EuraStudy
Notes/Japanese/Grammar and translation (Paper 1 Section A, Paper 2 Section A, Appendices 2 and 3)
Notes · JapaneseUK · A-Levels

Grammar and translation (Paper 1 Section A, Paper 2 Section A, Appendices 2 and 3)

This topic carries the two translation tasks — Paper 1 Section A, one unseen Japanese passage into English for 20 marks, and Paper 2 Section A, one unseen English passage into Japanese for 20 marks — together with the grammar that Appendix 2 prescribes and the kanji that Appendix 3 prescribes. Both translations are marked by the same points-based scheme, one mark for each correct individual section of language, so the two look alike on a mark sheet and are completely different disciplines in practice: one is a comprehension task whose output must read as English, the other a production task whose output must read as Japanese. The topic also settles, once and for the whole subject, three things a candidate has to decide before writing a single sentence: the script conventions used throughout these notes, the difference between kanji you must recognise and kanji you should write, and the written register you will keep for an entire essay. Along the way it teaches the particles that carry the marks, the transitive and intransitive pairs that Appendix 2 names explicitly, the voice system including the suffering passive, and a checking routine that finds the errors the specification's own taxonomy says are fatal.

5 sections·~41 min reading time·2 competencies·Level Standard 3 · Advanced 2

T·0111 / 12
Exam profile
AO2 · Understand and respond in writing to written Japanese, including the close reading that translation demandsAO3 · Manipulate Japanese accurately in written forms, using a range of lexis, structure and kanji
Operators:訳しなさい説明しなさい書きなさい比べなさい直しなさい選びなさい

basic level

At first-year standard the target is a secure core: the particles は, が, を, に, で, と and から used without hesitation; the て-form used to chain clauses; the plain and polite forms of every verb you know; the past, the negative and the past negative; and enough kanji written confidently that you are not spelling ordinary words in kana. Translation practice at this stage should be short — three or four sentences — and always checked sentence by sentence rather than read over as a whole.

higher level

The full A-Level expects Appendix 2 in production, not recognition: the passive including the suffering passive, the causative, transitive and intransitive pairs used deliberately, relative clauses long enough to carry a qualification, the four conditionals distinguished, nominalisation with こと and の, and the sentence-final apparatus of argument (のではないか, とは限らない, と考えられる, わけである). It also expects register discipline — one register, held for an entire essay — and a kanji repertoire you can produce, because all three AO3 grids reward a wide variety of kanji and none of them rewards a kanji you got wrong.

Depth

Reading depth: In depth

Text

Text size: Standard

Contents · 5 sections▾
  1. Grammar and translation (Paper 1 Section A, Paper 2 Section A, Appendices 2 and 3)
    • 01The two translations, and the one marking philosophy behind them◐
    • 02助詞: the particles that carry the marks◐
    • 03自動詞と他動詞, and the voice system Appendix 2 actually names●
    • 04文体: choosing a written register and holding it●
    • 05漢字 and the checking routine the mark scheme asks for◐
§ 01

The two translations, and the one marking philosophy behind them#

●●○StandardLPPearson Edexcel 9JA0 Paper 1 Section A — translation into English (20 marks)LPPearson Edexcel 9JA0 Paper 2 Section A — translation into Japanese (20 marks)LPDfE GCE AS and A level subject content for modern foreign languages

Key points

In the topic map this platform uses, grammar-and-translation is Paper 1 Section A plus Paper 2 Section A, taught against Appendix 2's grammar list and Appendix 3's kanji list. Paper 1 Section A gives you one unseen Japanese passage to render into English: 20 marks, a recommended 20 minutes, and — this is a rule candidates get wrong — the answer is written in English, because the specification states that responses to the Paper 1 Section A translation, the Paper 1 Section B comprehension questions and the Paper 3 Section A comprehension questions are in English, and that every other response must be in Japanese. Paper 2 Section A reverses the direction: one unseen English passage into Japanese, 20 marks, a recommended 30 minutes. The content of both is drawn from any one of the eight sub-themes, which is the practical reason this topic and the six thematic topics have to be studied together. The vocabulary you will be asked to translate is the vocabulary of 教育, 労働, 行事 and 復興, not a neutral general Japanese.
Both translations are marked by the same scheme, and the specification puts it in a single sentence: one mark is given for each correct individual section of language. The passage has been cut in advance into scoring chunks — a clause, a phrase, occasionally one well-chosen word — and each chunk is awarded or refused on its own. Three consequences follow, and all three are strategic rather than linguistic. First, a blank scores nothing, so never leave a gap: a rendering you are unsure of can still earn its mark, and an omission cannot. Second, one error costs one chunk and not the whole sentence, so a wobble in the middle of a long sentence is survivable when the rest of the sentence is intact. Third, an elegant paraphrase that quietly drops a chunk loses that chunk's mark however well the result reads. Translation rewards completeness before beauty.
The two directions are different disciplines wearing the same mark scheme. Japanese into English is a comprehension task: the things that lose marks are misreading a kanji compound, missing a negative that arrives at the very end of the sentence, missing modality that also arrives at the end, and inventing a subject the Japanese never supplied. Its output is English, and it is marked as English — a version that preserves Japanese word order and leaves the reader to reassemble it has not finished the job. English into Japanese is a production task: the things that lose marks are particles, transitivity, register drift, and kanji you can recognise but cannot write. Its output must be Japanese that a Japanese reader would accept, not English with Japanese words in it, which means the first move is almost always to stop translating the English sentence and ask what a Japanese sentence would do here instead.
The practical setup is the same for both. No dictionary is permitted in any paper of this qualification, so the passage is a closed system and the only resources are the ones already in your head. Read the whole passage before writing anything: Japanese puts the verb, the negative, the tense and the modality at the end of the clause, so the first half of a Japanese sentence is genuinely ambiguous until you have seen the second half, and an English sentence's real shape often only appears at its full stop. Budget the recommended timing but keep a few minutes back to re-read, because the errors the specification names as fatal — a verb that does not match its implied subject, a failure to mark a change of subject, a particle wrong with a verb of giving and receiving — are all errors you can see on a second pass and cannot see on a first.
Worked example

Paper 1 Section A worked sentence by sentence: a passage on 塾 and 教育格差

Translate this passage into English. 日本の高校生の多くは、放課後に塾に通っている。塾は学校の授業を補うために利用されることが多いが、費用がかかるため、家庭の経済状況によって通えない生徒もいる。文部科学省はこうした格差をどう縮めるかという問題に長く直面してきた。

  1. 01Read all three sentences first, and find the verb at the end of each

    The verbs are 通っている, いる (in ~生徒もいる) and 直面してきた. Reading them first tells you the shape of the whole passage before you translate a word of it: a present habit, an existential statement about a group of students, and a long-running situation. Note the readings you need: 放課後[ほうかご], 塾[じゅく], 補う[おぎなう], 費用[ひよう], 経済状況[けいざいじょうきょう], 格差[かくさ], 縮める[ちぢめる], 直面[ちょくめん], 文部科学省[もんぶかがくしょう]. If a kanji here were off the Appendix 3 list it would be glossed on the paper; you are not expected to guess at unlisted characters.

  2. 02Sentence 1: 多くは is the subject, and ~ている here is a habit

    日本の高校生の多くは — the topic is many of Japan's high-school students, and 多く is a noun, not an adverb, so it is the thing the sentence is about. 放課後に is a time phrase, に marking when. 塾に通っている pairs 通う with に for a destination you go to repeatedly; ~ている with a verb like 通う is habitual, not progressive, so this is attend, not are attending right now. English: Many Japanese high-school students attend a juku after school. Keeping juku and glossing it, or writing a cram school, are both defensible; what you must not do is write school twice and blur 学校 with 塾.

  3. 03Sentence 2, first clause: a passive with no agent, and ために as purpose

    塾は学校の授業を補うために利用されることが多い. 補う is transitive and takes 授業を; ために after a plain-form verb marks purpose, so this is in order to supplement school lessons. 利用される is the passive of 利用する with no stated agent, which English handles with a plain passive: are used. ことが多い nominalises the whole preceding clause with こと and then says it is frequent, so the natural English is are often used rather than the literal there are many cases in which they are used. English so far: Juku are often used in order to supplement school lessons.

  4. 04Sentence 2, second clause: ため for reason, によって for variation, and a potential negative

    が here is the contrastive conjunction but, not the subject particle — position tells you which. 費用がかかる is the fixed collocation for something costs money; here が IS the subject particle. ため with no に and following a plain verb is reason, so because it costs money: the same three characters did purpose two clauses ago and reason here, and only the surrounding grammar distinguishes them. 家庭の経済状況によって is depending on the household's financial circumstances. 通えない is the negative potential of 通う — cannot attend, not does not attend — and ~生徒もいる means there are also students who. English: but because it costs money, there are also students who cannot attend, depending on their family's financial circumstances.

  5. 05Sentence 3: an embedded question used as a noun modifier, and ~てきた

    こうした格差 is such disparities. どう縮めるか is an embedded question — how to narrow them — and ~かという問題 packages that whole question as the noun problem, which is the construction Appendix 2 lists as embedded questions using か. に直面する is to face something, so the ministry faces the problem of how to narrow such disparities. 長く直面してきた uses ~てきた for a situation that has continued up to now, which English renders with a perfect: has long faced. Give the ministry its English name and keep the Japanese available: the Ministry of Education, Culture, Sports, Science and Technology, 文部科学省.

  6. 06Read the English back as English, and check the three danger points

    Now ignore the Japanese and read your English aloud. Does every sentence have a subject that a reader can identify? Is every negative still negative? Is every tense the one the Japanese chose? Those three questions catch the great majority of lost marks in this direction. Then check that you have not merged two scoring chunks into one by paraphrasing: 補うために, 費用がかかるため and 家庭の経済状況によって are three separate pieces of language, and a smooth English sentence that keeps only two of them has thrown a mark away.

Result: Many Japanese high-school students attend a juku, a private cram school, after school. Juku are often used to supplement school lessons, but because they cost money, there are also students who cannot attend, depending on their family's financial circumstances. The Ministry of Education, Culture, Sports, Science and Technology has long faced the problem of how to narrow such disparities. The passage's scoring chunks are the habitual ~ている, the purposive ために, the agentless passive 利用される, the frequency ことが多い, the contrastive が, the causal ため, によって, the potential negative 通えない, ~もいる, the embedded question どう~か, and the continuative ~てきた — eleven separate decisions, each of which can be earned or lost on its own.

Exam focus

  • Never leave a chunk blank. An approximate rendering can still earn its mark; an omission never can (AO2, AO3).
  • Read the whole passage before writing. Japanese places the verb, the negative and the modality last, so meaning is not fixed until the clause ends (AO2).
  • In Paper 2 Section A decide your register before the first sentence and hold it to the last (AO3).
  • Remember the language of response: the Paper 1 Section A answer is written in English, the Paper 2 Section A answer in Japanese (AO2, AO3).

Typical mistakes

  • Translating Japanese into English word order and leaving it there. The mark is for English, so the English has to work as English.
  • Missing a negative buried at the end of a construction — ~なければならない, ~とは限らない, ~ないわけではない all turn on syllables that arrive last.
  • Supplying an English subject the Japanese did not state, and choosing the wrong one. Work out who is acting from the context and from the giving-and-receiving verbs before you commit.
  • Skipping a chunk that looked hard rather than committing to the most plausible rendering. The blank is guaranteed to score nothing.

Active revision

日本語の文章を百五十字ほど選び、辞書を使わずに二十分で英語に訳しなさい。訳し終えたら、原文の一文ごとに、動詞・否定・主語の三点が英訳に正しく現れているかを確認しなさい。次に、同じ内容の英文を自分で書き、三十分で日本語に訳し直して、最初の原文と比べなさい

Active recall

Recall the key points — then reveal.

Sources: Pearson Edexcel Level 3 Advanced GCE in Japanese (9JA0) specification (Pearson Edexcel)

§ 02

助詞: the particles that carry the marks#

●●○StandardLPPearson Edexcel 9JA0 Appendix 2 — particles: など, も, ずつ, ばかり, までにLPPearson Edexcel 9JA0 Paper 2 Section A — translation into JapaneseLPDfE GCE AS and A level subject content for modern foreign languages

The particles that carry the marks

The particles that carry the marksTable with 3 columns and 8 rows, Data: PARTICLE · MODEL PHRASE (JAPANESE) · What choosing it commits you to; は · 日本の教育は · This is the topic; what follows is a comment on it; が · 問題がある · The new information is the noun, not the verb; を · 制度を変える · A transitive verb, with somebody doing the changing; に · 塾に通う · A destination, a time, or a recipient; で · 学校で学ぶ · The place an action happens, or the means used; と · 親と話す · A partner in the action, or a quoted thought; によって · 政府によって · An agent, a cause of variation, or a means; までに · 三月までに · A deadline you must be inside, not a limit, highlighted cell: An agent, a cause of variation, or a meansPARTICLEMODEL PHRASE(JAPANESE)WHAT CHOOSING ITCOMMITS YOU TOは日本の教育はThis is the topic; whatfollows is a comment on itが問題があるThe new information is thenoun, not the verbを制度を変えるA transitive verb, withsomebody doing the changingに塾に通うA destination, a time, or arecipientで学校で学ぶThe place an action happens,or the means usedと親と話すA partner in the action, ora quoted thoughtによって政府によってAn agent, a cause ofvariation, or a meansまでに三月までにA deadline you must beinside, not a limit
Fig. 1Eight particles, each with a model phrase and the commitment the particle makes on your behalf. The right-hand column is the reason to memorise the left-hand one: a particle is not decoration, it is a claim about who is doing what to whom, and once written it cannot be softened by word order. The emphasised cell is によって, because it is the particle that turns description into analysis — it is how you name an agent, a cause or a means without asserting more than your evidence supports. Column headings are in English so that each column is measured wide enough for its Japanese content.

Key points

Particles are where translation into Japanese is won and lost, and the specification says so in its own words: among the errors it lists as hindering clarity is incorrect particles with verbs of giving and receiving, and among the errors that prevent meaning being conveyed is failing to mark a change of subject where one is needed. Both are particle failures. The reason particles are so costly is structural. English fixes roles by word order — the subject before the verb, the object after it — while Japanese fixes roles by marking, and then allows the order to move for emphasis. Change を to が in an English-shaped Japanese sentence and you have not written an awkward sentence, you have written a different one. So the working rule for Paper 2 Section A is to decide the particle at the same moment you decide the noun, never afterwards.
The は versus が distinction deserves its own paragraph because it is the one candidates most often treat as a matter of taste. は marks the topic: it says the sentence is about this, and everything after it is a comment. が marks the grammatical subject and carries new information onto the stage. The practical tests are reliable. If the noun answers a question word — 誰が来ましたか, 何が問題ですか — it takes が, because a question word can never be old information and は never marks new information. If the noun is being contrasted with something else, は does it: 日本では変わったが、他の国では変わっていない. Inside a relative clause or any subordinate clause the subject takes が, not は, which is why 私が読んだ本 is right and 私は読んだ本 is not. And in a long essay sentence, は set early keeps its scope across several clauses, which is exactly why a change of subject partway through must be marked.
A second cluster carries the thematic vocabulary of this specification. に does destination, time, recipient and the target of a change: 塾に通う, 三時に始まる, 友達にあげる, 十五パーセントに増える. で does place-of-action and means: 学校で学ぶ, インターネットで調べる. The pair に and で is the single commonest error in essays about society, because English uses in for both — 学校で勉強する is study at school, but 学校にいる is be at school, and the verb decides. によって is the workhorse of analytical writing: it marks the agent of a passive (政府によって決められた), the cause of a variation (地域によって違う), and the means by which something is done (法律によって規制する). から and まで give a range; までに, listed separately in Appendix 2, gives a deadline, and confusing 三月まで with 三月までに changes an ongoing state into a cut-off.
Appendix 2 also names five particles you are expected to use actively for nuance rather than for grammar, and they are cheap marks in the AO3 range grid because they are short, unmistakable and rarely attempted. など means and so on and softens a list into an example: アニメや漫画など. も after a number means more than expected — 五百万円もします is it costs a full five million yen, not merely it also costs. ずつ means each or apiece: 一人に一つずつ. ばかり means nothing but or only, with a mildly critical edge: ゲームばかりしている. までに is the deadline described above. Use one or two of these deliberately in every long answer; each is one clear signal to the examiner that your Japanese has range rather than only competence.
Worked example

One grammar decision, walked through: は or が in four real sentences

You are translating into Japanese and each of these sentences needs a decision. (1) Japanese education is changing. (2) There is a problem with the examination system. (3) The book I read last year was about the ageing society. (4) In Japan it has changed, but in other countries it has not.

  1. 01Sentence 1: an established topic takes は

    日本の教育は変わりつつある. 教育 is what the whole essay is about, so it is a topic, and は says so. Note also that は sets a scope: everything until the next topic marker is understood to be a comment on 日本の教育. That is precisely why the specification treats an unmarked change of subject as an error that prevents meaning — the reader is still following the topic you last declared. 変わりつつある is the ます-stem plus つつある, a more formal alternative to 変わっている for a change in progress, and it is worth having in an essay register.

  2. 02Sentence 2: new information onto the stage takes が

    試験制度に問題がある. 問題 has not been mentioned; it is the news the sentence exists to deliver, so が. Writing 問題はある would say, as for the problem, it exists — implying the reader already knew of a problem and you are confirming it. This is the test to internalise: が introduces, は resumes. A useful corollary is that the answer to a question word takes が, because a question word can never be old information: 何が問題ですか is answered by 費用が問題です, never by 費用は問題です.

  3. 03Sentence 3: inside a relative clause the subject takes が

    去年読んだ本は高齢化社会についてのものだった. If you make the reader of the book explicit, it is 私が去年読んだ本 and never 私は去年読んだ本 — a subordinate clause has no topic slot, so its subject is marked が. The main clause then takes its own は on 本, which is now the topic. This one rule removes a large share of intermediate-level errors and costs nothing to apply: whenever a clause is modifying a noun, its internal subject is が.

  4. 04Sentence 4: contrast is what は is for

    日本では変わったが、他の国では変わっていない. Two は particles in one sentence normally signal contrast, and here they do exactly that. Note that both attach to では, not to に or で alone: では is the place particle で carrying a contrastive は on top of it, and it is the standard way to say as for in Japan, as against elsewhere. This is also where the mid-sentence が appears in its other role — the conjunction but — which is why identifying が by position rather than by memory matters.

  5. 05The rule of thumb, and the one exception worth remembering

    The short version: が introduces and identifies, は topicalises and contrasts, and a subordinate clause always takes が. The exception worth carrying is that certain predicates take が where English takes an object — 日本語が分かる, 音楽が好きだ, 車がほしい, 時間が必要だ. These are stative predicates: the thing understood, liked, wanted or needed is grammatically the subject, and writing 日本語を分かる is a clear error rather than a stylistic slip.

  6. 06Check by reading only your particles

    On a second pass, read the sentence out loud but only the particles: 日本の教育は…変わりつつある. Because Japanese marks roles rather than fixing them by order, the particle string alone is a skeleton of the meaning, and a wrong particle sounds wrong in that skeleton even when the sentence reads plausibly at speed. This is the cheapest checking routine in the language and it takes about ten seconds per sentence.

Result: (1) 日本の教育は変わりつつある。(2) 試験制度に問題がある。(3) 去年読んだ本は高齢化社会についてのものだった。(4) 日本では変わったが、他の国では変わっていない。The governing rules: が introduces new information and identifies; は sets a topic whose scope runs until it is replaced, and marks contrast; a clause modifying a noun takes が for its own subject; and stative predicates such as 分かる, 好きだ, ほしい and 必要だ take が where English takes an object.

Exam focus

  • Decide the particle when you decide the noun, not after. Retro-fitting particles to an English-shaped sentence is where marks disappear (AO3).
  • Inside a relative clause the subject takes が, never は. This single rule fixes a large fraction of intermediate errors (AO3).
  • Use によって deliberately in analytical writing — passive agent, cause of variation, means — and say so to yourself each time (AO3, AO4).
  • Spend one or two of Appendix 2's nuance particles (など, も, ずつ, ばかり, までに) in every extended answer (AO3).

Typical mistakes

  • Using は inside a relative clause. 私は読んだ本 is not the book I read; write 私が読んだ本.
  • Reaching for が because the noun feels like an English subject. A topic already established stays with は, and switching to が signals new information you did not mean to signal.
  • Confusing に and で with a verb of existence or study. 学校で勉強する but 学校にいる — the verb decides, not the English preposition.
  • Writing 三月まで when you mean by March. まで is a limit that runs up to the point; までに is a deadline you must be inside.

Active revision

自分の書いた日本語の文章を一つ選び、助詞をすべて丸で囲みなさい。それぞれについて、なぜその助詞なのかを一言で説明しなさい。説明できない助詞があれば、そこが直すべき箇所である。次に、は と が を入れ替えた文を作り、意味がどう変わるかを日本語で書きなさい

Active recall

Recall the key points — then reveal.

Sources: Pearson Edexcel Level 3 Advanced GCE in Japanese (9JA0) specification (Pearson Edexcel)

§ 03

自動詞と他動詞, and the voice system Appendix 2 actually names#

●●●AdvancedLPPearson Edexcel 9JA0 Appendix 2 — transitive and intransitive verbs, including てある and ているLPPearson Edexcel 9JA0 Appendix 2 — the potential, the causative, the passive including the suffering passive and によってLPDfE GCE AS and A level subject content for modern foreign languages

Transitive and intransitive pairs, and what changes in the sentence

Transitive and intransitive pairsTable with 3 columns and 5 rows, Data: INTRANSITIVE · TRANSITIVE · What changes in the sentence; 変わる · 変える · The が noun becomes を; an agent appears; 始まる · 始める · An event starting versus somebody starting it; 決まる · 決める · A decision that happened versus one somebody made; 集まる · 集める · People gather versus somebody gathers them; 増える · 増やす · A number rises versus somebody raises it, highlighted cell: The が noun becomes を; an agent appearsINTRANSITIVETRANSITIVEWHAT CHANGES IN THESENTENCE変わる変えるThe が noun becomes を; anagent appears始まる始めるAn event starting versussomebody starting it決まる決めるA decision that happenedversus one somebody made集まる集めるPeople gather versussomebody gathers them増える増やすA number rises versussomebody raises it
Fig. 2Five of the pairs Appendix 2 expects you to control. Reading across a row shows the same event described twice: once as something that happened, once as something somebody did. The right-hand column names the grammatical consequence, which is always the same shape — the noun that was marked が in the intransitive version becomes を in the transitive version, and a new agent appears to take は or が. The emphasised cell is the 変わる and 変える row, because that is the pair the six thematic topics of this specification need on almost every page: every theme title in the course begins with 変わっていく.

Key points

Appendix 2 names transitive and intransitive verbs as a listed requirement, which is unusual for a grammar list and tells you the board expects the pairs to be used deliberately rather than stumbled into. Japanese has hundreds of verb pairs where one member describes something happening and the other describes somebody making it happen: 変わる and 変える, 始まる and 始める, 決まる and 決める, 集まる and 集める, 増える and 増やす, 減る and 減らす, 開く and 開ける, 閉まる and 閉める, 続く and 続ける, 落ちる and 落とす. Choosing between them is not a stylistic matter. 制度が変わった says the system changed, with nobody named; 政府が制度を変えた says the government changed it, and names a responsible party. In writing about society that difference is the whole argument, which is why this is a grammar point with an AO4 payload as well as an AO3 one.
The intransitive member combines with ている to describe a resulting state, and the transitive member combines with てある to describe a state somebody has deliberately produced and left. ドアが開いている is the door is open — it stands open, however that came about. ドアが開けてある is the door has been left open, by somebody, on purpose. The Appendix 2 list mentions both in the same breath for exactly this reason. In essay writing the useful pair is 書いてある and 書いている: 資料に書いてある means it is written in the source, which is what you say when quoting evidence, while 私は書いている means I am writing. Getting this backwards produces a sentence that a reader can decode but has to re-read, which is precisely the specification's definition of an error that hinders clarity.
The passive does three jobs in Japanese and only one of them matches the English passive. The plain passive removes an agent you do not want to name or cannot: 新しい制度が導入された, a new system was introduced. With によって it names the agent formally and is the register of analytical writing: 法律によって規制されている. And then there is the suffering passive, which Appendix 2 lists explicitly and which has no English equivalent at all: 雨に降られた, I was rained on, in the sense of being adversely affected; 友達に来られて勉強できなかった, a friend came and as a result I could not study. The suffering passive takes an intransitive verb and adds a person who is worse off, marking the cause with に. It is a high-value construction for writing about 不景気 or 震災 because it lets you say that people were subjected to something without asserting that anyone intended it.
The causative and the potential complete the system. The causative in ~せる and ~させる means make or let, and the difference is carried by the particle on the person: 子供に勉強させる leans towards letting or getting them to, while 子供を勉強させる leans towards making them. The causative-passive, ~させられる, means being made to do something, and it is the natural way to describe pressure: 長時間働かせられる, be made to work long hours. The potential in ~える and ~られる means can, and it takes が rather than を on the thing that can be done — 日本語が話せる, not 日本語を話せる, although を is widely heard and is best avoided in writing. Together these give you a precise machinery for agency, which is the single most useful thing Appendix 2 offers a candidate writing about pressure, policy and change.
Worked example

Paper 2 Section A worked decision by decision: an English passage on work and pressure

Translate this passage into Japanese. Since the collapse of lifetime employment, the way young people think about work has changed. Many are made to work long hours, and some are transferred to distant cities by their companies. The government has introduced new rules, but their effect is not yet clear.

  1. 01Sentence 1: choose the intransitive, and choose the time expression

    終身雇用制度が崩壊してから、若者の仕事に対する考え方は変わってきた. 崩壊する is used intransitively here because the sentence does not name who or what caused the collapse — and an English since the collapse does not name one either, so inventing an agent would add a claim. ~てから marks since in the sense of after. 仕事に対する考え方 is the standard way to say attitude towards work: に対する is a noun-modifying form and is a high-value phrase in every social topic. 変わってきた rather than 変わった because the change has continued up to now, which is what the English present perfect is doing.

  2. 02Sentence 2, first half: made to work is a causative-passive, not a passive

    長時間働かせられる若者も多い. English made to work is exactly the causative-passive ~させられる: 働く gives 働かせる, make work, which gives 働かせられる, be made to work. Writing 働かれる would be the suffering passive and would say something quite different. Note also that this is a relative clause modifying 若者, so its internal subject would take が if you supplied one. ~も多い picks up many are and keeps the sentence short; the alternative 多くの若者が長時間働かせられている is equally correct and slightly more formal.

  3. 03Sentence 2, second half: a plain passive with に for the agent

    会社に遠い都市へ転勤させられる人もいる. Are transferred by their companies is a passive whose agent is a person or institution, and the standard marking for such an agent is に: 会社に. によって is also possible and is more formal, but に is the ordinary choice when the agent is the party who did it directly. 転勤 already means a job transfer, so 転勤させられる is be made to transfer, which is the right nuance for a company decision imposed on an employee. へ rather than に on 都市 emphasises direction, and either is acceptable.

  4. 04Sentence 3, first half: an institution acting takes the transitive verb

    政府は新しい規則を導入した. Here the agent is named, so the transitive 導入する with を is correct; the passive 規則が導入された would be right only if you wanted to leave the government out. This is the transitivity decision from the figure, made live: naming or not naming the responsible party is a claim, and the verb form is where you make it. 政府は rather than 政府が because the government has been implicitly present since the topic was set — が would present it as news.

  5. 05Sentence 3, second half: hedge the conclusion, because the English does

    しかし、その効果はまだ明らかではない. まだ plus a negative is not yet, and it must be a negative — まだ明らかだ would mean still clear. 明らかではない rather than 明らかじゃない because the register here is written and analytical. If you wanted a stronger analytical flavour you could write その効果については、まだ判断できないと言えよう, using について for regarding and ~と言えよう for it may be said, but do not add hedging the English did not have: the task is translation, and inventing caution costs the chunk just as inventing certainty would.

  6. 06Fix the register before you check anything else

    This passage is expository, so だ・である体 is the natural register and every sentence above is in it: 変わってきた, 多い, いる, 導入した, 明らかではない. Had you begun 変わってきました you would have to finish in です・ます, and mixing the two inside twenty marks of translation is an avoidable AO3 loss. Then run the particle check from the previous section, then read for the three fatal classes the specification names: a verb that does not match its implied subject, an unmarked change of subject, and a wrong particle with a verb of giving or receiving.

Result: 終身雇用制度が崩壊してから、若者の仕事に対する考え方は変わってきた。長時間働かせられる若者も多く、会社に遠い都市へ転勤させられる人もいる。政府は新しい規則を導入したが、その効果はまだ明らかではない。The decisions that carried marks: intransitive 崩壊する for an unattributed event, に対する for attitude towards, ~てきた for change continuing to now, the causative-passive 働かせられる for made to work, に for a named passive agent, transitive 導入する once the agent is named, and まだ with a negative for not yet.

Exam focus

  • Choose transitive or intransitive deliberately, and know what each one claims about who is responsible (AO3, AO4).
  • Use ~によって to name an agent formally in analytical prose; use the bare passive when the agent is genuinely unknown (AO3, AO4).
  • Learn one suffering passive you can produce under pressure. It is a construction English cannot copy and examiners notice it (AO3).
  • Use the potential with が on the object: 日本語が話せる, 参加ができる (AO3).

Typical mistakes

  • Writing 制度を変わる or 制度が変える. The pair members take different particles, and swapping them is a clear grammatical error rather than a near-miss.
  • Using てある with an intransitive verb. てある requires a transitive verb and an implied human agent; 開いてある is not Japanese.
  • Translating every English passive with a Japanese passive. Japanese often prefers an intransitive verb where English reaches for was changed.
  • Marking the potential object with を. 日本語を話せる is common in speech, but in a written examination が is the safe form.

Active revision

自動詞と他動詞の組を五つ選び、それぞれについて二つの文を書きなさい。一つは責任者を示さない文、もう一つは責任者を示す文とする。その後、同じ内容を受身で書き直し、「によって」を使う場合と使わない場合でどう印象が変わるかを日本語で説明しなさい

Active recall

Recall the key points — then reveal.

Sources: Pearson Edexcel Level 3 Advanced GCE in Japanese (9JA0) specification (Pearson Edexcel)

§ 04

文体: choosing a written register and holding it#

●●●AdvancedLPPearson Edexcel 9JA0 Paper 1 Section C, Paper 2 Sections B and C, Paper 3 Section B — extended writing in JapaneseLPPearson Edexcel 9JA0 Appendix 2 — plain form plus そう and よう; でしょう, だろう, はずです, かもしれませんLPDfE GCE AS and A level subject content for modern foreign languages

The two written registers, form by form

The two written registersTable with 3 columns and 7 rows, Data: FUNCTION · POLITE REGISTER FORM · PLAIN / ESSAY REGISTER; Copula, present · です · である; Copula, past · でした · であった; Copula, negative · ではありません · ではない; Verb, present · 変わります · 変わる; Verb, negative · 変わりません · 変わらない; Conjecture · でしょう · であろう; Reported view · と思います · と考えられる, highlighted cell: と考えられるFUNCTIONPOLITE REGISTER FORMPLAIN / ESSAY REGISTERCopula, presentですであるCopula, pastでしたであったCopula, negativeではありませんではないVerb, present変わります変わるVerb, negative変わりません変わらないConjectureでしょうであろうReported viewと思いますと考えられる
Fig. 3The same seven functions in the two registers a candidate may choose between. Reading down either column gives a self-consistent set; reading across shows that the two are systematic rather than a matter of individual words, which is why drifting between them is so visible to a reader. The emphasised cell is the plain-register form of a reported view, と考えられる, because it is the single form that does most work in an AO4 answer: it lets you attribute an interpretation without asserting it as fact, which is exactly what a critical response to a contested question requires.

Key points

Register is the first decision in every piece of extended writing this qualification asks for, and it is worth being exact about what the specification does and does not say. It does not prescribe a register. Appendix 2 contains no 敬語 section at all: honorific and humble language is not on the production list, which is a genuinely useful fact because it means nobody is expecting you to write お書きになる or 拝見する in an essay. What the mark grids do reward is articulate communication with a range of expression, defined as writing the reader can move through quickly without re-reading. Register drift is the commonest way of forcing a reader to re-read, so the operative rule is not which register but one register, chosen before the first sentence and held to the last. These notes model だ・である体 for essays and です・ます体 for letters and reports, and say which is which every time.
だ・である体, also called 常体, is the ordinary register of Japanese analytical prose: newspaper editorials, academic writing, essays. Its virtue for this examination is that it supplies the connectives an argument needs. である for a considered assertion, であった for the past, ではない for the negative, であろう for a hedged prediction, と考えられる for it is thought that, と言えよう for it may be said, のではないか for a proposal advanced tentatively, とは限らない for it is not necessarily the case, わけである for it follows that. That last group is the vocabulary of AO4 — critically analyse, present ideas, draw conclusions — and it exists only in this register. Writing an argument in です・ます costs you nothing in accuracy but leaves you reaching for softer, longer equivalents of every one of those moves.
です・ます体, 敬体, is the polite register, and there are tasks where it is right rather than merely acceptable: a letter, an email, a report addressed to a named reader, anything where you are writing to somebody rather than about something. It is also the register most candidates learned first and can produce most accurately under pressure, and accuracy is 10 of the 45 marks on each Paper 2 essay. That is an honest trade-off: a fluent, wholly consistent です・ます essay will out-score a である essay studded with half-remembered forms. Choose the register you can actually sustain, and if you choose です・ます, still bring the analytical moves across — と思われます, と言えるでしょう, とは限りません, のではないでしょうか all exist and all work.
敬語 proper is a recognition target, not a production target, and the place it matters is Paper 3. Section A passages cover different registers and types, which means an interview, a broadcast, a workplace exchange and a conversation between friends may all appear, and the honorifics carry information: いらっしゃる, おっしゃる, なさる and ご覧になる elevate the person being described, while 申す, 伺う, いたす and 拝見する lower the speaker. Hearing 社長がおっしゃいました rather than 社長が言いました tells you the speaker is an employee, which may be the answer to a question about who is speaking. Learn the dozen commonest pairs for listening; do not attempt to deploy them in an essay, where they add risk and earn nothing the range grid could not get more cheaply from Appendix 2.
Worked example

Building a paragraph of argued Japanese from one bare thematic fact

You have one fact from your reading: many young people in Japan attend 塾 after school, and the cost falls on the household. Build a paragraph of essay-register Japanese that states it, complicates it, attributes an interpretation and concludes — about 130 characters, in だ・である体.

  1. 01State the fact plainly, in the register you have chosen

    日本では、放課後に塾に通う高校生が多い. Notice the shape: 日本では sets the frame with the contrastive では, the relative clause 放課後に塾に通う modifies 高校生, and が marks the subject inside a sentence whose topic is the place. This is the plainest possible opening and that is a virtue — an essay that opens with an unarguable fact has bought itself the right to argue afterwards. Do not open with 私は~と思う: the AO4 grid rewards analysis supported by evidence, and an opinion offered before any evidence has nothing to stand on.

  2. 02Complicate it with the second half of the same fact

    しかし、塾の費用は家庭が負担するため、経済状況によって通えない生徒もいる. しかし is the plain-register but; ため gives the reason; によって marks the variable that produces the difference; 通えない is the potential negative. The complication is where an essay stops being a report. You have not added new information from outside — the cost was part of the original fact — you have drawn out its consequence, which is the cheapest and most reliable way to sound analytical when your research notes are thin.

  3. 03Attribute an interpretation rather than asserting it

    このため、塾は教育格差を広げているのではないかと指摘されている. Three things are doing work here. のではないか advances the claim as a question rather than a finding. ~と指摘されている attributes it to unnamed others — it has been pointed out that — which is honest when you are reporting a live argument you have read rather than one you have tested. And 広げている is the transitive verb with ている, which says juku are actively widening the gap, a stronger claim than 格差が広がっている, the gap is widening. Choose the transitive only if you mean to name a cause.

  4. 04Give the other side one clause, not a whole sentence

    一方で、塾が学校の授業を補っているという見方もある. 一方で is on the other hand and is the standard essay connective for a counter-view. ~という見方もある, there is also the view that, is a compact way to acknowledge an opposing position without giving it equal space; もある does the work of also exists. In a 600 to 700 character answer you rarely have room for a symmetrical treatment, and examiners are not asking for one — they are asking that you show awareness that the question is contested.

  5. 05Conclude with a judgement that follows from what you wrote

    いずれにせよ、塾の役割は家庭の経済力と切り離して論じることはできないだろう. いずれにせよ is at any rate and signals that you are closing. 切り離して論じる is discuss separately from, using the て-form to chain. ことはできない nominalises with こと and negates the potential. だろう hedges at the right strength for a conclusion drawn from one fact. The test of a conclusion is whether a reader could have predicted it from your own paragraph; if it introduces a new idea, it is not a conclusion, it is a fifth sentence.

  6. 06Count the characters and check the register

    The paragraph runs to about 130 characters, which is roughly a fifth of a Paper 1 Section C answer, so five paragraphs of this density is the shape you are aiming for. Now read only the sentence endings: 多い, いる, されている, ある, ないだろう. Every one is plain register, none is です or ます, and none repeats the previous one, which also feeds the range grid. If any ending had been ます you would have found it in two seconds by this method.

Result: 日本では、放課後に塾に通う高校生が多い。しかし、塾の費用は家庭が負担するため、経済状況によって通えない生徒もいる。このため、塾は教育格差を広げているのではないかと指摘されている。一方で、塾が学校の授業を補っているという見方もある。いずれにせよ、塾の役割は家庭の経済力と切り離して論じることはできないだろう。 The architecture — state, complicate, attribute, concede, conclude — works at any length, and the register apparatus that carries it is ため, によって, のではないか, ~と指摘されている, 一方で, ~という見方もある, いずれにせよ and だろう.

Exam focus

  • Decide the register before sentence one and never switch. Mixed register is the cheapest AO3 loss in the paper (AO3).
  • If you write in である, use its analytical apparatus deliberately: と考えられる, とは限らない, のではないか (AO3, AO4).
  • If you write in です・ます, carry the same moves across rather than abandoning them (AO3, AO4).
  • Learn 敬語 for listening only. The commonest honorific and humble pairs identify who is speaking to whom in Paper 3 Section A (AO1).

Typical mistakes

  • Starting an essay in である and drifting into ます by the third paragraph, usually at the first verb the writer has only ever produced politely.
  • Writing だ where である is expected. In essay prose である is the written form; bare だ reads as speech or as a diary.
  • Attempting 敬語 in an examination essay. It is off the Appendix 2 list, it is easy to get wrong, and there is no mark for it.
  • Assuming です・ます is a lower register that will be marked down. It is not; the mark grids assess range and accuracy, not formality.

Active revision

です・ます体で書いた自分の文章を三百字ほど選び、だ・である体に書き直しなさい。書き直したあとで、「と考えられる」「とは限らない」「のではないか」のうち少なくとも二つを使って、主張を一段階弱めた形に直しなさい。最後に、二つの文章を並べて、どちらが読みやすいかを日本語で説明しなさい

Active recall

Recall the key points — then reveal.

Sources: Pearson Edexcel Level 3 Advanced GCE in Japanese (9JA0) specification (Pearson Edexcel)

§ 05

漢字 and the checking routine the mark scheme asks for#

●●○StandardLPPearson Edexcel 9JA0 Appendix 3 — kanji list (recognition)LPPearson Edexcel 9JA0 — AO3 accuracy and range grids, Papers 1, 2 and 3LPDfE GCE AS and A level subject content for modern foreign languages

Key points

Appendix 3 is a recognition list and the specification says so in its own words: these are the kanji that the students are expected to recognise, any kanji not on this list used in the examination papers will be glossed, and knowledge of the kanji specified for GCSE is assumed. That is a generous arrangement and it removes a specific anxiety — you will never be defeated by an unlisted character, because it will carry a gloss. The list itself runs from the two-stroke 力 through eleven-stroke workhorses such as 経, 済, 現, 常, 健, 康, 情, 域 to twenty-stroke 護, 議 and 響, and its contents are visibly chosen for the four themes: 災, 避, 震, 被, 核, 環, 齢, 塾, 婚, 移, 職, 統, 貸, 費 and 援 are all on it. Reading through it once with the themes in mind is a genuinely efficient hour, because it tells you what the examiners expect the texts to be about.
Recognition and production are different targets and should be trained differently. All three AO3 grids carry the identical sentence — students are rewarded for using a wide variety of kanji — so production is worth marks, and the top band asks for consistent variation in the use of grammatical structures, vocabulary and kanji. But the specification's own error taxonomy names the counter-risk with unusual precision: among errors that hinder clarity it lists the kanji 白 instead of 自, a one-stroke slip that turns white into self. So the sane strategy is asymmetric. Read as widely as you can, across the whole Appendix 3 list and beyond it. Write from a smaller set you are certain of, expanded deliberately theme by theme. And never gamble an unfamiliar kanji in an examination when the kana spelling is available: kana is not penalised, a wrong kanji can be.
Build your production repertoire by theme rather than by stroke count, because that is how the papers will ask for it. For 教育: 教育, 制度, 改革, 試験, 塾, 学習, 指導, 管理, 格差. For 労働 and 不景気: 労働, 雇用, 転職, 移住, 経済, 政策, 失業, 収入, 負担. For 文化: 漫画, 音楽, 武道, 伝統, 行事, 祭り, 観光, 技術, 機械, 産業. For 震災: 地震, 津波, 被害, 避難, 支援, 復興, 政府, 環境, 電力. Thirty or forty characters per theme, written by hand until the stroke order is automatic, will carry an entire essay. Do not neglect the kana side of the same problem: modern Japanese writes こと, もの, ため, ある, いる, できる, ください, など, ほど, よう in kana, and an essay that writes 事, 物, 為, 出来る and 下さい throughout does not read as more advanced, it reads as somebody who learned kanji from a list rather than from texts.
The checking routine follows directly from the specification's three-way classification of errors, and it is worth running in that order because it puts the expensive errors first. Pass one, meaning-preventing errors: is it clear in every sentence who is doing what, and is every change of subject marked? The specification names failure to mark a change of subject as an error that prevents meaning being conveyed, and it is invisible to the writer because the writer knows who they meant. Pass two, clarity-hindering errors: particles, especially with あげる, もらう and くれる; verb endings that do not match their implied subject; any kanji you are not sure of. Pass three, cosmetic errors: character formation, which the specification explicitly classes as an error that does NOT hinder clarity, so it is the last thing to worry about and should never consume time that pass one needs.
Worked example

The three-pass check applied to a draft that looks fine at first reading

Here is a candidate's draft sentence pair, written for Paper 2 Section A. 先生は生徒に本をくれました。生徒は喜んで、その本を読んで、感想文を書かせました。Find and fix everything, using the specification's own order of severity.

  1. 01Pass one, first error: an unmarked change of subject

    The second sentence begins with 生徒は as its topic, then ends with 書かせました, a causative — made somebody write. But the person who makes a student write a report is the teacher, not the student. The subject has changed silently between the middle and the end of the sentence, which is the specification's example of an error that prevents meaning being conveyed. Either mark the change — 生徒は喜んでその本を読み、先生は感想文を書かせた — or restructure so the subject does not change: 生徒は喜んでその本を読み、感想文を書いた.

  2. 02Pass one, second error: a verb of giving with the wrong perspective

    先生は生徒に本をくれました is wrong, and it is wrong in exactly the way the specification names — incorrect particles with verbs of giving and receiving. くれる means gives to me or to my side; it cannot describe a transfer between two third parties. The neutral verb for a third-party gift is あげる: 先生は生徒に本をあげた. If the writer is one of the students, then 先生は私たちに本をくださった uses the honorific form of くれる and is both correct and appropriate. If the perspective is the students receiving, use もらう and swap the particles: 生徒は先生に本をもらった.

  3. 03Pass two: fix the て-form chain so it does not stall

    喜んで、その本を読んで、感想文を… chains three clauses with て, which is grammatical but flat, and the repeated て-form is exactly what the AO3 range grid calls limited variation resulting in repetitive expression. Use the ます-stem for the middle link, which is the written-register alternative: 生徒は喜んでその本を読み、感想文を書いた. One て-form and one stem is more varied than two て-forms, costs nothing, and reads as writing rather than as speech.

  4. 04Pass two: settle the register, then check every ending

    The draft is in です・ます (くれました, 書かせました). If this is a translation of an expository English passage, だ・である体 is the better home: あげた, 読み, 書いた. Whichever you choose, read only the endings — ました, ました becomes た, た — and confirm they agree. A mixed pair is the single most detectable AO3 error in a script and takes ten seconds to find by this method.

  5. 05Pass three: only now, the characters themselves

    感想文, 生徒, 先生 are all straightforward and on the assumed-knowledge side of the kanji question. If you were unsure of 喜ぶ you could write よろこんで in kana at no cost, and if you were unsure of 感想文 you could write レポート — a katakana loanword is a legitimate lexical choice, not an evasion. The specification classes minor errors in character formation as errors that do not hinder clarity, so a slightly wobbly 徒 loses nothing; a 白 written for 自 is a different matter, because it produces a different word.

  6. 06Read the repaired version once as a reader, not as a writer

    先生は生徒に本をあげた。生徒は喜んでその本を読み、感想文を書いた。Two sentences, two clear subjects, one giving verb with the right perspective, one て-form and one stem, and a single consistent register. Nothing about the repaired version is more advanced than the draft — it uses no construction the draft did not — but every one of the errors that would have cost marks has gone, which is the point of a checking routine as against a rewriting routine.

Result: 先生は生徒に本をあげた。生徒は喜んでその本を読み、感想文を書いた。 The three passes, in the specification's own order of severity: first the errors that prevent meaning (an unmarked change of subject, a giving verb used from an impossible perspective), then the errors that hinder clarity (repetitive て-chaining, mixed register, uncertain kanji), and only last the cosmetic ones (character formation), which the specification explicitly says do not hinder clarity.

Exam focus

  • Read widely across Appendix 3; write from a smaller set you are certain of, built theme by theme (AO3).
  • Kana is never penalised. A wrong kanji can be. When unsure, write the word in kana and move on (AO3).
  • Check in the specification's own order of severity: unmarked subject changes first, particles second, character formation last (AO3).
  • Write こと, もの, ため, ある, いる, できる, など in kana. Over-kanjifying is not range, it is unnatural Japanese (AO3).

Typical mistakes

  • Treating Appendix 3 as a writing list. It is a recognition list; the papers gloss anything outside it, and nothing obliges you to produce all of it.
  • Spending checking time on neat characters while an unmarked change of subject sits in paragraph two. The specification ranks those two errors at opposite ends of its scale.
  • Writing 出来る, 下さい, 為, 事 and 物 in kanji throughout, in the belief that more kanji is better. Modern written Japanese uses kana for these.
  • Risking a half-remembered kanji for a common word. 白 for 自 is the specification's own example of a slip that makes a reader stop.

Active revision

自分のテーマごとの漢字リストを作りなさい。各テーマにつき三十字ほどを選び、必ず手で書いて練習しなさい。次に、自分が最近書いた日本語の文章を取り出し、(一)主語の変わり目が示されているか、(二)助詞、特に「あげる・もらう・くれる」の助詞が正しいか、(三)自信のない漢字がないか、の三段階で順に点検しなさい

Active recall

Recall the key points — then reveal.

Sources: Pearson Edexcel Level 3 Advanced GCE in Japanese (9JA0) specification (Pearson Edexcel)

Contents

Section -- / 05

    • 01The two translations, and the one marking philosophy behind them◐
    • 02助詞: the particles that carry the marks◐
    • 03自動詞と他動詞, and the voice system Appendix 2 actually names●
    • 04文体: choosing a written register and holding it●
    • 05漢字 and the checking routine the mark scheme asks for◐

0/5 Read

From notes into training

Grammar and translation (Paper 1 Section A, Paper 2 Section A, Appendices 2 and 3)

Reinforce this topic with matching tasks from the question bank.

~41
min
2
Competencies
Practise

References & sources

Sources

Pearson Edexcel

  • Pearson Edexcel Level 3 Advanced GCE in Japanese (9JA0) specification

Next topic

Reading: Paper 1 Section B, and the reading half of Paper 3 Section B

EuraStudy·Notes T·01·MMXXVI

Carry on to the next topic — your learning path is kept.