusion from evidence. A question about the source of a speaker's information is answered by which of these they used, and there is no other clue in the sentence.

  6. 06The training exercise that fixes all six

    Take one verb and record yourself, or find a recording, saying it with ten different endings. Listen with your eyes closed and write only the ending. Repeat until you can identify all ten without the stem. It sounds mechanical and it is, but the endings are a closed set, they carry a disproportionate share of the meaning, and they are the thing that arrives when your attention is lowest. Twenty minutes of this is worth several hours of listening to passages you already understand.

Result: 参加します attends; 参加しません does not; 参加したいと思います wants to; 参加することになりました has been arranged to; 参加するかもしれません may; 参加するはずです is expected to on grounds; 参加しないわけではありません concedes that they might after all; 参加するそうです is hearsay; 参加するようです is inference. Nine different commitments, one identical opening, and the whole difference carried after the stem.

Exam focus

  • Wait for the end of the clause before deciding what it means. Negation and modality arrive last (AO1).
  • Learn the contracted spoken forms — てる, ちゃう, なきゃ, んです, って — as a set (AO1).
  • Use topic to resolve homophones, and drill the irregular counters separately (AO1).
  • Read register as information: honorifics identify who is who, and final particles carry stance (AO1).

Typical mistakes

  • Translating mentally in real time and then being unable to revise when the sentence ends differently.
  • Failing to recognise ~ちゃった or ~なきゃ and assuming an unknown word.
  • Forcing a familiar homophone into a context where it does not fit, instead of letting the topic choose.
  • Trying to decode fillers. えーと and なんか carry no propositional content; skip them.

Active revision

日本語の会話を一つ選び、縮約形(「~てる」「~ちゃう」「~なきゃ」「~んです」「~って」)が出てくるたびに書き出し、それぞれを元の形に戻しなさい。次に、同じ音声を聞き直し、文末の否定と推量の形だけに注意して、話し手が断定しているか推測しているかを一文ずつ判定しなさい

Active recall

Recall the key points — then reveal.

Sources: Pearson Edexcel Level 3 Advanced GCE in Japanese (9JA0) specification (Pearson Edexcel)

§ 03

The summary questions in Section A, and note-taking that survives#

●●○StandardLPPearson Edexcel 9JA0 Paper 3 Section A — four questions including questions testing summary skillsLPPearson Edexcel 9JA0 Paper 3 — assessment informationLPDfE GCE AS and A level subject content for modern foreign languages

Key points

The specification says explicitly that Section A's four questions include questions testing summary skills, and that changes what note-taking has to achieve. For a detail question, a note only has to point you at a moment. For a summary question, your notes have to preserve structure — how many points there were, how they related, which were the speaker's own and which were reported — because the answer must reproduce that structure in English. So take notes in a shape, not in a line: a short vertical list with one entry per point, and a mark in the margin for anything the speaker attributed to somebody else. The shape is what you will write from, and a paragraph of transcribed fragments is not a shape.
Notes should be fast rather than pretty, and mixing scripts is entirely legitimate because nobody marks them. Use Japanese where the Japanese word is shorter — 塾, 転職, 節電 are two or three strokes' worth of meaning — and English where the English is shorter or where the Japanese would take you time to write. Use arrows for causation, a slash for contrast, a question mark for anything you intend to verify on pass three, and a small circle for a point you are confident of. What matters is that the note is unambiguous to you five minutes later, which is the only test that counts. A note you cannot decode is worse than no note, because it also costs a replay.
Summary answers in English have a characteristic failure mode that is worth naming: they turn into translation. Asked to summarise what two speakers disagreed about, a candidate writes out both speakers' remarks in English at length and never states the disagreement. That is a translation with a summary's title, and it will not reach the marks a summary carries. The fix is a discipline of ordering: state the shape first, then the content. He argues X, she argues Y, and the disagreement is about Z — then, if space and marks allow, one supporting detail each. Answer the structure before the substance and you will almost never write a summary that fails to summarise.
The technical vocabulary of the source is where the detail marks concentrate, and where individual control pays for itself. If a speaker uses a term you half-recognise — 認知件数, 在留資格, 想定, 風評被害 — that is exactly the moment to stop and replay, because a term of art usually carries a whole point. Terms of that kind almost always appear in these recordings with a gloss nearby, because Japanese broadcast and interview speech habitually explains its own jargon with という or つまり or 言い換えれば. Listening for the gloss rather than for the term is a specific, learnable habit and it converts an unknown word into a defined one within seconds.
Worked example

A summary question, from notes to English answer

A recording features a local official and a shop owner discussing whether a town should build a larger visitor centre. The question, in English, is: Summarise the main points made by each speaker and identify what they disagree about. Answer in English, in about 80 words.

  1. 01Set up the note shape before pressing play

    Two columns, one per speaker, and a line at the bottom labelled 対立点. That single piece of preparation does most of the work, because it forces every note into a column and forces you to look for the disagreement rather than to notice it accidentally. If the question had asked only for main points you would use one column; the fact that it asks what they disagree about means the shape of your notes should already be a comparison.

  2. 02Pass one: fill neither column, and listen for the connectives

    What you are listening for is 一方, しかし, ただ, とはいえ, それはそうですが — the markers that signal a speaker turning against what was just said. Their positions tell you where the disagreement lives before you have parsed its content, and in a two-speaker exchange the disagreement is almost always immediately after one of them. Also note whether either speaker concedes anything, because a conceded point is by definition not part of the disagreement and putting it there is a standard error.

  3. 03Pass two: capture in the columns, marking attribution

    Official column: 来訪者増 → 地域経済, 補助金あり, 雇用. Shop owner column: 建設費, 維持費 who pays?, 客は通り過ぎる?. Note the two question marks: those are pass-three items. Note also that if the official said 商工会も賛成している, that point goes in the official's column with an attribution mark, because it is somebody else's view being reported, and a summary that presents it as the official's own has misreported the source.

  4. 04Pass three: verify the disagreement, not the details

    Replay only the two or three utterances where the columns touch. Here the question is whether the shop owner disputes that visitors help the economy, or accepts that and disputes who pays for the building. Those are different disagreements and only one of them is in the recording. This is the pass that most often changes an answer from nearly right to right, and it is why the method reserves time for it rather than spending every replay on hard vocabulary.

  5. 05Write the structure first

    The official argues that a larger centre would bring more visitors and support the local economy and jobs, and notes that funding is available. The shop owner accepts that visitors help but questions the running costs and who would meet them, and doubts that visitors would spend in the town rather than passing through. Their disagreement is not about whether visitors are good for the town but about the cost of the building and whether the spending would reach local businesses. That is the disagreement stated as a disagreement.

  6. 06Then trim to the word count and check attribution

    About 80 words means roughly five sentences, so the version above is already close and needs only tightening. Final checks: is every point attributed to the speaker who made it; is anything the official reported from a third party marked as reported; and does the last sentence actually state a disagreement rather than list two positions. That last check is the one that separates a summary from a transcript, and it takes ten seconds.

Result: Model answer: The official argues that a larger visitor centre would attract more visitors and support the local economy and jobs, and points out that funding is available. The shop owner accepts that visitors benefit the town but questions the running costs and who would pay them, and doubts that visitors would spend locally rather than passing through. They disagree not about whether visitors help the town, but about the cost of the building and whether the benefit would reach local businesses.

Exam focus

  • Note in a shape, not a line: one entry per point, with attribution marked (AO1).
  • Mix scripts freely in notes. Nobody marks them; speed is the only criterion (AO1).
  • Answer a summary question with the structure first and the detail second (AO1).
  • When a term of art appears, replay for its gloss — Japanese speech usually supplies one (AO1).

Typical mistakes

  • Writing continuous prose notes. They take too long and they lose the structure a summary needs.
  • Turning a summary answer into a translation of everything the speakers said.
  • Failing to mark which points a speaker attributed to somebody else. Summary questions often turn on that.
  • Abandoning an unfamiliar term instead of replaying for the gloss the speaker almost certainly gave.

Active revision

日本語の対談を一つ選び、聞きながら縦書きの箇条書きでメモを取りなさい。各項目は十字以内とし、話し手が他人の意見として述べたものには印をつけること。聞き終えたら、メモだけを見て、(一)論点の構造、(二)それぞれの根拠、の順で英語の要約を八十語以内で書きなさい

Active recall

Recall the key points — then reveal.

Sources: Pearson Edexcel Level 3 Advanced GCE in Japanese (9JA0) specification (Pearson Edexcel)

§ 04

Paper 3 Section B: the heard source, summarised in Japanese#

●●●AdvancedLPPearson Edexcel 9JA0 Paper 3 Section B — listening, reading and writing question (30 marks)LPPearson Edexcel 9JA0 Paper 3 Section B — all questions set in Japanese and answered in JapaneseLPDfE GCE AS and A level subject content for modern foreign languages

Key points

Section B is 30 marks with a recommended 1 hour 30 minutes and it works quite differently from Section A. You listen to one recording and read one written text; at 5(a) and 5(b) you summarise the different points of view in each source; at 5(c) you evaluate the viewpoints in both and draw conclusions in approximately 400 to 500 characters. Every question in this section is set in Japanese and must be answered in Japanese. 5(a) and 5(b) are marked by points-based schemes; 5(c) is marked by three levels-based grids — understand and respond to spoken language (AO1) out of 6, understand and respond to written language (AO2) out of 6, and accuracy and range of language (AO3) out of 10 — and the AO1 and AO2 grids are printed side by side because the task requires the two sources to be weighed against each other.
The immediate practical consequence is that your notes on the recording now have to feed Japanese output rather than English. That changes what a good note is. For Section A a note in English was fine because the answer was in English; here, a note in English forces you to translate at the writing stage, under time pressure, which is exactly where errors enter. So note in Japanese — short phrases, the speaker's own words where you caught them, the connectives that carried their argument. If you can write 費用が高い as fast as expensive, write 費用が高い, because it is already half of a sentence you will need.
The points-based summary at 5(a) rewards points recovered, which means completeness matters more than elegance. Get every distinct viewpoint down, attribute each one, and do not spend characters on transitions the mark scheme cannot credit. A compact structure works: 話し手は…と述べている。その理由として…を挙げている。また、…とも指摘している。 Three sentences, three verbs of saying that differ from one another, every point attributed. Compare a single long sentence that packs everything in and risks a grammatical collapse that costs an AO3 mark elsewhere: in a points-based summary, short and correct beats long and ambitious every time.
The relationship between the two sources is where the design of this section shows. They are on the same sub-theme and they will not simply agree, because 5(c) asks you to evaluate the viewpoints in both and draw conclusions, and there is nothing to evaluate between two sources that say the same thing. So while you listen, listen for the axis on which this source could differ from another — is it about facts, about causes, about what should be done, about who should pay? Identifying the axis during the listening is far easier than reconstructing it afterwards from two sets of notes, and it is what makes the 5(c) evaluation writable in the time available.
Worked example

5(a): summarising a heard source in Japanese, three sentences, every point attributed

The recording is a researcher discussing school workload. She says that hours are long, that the cause is less teaching than administrative and club duties, that reforms have reduced some tasks, and that she is not convinced the reduction has reached classroom teachers. Write 5(a).

  1. 01Count the distinct points before choosing a structure

    There are four: long hours; the cause is non-teaching duties; reforms have reduced some tasks; scepticism that the reduction has reached teachers. A points-based scheme will have a mark for each distinct point, so the structure must accommodate four, not three. That count comes from the notes and takes five seconds, and it prevents the commonest 5(a) loss — a well-written summary that quietly drops the fourth point because the third sentence felt like an ending.

  2. 02Sentence one: the headline claim, attributed

    研究者は、教員の勤務時間が長いと述べている. 研究者 identifies the speaker by role, which is what a summary should do when no name is given. 勤務時間 is working hours in the employment register. ~と述べている is the neutral verb of saying and is the right one to open with. Notice how little decoration there is: a points-based summary is not the place for range display, and the AO3 marks in this section attach to 5(c).

  3. 03Sentence two: the cause, with a different reporting verb

    その原因として、授業よりも事務作業や部活動の負担を挙げている. ~を原因として挙げる is to cite as a cause and is a different reporting verb from 述べる, which quietly demonstrates range without costing space. よりも does the comparison the speaker made — less teaching than administration — and 負担 is the burden. This single sentence recovers a point that a careless summary would merge into the first.

  4. 04Sentence three: the concession, attributed as hers

    改革によって減った業務もあると認めている. 認める is to acknowledge, which is precisely right for a point a speaker concedes against their own argument, and using it rather than 述べる tells the examiner you understood the argumentative role of the sentence and not merely its content. によって marks the reforms as the means. ~もある is the some, not all quantifier that the speaker's claim requires.

  5. 05Sentence four: the scepticism, hedged as she hedged it

    ただし、その効果が現場の教員にまで届いているかどうかについては、疑問を示している. ただし marks the qualification. かどうかについては packages the embedded question as the matter under discussion. 疑問を示す is to express doubt, which reports her stance without overstating it as a denial — she is not convinced, which is different from asserting that it has not reached them. Preserving the strength of a speaker's claim is a summary skill and it is markable.

  6. 06Check: four points, four different reporting verbs, all attributed

    述べている, 挙げている, 認めている, 示している. Four points, four verbs, no repetition, every one attributing rather than asserting, and the whole under a hundred characters. Then the last check: is anything in the summary MY opinion? Nothing here is. 5(a) is a summary and the evaluation belongs at 5(c); a candidate who evaluates at 5(a) has spent characters where no evaluation marks exist and will often be short of them where they do.

Result: 研究者は、教員の勤務時間が長いと述べている。その原因として、授業よりも事務作業や部活動の負担を挙げている。改革によって減った業務もあると認めている。ただし、その効果が現場の教員にまで届いているかどうかについては、疑問を示している。 Four distinct points, four different reporting verbs, every claim attributed, no evaluation — which is exactly what a points-based summary is marked for.

Exam focus

  • Everything in Section B is set and answered in Japanese, including 5(a) and 5(b) (AO1, AO2).
  • Take notes on the recording in JAPANESE, because the answer will be in Japanese (AO1).
  • At 5(a), maximise points recovered: short attributed sentences, every distinct viewpoint (AO1).
  • While listening, identify the axis on which the two sources may differ (AO1, AO2).

Typical mistakes

  • Taking Section B listening notes in English and then translating them under time pressure.
  • Writing an elegant single-sentence summary that risks everything on one construction.
  • Failing to attribute points at 5(a). A points-based summary of unattributed claims loses the attribution points.
  • Leaving the comparison entirely to 5(c) instead of listening for the axis of difference from the start.

Active revision

日本語の音声と、同じ話題の日本語の文章を一組用意しなさい。音声を聞きながら日本語だけでメモを取り、話し手の主張を三文以内で要約しなさい。各文は必ず「~と述べている」「~を理由として挙げている」「~とも指摘している」など、異なる伝達表現で終えること。そのあと、二つの資料が食い違う軸を一文で書きなさい

Active recall

Recall the key points — then reveal.

Sources: Pearson Edexcel Level 3 Advanced GCE in Japanese (9JA0) specification (Pearson Edexcel)

§ 05

Different registers and types, and where the recordings come from#

●●○StandardLPPearson Edexcel 9JA0 Paper 3 Section A — passages covering different registers and types, sources including online mediaLPPearson Edexcel 9JA0 Paper 3 Section A — one or more male and female speakersLPDfE GCE AS and A level subject content for modern foreign languages

Key points

The specification's description of the listening material is worth reading literally, because each phrase implies a preparation task. Passages cover different registers and types: so a news report, an interview, a discussion between friends and a workplace exchange are all in scope, and each has its own conventions. They feature one or more male and female speakers: so multi-speaker material is expected, and tracking who is speaking matters. Sources include material from online media: so the register may be closer to spoken conversation than to broadcast formality. And material is drawn across all the sub-themes: so the vocabulary of all four themes is in scope in a single section, which is why the thematic topics and this one cannot be revised separately.
Register does most of the work of identifying speakers and it is learnable as a small closed set. A news reader uses です・ます with almost no final particles and few contractions. An interviewer uses honorifics towards the interviewee — いらっしゃいますか, どうお考えですか, 伺います — while the interviewee replies politely but plainly. Friends use plain forms and heavy contraction — だよね, そうなんだ, じゃない. A shop or service exchange uses the elaborate service register — いらっしゃいませ, かしこまりました, 少々お待ちください — which is formulaic and therefore easy to recognise once heard a few times. Ten minutes spent learning which of these four sounds like which is worth several hours of general listening.
Multi-speaker tracking has a specific trick that works and costs nothing: Japanese speakers are usually distinguished more reliably by their register and their content position than by their voice, especially on a first hearing. If one voice consistently defers and one consistently is deferred to, that is your interviewer and interviewee, and it will not change during the recording. If one voice consistently argues for the local community and one for the visitors, that is a more stable identifier than trying to remember which was higher-pitched. Build the identification on role, then use it throughout, and check it once on the verification pass.
Finally, a note on what to practise between now and the examination. The most useful listening material is Japanese made for Japanese people about the themes on this specification, because that is what the paper uses — news items about 教育 or 労働, interviews about 震災 or 行事, discussion programmes about technology. Material made for learners is useful early and stops being useful once it is comfortable, because it lacks the contraction, the overlap, the fillers and the speed of real speech. Use the same short item repeatedly with different tasks — once for structure, once for detail, once for stance — rather than many items once each. The examination gives you individual control; practise the way the examination works.
Worked example

One listening decision, walked through: who is speaking to whom

Four short exchanges. For each, identify the relationship from the language alone, and say what a question about the speakers would turn on.

  1. 01先日はありがとうございました。資料を拝見しましたが、少し伺いたいことがございます。

    拝見する is the humble form of 見る and 伺う the humble form of 聞く, so the speaker is lowering themselves throughout; ございます is the elevated form of あります. This is a person addressing somebody they treat as senior or as a client — most likely a business or formal-enquiry context. Note that no honorific is applied to the listener's actions here; the deference is carried entirely by humbling the speaker's own, which is the 謙譲語 half of the system.

  2. 02田中さんはどうお考えですか。先ほどおっしゃった点について、もう少し伺えますか。

    お考えですか and おっしゃった are honorific — they elevate 田中さん's thinking and speaking — while 伺えます humbles the speaker's own asking. Both halves of the system are running at once and in opposite directions, which is the signature of an interviewer or moderator. A question asking which speaker is the interviewer is answered by this pattern in one line, without any content.

  3. 03えー、それってさ、結局は同じことじゃない?

    って for と, さ as a filler particle, じゃない as a plain negative used as a tag question, and えー as a hesitation — all plain register with heavy contraction. This is friends or close colleagues, and the speaker is challenging what was just said. Note that the challenge is carried by じゃない with rising intonation rather than by any word meaning I disagree, which is why a candidate listening only for content can miss a disagreement entirely.

  4. 04こちらの資料をご覧ください。ご不明な点がございましたら、お申し付けください。

    ご覧ください is the honorific imperative of 見る; ご不明な点 elevates the listener's possible confusion; ございましたら is the elevated conditional; お申し付けください is the honorific request form. This is the service register — a shop, a counter, a presentation to clients — and it is formulaic, which is good news: there are perhaps twenty such formulas and knowing them makes an entire class of recording immediately legible.

  5. 05Turn register into an answer

    A Section A question might ask what the relationship between the two speakers is, who is being interviewed, or which speaker works for the organisation being discussed. Every one of those is answered from register before content. So on pass one, when you are deliberately not writing, the thing to establish is the direction of deference. Write nothing but hold it, because it will make every subsequent question easier and it will not change.

  6. 06And know what NOT to do with 敬語

    Recognise it; do not produce it. Appendix 2 contains no 敬語 section, so honorific and humble language is not on the production list, and an essay that attempts 拝見いたしました risks an error for no available mark. The asymmetry is deliberate and worth stating: for listening, 敬語 is high-value information; for writing, it is unnecessary risk. That is the same recognition-versus-production logic that governs the kanji list.

Result: Exchange one: a speaker humbling their own actions with 拝見する, 伺う and ございます — a formal enquiry to a senior or a client. Exchange two: honorifics on the listener plus humble forms on the speaker — an interviewer. Exchange three: って, さ and じゃない with heavy contraction — friends, and the speaker is challenging. Exchange four: ご覧ください and お申し付けください — the formulaic service register. In every case the relationship is legible from the forms alone, before any content has been understood.

Exam focus

  • Learn four register profiles — news, interview, friends, service — and identify speakers by role (AO1).
  • Expect multi-speaker material and track speakers by position in the argument, not by voice (AO1).
  • Expect online-media register: closer to conversation, more contraction (AO1).
  • Practise with authentic Japanese on the specification's own themes, one item several times (AO1).

Typical mistakes

  • Assuming every recording will be broadcast-formal. Online sources are explicitly named in the specification.
  • Trying to track speakers by voice alone. Register and argumentative position are far more reliable.
  • Practising only with learner material, which lacks the speed and contraction of authentic speech.
  • Revising the themes and the listening skill separately. Section A draws across all the sub-themes.

Active revision

四つの場面(ニュース、インタビュー、友人同士の会話、店での応対)の日本語音声をそれぞれ一つずつ集めなさい。各音声について、(一)敬語の方向、(二)縮約形の多さ、(三)文末の助詞、の三点をメモし、場面ごとの特徴を日本語で一文ずつまとめなさい

Active recall

Recall the key points — then reveal.

Sources: Pearson Edexcel Level 3 Advanced GCE in Japanese (9JA0) specification (Pearson Edexcel)

Contents

Section -- / 05

    • 01The shape of Paper 3, and what individual control changes◐
    • 02What makes spoken Japanese hard to hear, and what to do about each thing●
    • 03The summary questions in Section A, and note-taking that survives◐
    • 04Paper 3 Section B: the heard source, summarised in Japanese●
    • 05Different registers and types, and where the recordings come from◐

0/5 Read

From notes into training

Listening: Paper 3, and the whole of the AO1 weighting

Reinforce this topic with matching tasks from the question bank.

~34
min
3
Competencies
Practise

References & sources

Sources

Pearson Edexcel

  • Pearson Edexcel Level 3 Advanced GCE in Japanese (9JA0) specification

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