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Notes/Italian/The independent research project: Task 2 and Form RP3
Notes · ItalianUK · A-Levels

The independent research project: Task 2 and Form RP3

Task 2 of Paper 3 is worth 42 marks — more than any other single task in the qualification — over 10 to 11 minutes, and it is built entirely on research the student chooses, designs and carries out alone. Part 1 is a presentation of no more than two minutes summarising at least two of the written sources used, outlining their main points and giving a personal response; it is marked out of 12 by a single grid, responding to written language in speech (AO2), and a presentation referring to only one written source is capped at 3 marks. Part 2 is a discussion of the research as a whole, marked by three grids: knowledge and understanding of Italian-speaking society and culture (AO4) out of 12, accuracy and range of language (AO3) out of 12, and interaction (AO1) out of 6. The subject must relate to Italian-speaking culture or society; the question or statement must be the student's own; six to ten key findings and the source list go on Form RP3, signed and submitted no later than three weeks before the assessment; and the project must not be based on a work studied for Paper 2 — a project that is scores zero for Task 2.

5 sections·~32 min reading time·4 competencies·Level Standard 1 · Advanced 4

T·131313 / 13
Exam profile
AO1 · Interact in spoken Italian, initiating, sustaining and eliciting points of view in an extended discussionAO2 · Understand and respond in speech to written Italian sources, summarising them and giving a personal responseAO3 · Manipulate Italian accurately in spoken form, using a range of lexis and structureAO4 · Show knowledge and understanding of, and respond critically to, an aspect of Italian-speaking society or culture researched independently
Operators:definirericercareselezionareriassumerevalutaredifendere

basic level

At first-year standard the expectation is a clearly defined question, a small number of genuine Italian sources, findings that are accurately reported, and a presentation and discussion that stay on the subject in correct Italian.

higher level

The full A-Level expects a question narrow enough to be answered and rich enough to sustain eleven minutes, sources that are evaluated rather than merely used, a presentation that outlines the authors' main ideas and gives a justified personal response, and a discussion in which the student takes the lead, defends an argument under questioning and connects the research to the wider Italian context.

Depth

Reading depth: In depth

Text

Text size: Standard

Contents · 5 sections▾
  1. The independent research project: Task 2 and Form RP3
    • 01Le regole del progetto: what is required, what is forbidden◐
    • 02Scegliere la domanda: from an interest to a defensible question●
    • 03Le fonti: finding, evaluating and recording Italian sources●
    • 04La presentazione di due minuti: twelve marks in one hundred and twenty seconds●
    • 05Exam technique: defending the research in Part 2●
§ 01

Le regole del progetto: what is required, what is forbidden#

●●○StandardLPPearson Edexcel 9IN0 Paper 3 Task 2 - presentation and discussion on the student's independent research project, 42 marks, 10 to 11 minutesLPPearson Edexcel 9IN0 - the independent research project must not be based on a work studied for Paper 2; students receive zero for Task 2 if it is

Key points

The requirements are set out precisely and every one of them is examinable in the sense that failing it costs marks. The project must be based on a question or statement defined and developed by the student individually, to investigate a particular area of interest specifically related to Italian-speaking culture or society. It must include evidence of research findings investigated independently, from a range of authentic sources including the internet. It must enable the student to contextualise, analyse and summarise findings. And it must enable the student to identify at least two written sources which they can summarise and respond to personally in the presentation — with the written sources in Italian. Six to ten key findings and the list of sources are recorded on Form RP3, which the student and the teacher sign and which is submitted no later than three weeks before the assessment.
The prohibition is absolute and worth stating twice. The project must not be based on one of the literary works or films studied for Paper 2, and a student whose project focuses on such a work receives a mark of zero for Task 2 — 42 marks, more than a third of the whole speaking paper and nearly a fifth of the qualification. Teachers are required to check for this on Form RP3. What is permitted is a wider exploration of the author or film-maker: if you study a novel for Paper 2, the project may not be about that novel, but it may be about the novelist's life, or about what shaped their writing more broadly. Read that distinction carefully before choosing, because it is easy to drift from the author's life back into the book without noticing.
The definition of independence is unusually explicit and it constrains what help you may accept. Teachers may give guidance on research skills and on choosing a subject, comment on whether the area is feasible, advise on completing Form RP3, direct you to the assessment objectives and provide a selection of resources. Teachers must confirm that the question has the potential to meet the criteria, must check the Paper 2 overlap, must review the form and promote good referencing practice, and must sign the form. But teachers must not give you a choice of questions to pick from, must not give detailed individual feedback on how to improve the work, must not rehearse or provisionally assess your presentation, and must not provide or rehearse the questions that will be asked. If more than one student in a centre researches the same topic, each must have a different question. Breaches are investigated as potential malpractice.
Two practical consequences follow. First, start early: the specification recommends beginning the identification stage as early as possible in the academic year, precisely because the research is done independently and no learning hours are allocated to it. A project begun in February is visibly thin in April. Second, the sources must be findable again. You will be asked about them, you must name at least two written ones in the presentation, and the discussion is built partly from what you wrote on Form RP3 — so keep a working bibliography from the first week, with the author, the title, the publication and the date for every item, and note the main argument of each in one Italian sentence at the time you read it, not months later.
Worked example

Testing a project idea against the rules before committing to it

A student studying Il giorno della civetta for Paper 2 proposes the research question «Come Leonardo Sciascia rappresenta la mafia nei suoi romanzi». Test it.

  1. 01Apply the Paper 2 prohibition first

    The proposal is about Sciascia's novels, which includes the novel studied for Paper 2. That is a duplication of content, and the specification is explicit that a project focused on a work studied for Paper 2 receives zero for Task 2. The idea fails at the first test and must be changed, not adjusted.

  2. 02Find what the rule does permit

    The specification allows a wider exploration of the author of a work studied — the life of the author, or the things that motivated them in the broader sense. So the author is not off limits; the works are. A permitted reformulation might be about Sciascia as a public figure: his role in Italian civic debate, or his relationship with Sicily as a place rather than as a subject of one novel.

  3. 03Narrow it to something answerable in eleven minutes

    Come Leonardo Sciascia rappresenta la mafia nei suoi romanzi is too broad even without the prohibition: it invites a survey. In che modo l'impegno civile di Sciascia come intellettuale pubblico ha influenzato il dibattito italiano sulla giustizia is narrower, is about the author rather than the works, and is answerable with evidence.

  4. 04Check the sources exist and are written and in Italian

    Before committing, spend twenty minutes searching. Are there at least two substantial written Italian sources — an interview, an essay, a newspaper profile, an academic article — that you can summarise and respond to? If the honest answer is no, the question is unusable however interesting, because Part 1 depends on named written sources and a single source caps it at 3 marks out of 12.

  5. 05Check the drift risk

    The danger with this reformulation is that it slides back into the novel: every discussion of Sciascia's civic engagement will tempt you towards Il giorno della civetta. Write the boundary explicitly on your own notes — non parlo del romanzo, parlo dell'autore come figura pubblica — and prepare a redirect for the discussion: quel romanzo lo studio per la Prova 2, quindi qui mi limito al suo ruolo pubblico.

Result: The original proposal fails outright because it covers the Paper 2 work. A permitted and narrower reformulation moves from the novels to the author as a public figure — provided at least two substantial written Italian sources exist, and provided the student prepares an explicit redirect to prevent drift back into the novel during the discussion.

Exam focus

  • The project must not be about a Paper 2 work. That mistake costs the whole 42 marks (AO4).
  • At least two written sources, in Italian, named in the presentation. One source caps Part 1 at 3 marks (AO2).
  • Six to ten key findings and the source list go on Form RP3, signed and submitted at least three weeks before the assessment (AO4).

Typical mistakes

  • Choosing a project about the novel or film studied for Paper 2, which scores zero for Task 2.
  • Expecting the teacher to supply a question. Teachers may not offer a list to choose from.
  • Starting the research late. No learning hours are allocated to it and a short project is audible in eleven minutes of discussion.
  • Keeping no bibliography, so that sources cannot be named accurately in the presentation.

Active revision

Compila una bozza di Form RP3 con la tua domanda, sei risultati chiave in italiano e l'elenco completo delle fonti con autore, titolo, testata e data. Poi verifica che nessuna parte del progetto riguardi l'opera che studi per la Prova 2.

Active recall

Recall the key points — then reveal.

Sources: Pearson Edexcel Level 3 Advanced GCE in Italian (9IN0) specification (Pearson Edexcel)

§ 02

Scegliere la domanda: from an interest to a defensible question#

●●●AdvancedLPPearson Edexcel 9IN0 Paper 3 Task 2 - based on a question or statement defined and developed by the student individuallyLPPearson Edexcel 9IN0 - the teacher confirms that the question or statement has the potential to meet the requirements of the assessment criteria

Dalla curiosità alla domanda di ricerca

Dalla curiosità alla domandaGraph, un interesse → un soggetto, un soggetto → un caso preciso, un caso preciso → una domanda, una domanda → prova delle fonti, prova delle fonti → una domanda, prova delle fonti → Form RP3un interesseun soggettoun caso precisouna domandaprova dellefontiForm RP3
Fig. 1Three steps down and two tests across. The source search belongs before the commitment, not after: a question with no Italian sources behind it cannot pass Part 1, whatever its merits.

Key points

A good research question for this task has four properties and it is worth testing a candidate question against all four before committing a term's work to it. It is narrow enough to answer: not la mafia in Italia but come una singola città ha reagito all'estorsione. It is broad enough to sustain eleven minutes of discussion, which rules out questions with a one-fact answer. It has an argument in it — a question whose answer is a description will produce a description, so prefer perché, in che misura and con quali effetti to che cos'è. And it is answerable from sources you can actually find in Italian, which is a constraint that should be tested early rather than discovered late.
The reliable method for narrowing is to move down three levels from an interest. Level one is a subject: la musica italiana. Level two is a specific case within it: il rap italiano delle seconde generazioni. Level three is a question about that case: in che misura il rap italiano ha dato voce ai figli dell'immigrazione. Each step trades breadth for the possibility of an answer, and the third level is where a project should sit. Two further tests are worth applying at that point. The so-what test: if the answer is yes or no, does anything follow? And the eleven-minute test: can you list six things you would need to find out in order to answer it? If you cannot list six, the question is too narrow; if you could list thirty, it is still too broad.
The relationship to Italian-speaking culture and society must be specific, not decorative, because the AO4 grid assesses knowledge and understanding of that culture and society and consistently rewards focus on the cultural and social context. A question about a global phenomenon that happens to have an Italian example in it will drift; a question about the Italian case of a global phenomenon will not. Compare come i social media influenzano i giovani, which is not an Italian question at all, with perché il dibattito italiano sullo ius scholae non ha prodotto una legge, which cannot be answered without knowing Italy. The second will also be far easier to discuss for eleven minutes, because every follow-up question will be about something you have had to learn.
One final consideration. The topic is chosen by you, and eleven minutes is a long time to talk about something you do not care about — but interest alone is not a criterion. The best predictor of a strong project is not enthusiasm but availability of good Italian sources, because sources are what the presentation is built on and what half the discussion will return to. So run the search before the decision: if twenty minutes of looking produces four substantial Italian written sources on your candidate question, commit; if it produces one blog post and a translated wire story, change the question now, while it is cheap.
Worked example

Narrowing one interest into a defensible question

A student is interested in Italian food. Take that interest down to a research question that satisfies all four criteria.

  1. 01Level one: the subject

    La cucina italiana. Hopeless as a research question — it is a library, not a project. But it is the right place to start, because the next two steps are mechanical.

  2. 02Level two: a specific case

    Le denominazioni di origine protetta e la tutela dei prodotti tipici. Still broad, but now it names an institution and a mechanism rather than a cuisine, and institutions can be researched. Alternatives at the same level: la dieta mediterranea come patrimonio UNESCO; il cibo italiano nell'emigrazione.

  3. 03Level three: the question

    In che misura la tutela DOP protegge davvero i produttori locali o serve soprattutto al marketing dell'esportazione? In che misura invites a judgement rather than a description; the alternative built into the question guarantees two sides; and the answer will require knowing how the system actually works in Italy.

  4. 04Apply the two tests

    So-what test: if the answer is that it mainly serves export marketing, that has consequences for small producers, which is a real finding. Eleven-minute test: list six things you would need to know — how a DOP is granted, who applies, what it costs, who enforces it, what a specific contested case looked like, what producers themselves say. Six, comfortably, and none of them trivial.

  5. 05Run the source search before committing

    Look for four substantial Italian written sources: a consortium's own material, a piece of agricultural or economic journalism, an article from a producers' association, a piece of critical commentary. Note for each the author, the outlet, the date and its main claim in one Italian sentence. If two of the four turn out to be the same press release rewritten, keep looking — Part 1 is marked on your summary of named written sources, and two genuinely different arguments are worth far more than four versions of one.

Result: Interest: Italian food. Subject: protected designations of origin. Question: «In che misura la tutela DOP protegge davvero i produttori locali o serve soprattutto al marketing dell'esportazione?» — narrow, argumentative, Italian-specific, sustainable over six lines of enquiry, and committed to only after four genuinely distinct Italian written sources were found.

Exam focus

  • Test the question against four criteria: narrow enough, broad enough, argumentative, and sourceable in Italian (AO4).
  • Narrow by three levels: subject, case, question about the case (AO4).
  • Choose an Italian question, not a global question with an Italian example (AO4).

Typical mistakes

  • Choosing a subject rather than a question, which produces a description rather than an argument.
  • Choosing a global topic with an Italian illustration, which drifts away from the cultural and social context the grid assesses.
  • Committing before checking that Italian written sources exist.
  • Choosing a question whose answer is a single fact, which cannot fill eleven minutes.

Active revision

Parti da tre tuoi interessi e, per ciascuno, scendi i tre livelli fino a una domanda di ricerca. Poi cerca venti minuti per ciascuna: tieni solo quella per cui trovi almeno quattro fonti scritte italiane sostanziose.

Active recall

Recall the key points — then reveal.

§ 03

Le fonti: finding, evaluating and recording Italian sources#

●●●AdvancedLPPearson Edexcel 9IN0 Paper 3 Task 2 - research from a range of authentic sources, including the internet; at least two written sources in the assessed languageLPPearson Edexcel 9IN0 - students record 6 to 10 key findings on Form RP3 and are promoted good practice in referencing and bibliography

Key points

The specification distinguishes two kinds of source and the distinction is load-bearing. Written sources — newspaper and magazine articles, online written material, journals, literary texts and any other referenceable written source — are the ones you must have at least two of and must name and summarise in the two-minute presentation. Other authentic sources — film, television, radio, online audio-visual material, interviews — may be used in the research and referred to in the discussion that follows, but they do not count towards the two written sources. A student whose research is built entirely on documentaries and podcasts has done real research and cannot access more than a fraction of the twelve marks in Part 1, because the grid for that part is specifically about responding to written language.
Where to look, for an Italian topic, is a practical question with practical answers. National daily newspapers publish substantial online archives. Weekly and monthly magazines carry longer analytical pieces. Institutional and associative websites — a consortium, a trade union, a charity, a regional authority — publish position papers that state an argument clearly, which makes them excellent presentation material precisely because they are partisan. Academic and cultural journals are available online for many subjects. And for older material, the digital archives of major papers are a real resource. Two cautions: avoid sources that are translations from English, since they will not teach you Italian usage and may not reflect Italian debate; and be wary of aggregators that reproduce a single agency story under many mastheads, which produces the illusion of corroboration.
Evaluation is what turns a list of sources into research, and the AO2 grid rewards outlining the authors' main points and ideas — which requires knowing who the author is and what they want. Four questions do it. Who is writing and on whose behalf? What is the source's purpose — to inform, to persuade, to sell, to defend? What does it claim, in one sentence? And what does it not say that another source does? That last question is the one that generates the personal response the grid asks for, because a disagreement between two sources is far easier to respond to than a single account. In Italian: le due fonti concordano sui dati ma divergono sull'interpretazione, ed è proprio questo scarto che mi ha convinto a ...
Recording is the least interesting and most consequential part. Keep a running bibliography from the first week: author, title, publication, date and URL for every item, in a fixed format, because the source list goes on Form RP3 and because you will be asked in the discussion where a claim came from. Alongside it keep, for each source, one Italian sentence giving its main argument and one giving your response. And keep the six to ten key findings in Italian from the moment you find them, not translated from English notes at the end — findings written in Italian at the time are usable in speech, whereas findings translated in a hurry produce the halting, obviously-composed Italian that the accuracy and range grid hears immediately.
Worked example

Evaluating two sources that disagree

On the DOP question, you have a consortium's position paper arguing that protection sustains small producers, and a piece of economic journalism arguing that the main beneficiaries are large exporters. Show how to evaluate and use the disagreement.

  1. 01Name the authorship and the interest

    La prima fonte è un documento pubblicato da un consorzio di tutela, quindi da un soggetto che ha un interesse diretto nel sistema che descrive. La seconda è un'inchiesta giornalistica di un quotidiano economico. Neither observation disqualifies either source; both are necessary context, and saying them out loud is what the grid means by outlining the authors' main points and ideas rather than merely reporting content.

  2. 02State each claim in one sentence

    Il consorzio sostiene che la denominazione garantisce ai piccoli produttori un prezzo che il mercato altrimenti non riconoscerebbe. L'inchiesta sostiene invece che i costi di certificazione e di controllo pesano di più sulle aziende piccole, cosicché il vantaggio si concentra in alto. Two claims, both stated as claims — sostiene, not dimostra.

  3. 03Locate the disagreement precisely

    Le due fonti non discordano sui fatti — entrambe riconoscono che il prezzo dei prodotti certificati è più alto — ma sull'attribuzione del beneficio. Locating the disagreement precisely is the analytical move: many disagreements that look factual are disagreements about who benefits or about what counts as success.

  4. 04Build the personal response on the disagreement

    Personalmente ho trovato più convincente l'inchiesta, non perché il consorzio menta, ma perché fornisce dati sui costi di certificazione che il documento del consorzio semplicemente non affronta. The response is justified by a reason internal to the sources — one addresses something the other omits — which is what the grid means by a personal response supported with clear justification, as distinct from a preference.

  5. 05Prepare the follow-up you will be asked

    The examiner will ask whether you looked for a third view. Have the answer ready: sì, ho cercato anche il punto di vista dei produttori stessi, e ho trovato un'intervista in cui ... Preparing the obvious follow-up to your own strongest point is the cheapest possible insurance in this task, and it converts a good answer into a discussion you are leading.

Result: Two sources evaluated by authorship and interest, each claim stated in one Italian sentence, the disagreement located precisely (attribution of benefit, not the facts), and a personal response justified by what one source omits rather than by preference — with the obvious follow-up question prepared in advance.

Exam focus

  • Only written sources count towards the required two; film, radio and video enrich the discussion but not Part 1 (AO2).
  • Evaluate each source by author, purpose, claim and omission; the disagreement between two sources is where your personal response comes from (AO2).
  • Write the key findings in Italian at the time you find them, not translated at the end (AO3).

Typical mistakes

  • Building the research on video and audio sources and arriving without two written ones.
  • Using several outlets that reproduce the same agency story and treating them as independent corroboration.
  • Relying on sources translated from English, which do not reflect Italian debate or Italian usage.
  • Keeping notes in English and translating them shortly before the assessment.

Active revision

Per ciascuna delle tue fonti scritte, scrivi in italiano tre frasi: chi scrive e per conto di chi, qual è la tesi, che cosa non dice che un'altra fonte invece dice. Poi, per due fonti, scrivi una frase che spieghi perché divergono.

Active recall

Recall the key points — then reveal.

§ 04

La presentazione di due minuti: twelve marks in one hundred and twenty seconds#

●●●AdvancedLPPearson Edexcel 9IN0 Paper 3 Task 2 Part 1 - responding to written language in speech (AO2), 12 marks; presentation must not exceed two minutesLPPearson Edexcel 9IN0 Paper 3 Task 2 Part 1 - responses that refer to just one single written source can be awarded a maximum of 3 marks only

Key points

Part 1 is a presentation of no more than two minutes in which you provide a summary of at least two of the written sources you used, outlining the authors' main points and ideas and giving a personal response to what you have read. One grid is applied and it is worth 12 marks; it assesses that presentation only and is not applied to the discussion that follows. Its top band asks for a clear summary of named written sources giving a clear outline of the authors' main points and ideas, and a convincing personal response supported with clear justification. And it carries an explicit cap: a response that refers to just one single written source can be awarded a maximum of 3 marks. That single sentence should govern how you build the two minutes, because it means that naming a second source is worth more than anything else you could do with the time.
The word named is doing work in that grid and is easy to underestimate. Naming a source means identifying it — the author, the publication, the kind of text and, where relevant, the date — not gesturing at un articolo che ho letto. In Italian: in un'inchiesta pubblicata da un quotidiano economico, la giornalista sostiene che ...; in un documento del consorzio di tutela, invece, si legge che ... Naming costs perhaps eight seconds per source and it is the difference between the grid's lowest band, which describes generalised comments rather than focus on the authors' main points, and its highest.
Two minutes is roughly two hundred and eighty words of spoken Italian, which is very little, so the structure must be decided rather than improvised. A workable division: fifteen seconds naming the research question, thirty-five seconds on the first source (name, author's main claim, one supporting detail), thirty-five on the second in the same shape, twenty-five on the relationship between them, and thirty on your personal response with its justification. Nothing else fits. In particular, do not spend the opening on how you came to be interested in the subject: the grid does not assess that, and it costs a quarter of the time available.
The personal response is the second trait in the grid and it is the one most often reduced to an opinion. What is required is a response to the written sources, supported with clear justification — which means a reaction to what these authors argued, not a view about the topic in general. The grid's lower bands describe exactly the failure: straying into general opinion and losing focus on the written sources. So anchor the response to the texts: mi ha colpito che la seconda fonte non affronti mai i costi di certificazione, e questo mi ha reso più cauto rispetto alla tesi del consorzio. Mi ha colpito che takes the congiuntivo, affronti; and the sentence responds to the reading rather than to the world.
Worked example

A two-minute presentation, section by section

Build the two-minute presentation for the DOP research question, with the two sources evaluated in the previous section.

  1. 01Seconds 0 to 15: the question

    La mia ricerca parte da una domanda semplice: la tutela DOP protegge davvero i piccoli produttori italiani, o serve soprattutto al marketing dell'esportazione? Fifteen seconds, the question stated as a question, and nothing about how you chose it. The examiner now knows what the next hundred seconds are about.

  2. 02Seconds 15 to 50: the first source, named

    La prima fonte scritta è un documento pubblicato da un consorzio di tutela. L'autore sostiene che la denominazione garantisce ai piccoli produttori un prezzo che il mercato altrimenti non riconoscerebbe, e porta come esempio i controlli sulla filiera. Named by type and publisher, main claim in one sentence, one supporting detail. Thirty-five seconds.

  3. 03Seconds 50 to 85: the second source, named

    La seconda fonte è un'inchiesta apparsa su un quotidiano economico. La giornalista arriva a una conclusione opposta: i costi di certificazione e di controllo pesano proporzionalmente di più sulle aziende piccole, cosicché il vantaggio si concentra nelle mani degli esportatori maggiori. Same shape, and note arriva a una conclusione opposta, which already begins the comparison.

  4. 04Seconds 85 to 110: the relationship between them

    Le due fonti non discordano sui fatti — entrambe riconoscono che il prodotto certificato si vende a un prezzo più alto — ma sull'attribuzione del beneficio. Twenty-five seconds spent on the relationship between the sources is the most valuable time in the presentation, because it demonstrates that you read them together rather than in sequence.

  5. 05Seconds 110 to 120: the personal response

    Personalmente mi ha colpito che il documento del consorzio non affronti mai i costi di certificazione, ed è questo silenzio, più che i dati dell'inchiesta, a rendermi cauto verso la sua tesi. Mi ha colpito che takes the congiuntivo affronti; è questo silenzio ... a rendermi is a cleft; and the response is anchored in an omission from one of the named sources, which is precisely the justification the grid asks for.

Result: One hundred and twenty seconds allocated as fifteen for the question, thirty-five for each named source, twenty-five for their relationship and ten to fifteen for a personal response anchored to an omission in one of them — with nothing spent on how the topic was chosen.

Exam focus

  • Name at least two written sources. One source caps Part 1 at 3 marks out of 12 (AO2).
  • Name means identify: author, publication, type of text, date where relevant (AO2).
  • Anchor the personal response to what the authors argued, not to the topic in general (AO2).

Typical mistakes

  • Referring to only one written source, which caps the mark at 3 out of 12 however good the presentation.
  • Saying ho letto un articolo without identifying it. The grid asks for named sources.
  • Spending the opening seconds on why you chose the topic, which is not assessed.
  • Giving a general opinion about the subject instead of a response to the sources, which the grid calls straying into general opinion.

Active revision

Cronometra la tua presentazione. Se supera i due minuti, taglia dal racconto di come hai scelto l'argomento, mai dalla seconda fonte. Poi riascoltati e conta quante volte hai identificato una fonte per autore, testata e tipo di testo.

Active recall

Recall the key points — then reveal.

§ 05

Exam technique: defending the research in Part 2#

●●●AdvancedLPPearson Edexcel 9IN0 Paper 3 Task 2 Part 2 - discussion of the research as a whole: AO4 12, AO3 12, AO1 6LPPearson Edexcel 9IN0 - the teacher-examiner uses the key findings and list of sources on Form RP3 to formulate questions

Key points

Part 2 is worth 30 of Task 2's 42 marks and runs for most of its ten or eleven minutes, and its questions are not a mystery: the specification says that the teacher-examiner uses the key findings and the list of sources on Form RP3 to help formulate them, supplemented by optional generic questions supplied by Pearson. That is a very large advantage if you take it. Everything on your own form is a question you will be asked. So write the form deliberately: six to ten key findings, each of which you can expand into a minute of speech; a source list you can discuss individually; and no claim on it that you cannot defend. A finding you cannot elaborate is not a finding — it is a trap you have set for yourself and signed.
Prepare in three layers. The first layer is the findings themselves, each rehearsed as a claim plus its evidence plus its qualification: ho trovato che ..., lo dimostra il fatto che ..., anche se va detto che ... The second layer is the obvious follow-ups: for each finding, the question you would ask if you were the examiner, which is almost always either how do you know or what about the opposite case. The third layer is the connections outward — to the themes, to Italian society more widely, to the present — because the AO4 grid rewards ideas consistently supported and consistently focused on the cultural and social context, and a research project discussed only inside its own boundaries can sound narrow rather than deep.
The interaction grid applies here too, worth 6 marks, and the same requirements hold: interact spontaneously throughout, take the lead consistently, and elicit points of view and check understanding naturally at different points. In a research discussion the natural form of that is to invite judgement on the interpretation rather than on the facts: Lei crede che questa distinzione regga anche in altri settori? or Non so se sono stato chiaro su questo punto — Le sembra convincente? Prepare three such questions attached to three different findings, so that they arise where the argument reaches a judgement rather than where you run out of things to say. And remember that the examiner is instructed to answer only briefly, so short questions serve you better than open ones.
Two things to prepare for specifically. First, the question you cannot answer. It will come — a fact you did not check, a source you skimmed — and the correct response is neither invention nor silence: questo non l'ho verificato direttamente, ma da quello che ho letto direi che ... Honesty costs nothing here and invention costs a great deal, because a fabricated fact tends to unravel under a follow-up. Second, the challenge to your conclusion. Prepare to defend it and, if the examiner's objection is good, to concede intelligently: è un'obiezione giusta, e in effetti ho dovuto rivedere la mia posizione a metà ricerca. Conceding well is not weakness; the AO4 grid asks for arguments that are developed and justified and for conclusions that convince, and a position that has survived a real objection convinces more than one that has never met one.
Worked example

Answering the three hardest questions on your own findings

Your Form RP3 carries the finding: «I costi di certificazione incidono proporzionalmente di più sulle piccole aziende.» Prepare for the three follow-ups the examiner is most likely to ask.

  1. 01Come fa a saperlo? — the evidence question

    Lo ricavo dall'inchiesta del quotidiano economico, che riporta i costi di certificazione in rapporto al fatturato; è una fonte interessata a criticare il sistema, quindi ho cercato conferma nel bilancio pubblicato da un consorzio, dove le voci di spesa sono coerenti. The answer names the source, acknowledges its bias, and says what you did about it — which is what independent research looks like in three clauses.

  2. 02E il caso contrario? — the counter-case question

    Ci sono consorzi che hanno introdotto tariffe ridotte per le aziende sotto una certa dimensione, e questo indebolisce in parte la mia conclusione; direi che il problema non è la certificazione in sé, ma la sua struttura di costo. Conceding a real counter-case and then reformulating the claim more precisely is a stronger answer than defending the original wording.

  3. 03Perché importa? — the significance question

    Perché tocca una contraddizione più ampia: un sistema nato per proteggere il territorio finisce per favorire chi esporta, il che si collega al divario fra le regioni, dato che i piccoli produttori sono concentrati nelle aree interne e nel Sud. This is the connection outward that the AO4 grid rewards, and it links the project to a theme of the specification without leaving the research behind.

  4. 04Add the eliciting question here, not at the end

    Lei crede che questa distinzione — fra lo strumento e la sua struttura di costo — valga anche per altri strumenti di tutela? The question arises exactly where the argument reached a judgement, which is what the interaction grid means by naturally and appropriately at different points in the conversation.

  5. 05Rehearse the honest formula once

    If asked something you did not check — how many consortia have introduced reduced fees, for instance — say so and then give what you do have: questo non l'ho quantificato, ma nelle fonti che ho consultato ne ho trovati due, quindi non posso dire se sia una tendenza. Saying non posso dire is a stronger answer than a guess, and it protects everything else you have said.

Result: One finding, prepared against three predictable follow-ups — evidence, counter-case, significance — with an eliciting question placed at the point of judgement and an honest formula rehearsed for the fact that was not checked.

Exam focus

  • Every item on Form RP3 is a question you will be asked; write nothing you cannot expand into a minute of speech (AO4).
  • Prepare three eliciting questions attached to three different findings, so they arise where a judgement is reached (AO1).
  • Prepare an honest formula for the question you cannot answer; invention unravels under follow-up (AO4).

Typical mistakes

  • Putting a finding on Form RP3 that you cannot elaborate, which converts your own form into a trap.
  • Discussing the project only within its own boundaries, which sounds narrow rather than deep.
  • Inventing a fact under pressure rather than saying it was not verified.
  • Defending a conclusion against a good objection instead of conceding intelligently and showing how the research changed your view.

Active revision

Dai il tuo Form RP3 a qualcuno e chiedigli di formulare, per ciascun risultato chiave e per ciascuna fonte, la domanda più scomoda che riesce a immaginare. Rispondi a tutte, cronometrando un minuto per risposta.

Active recall

Recall the key points — then reveal.

Sources: GCE AS and A level subject content for modern foreign languages (Department for Education)

Contents

Section -- / 05

    • 01Le regole del progetto: what is required, what is forbidden◐
    • 02Scegliere la domanda: from an interest to a defensible question●
    • 03Le fonti: finding, evaluating and recording Italian sources●
    • 04La presentazione di due minuti: twelve marks in one hundred and twenty seconds●
    • 05Exam technique: defending the research in Part 2●

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From notes into training

The independent research project: Task 2 and Form RP3

Reinforce this topic with matching tasks from the question bank.

~32
min
4
Competencies
Practise

References & sources

Sources

Pearson Edexcel

  • Pearson Edexcel Level 3 Advanced GCE in Italian (9IN0) specification

Department for Education

  • GCE AS and A level subject content for modern foreign languages

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